Power -- Purity -- Hierarchy -- Discipline -- Non-harm -- Austerity -- Chastity.

Caste, Communication and Power explores communication and the constitution of caste in Indian society. Intimately connected, both communication and caste are determined by historical developments. The book looks at communication as a lens to study caste and power relations, with its immense potential to shape perception and affect ground reality. It also studies the evolution of the conceptual and theoretical foundations of caste and power relations, and maps their emergence from communicative resources and practices. These communication practices are inevitably linked to the social structure, with their reliance on symbolic forms of self-expression, often revealing the underlying ideological attitudes. The book studies this interface of culture and media, evaluating the caste question and the associated power relations in terms of modes of communication practised in the society.

Immensely rich and diverse documentation for the region have resulted in exceptional growth in the research conducted on the history of medieval Rajasthan. Professor Dilbagh Singh has been one of the pioneers to explore archival documents of the different principalities of Rajasthan in his research and under his guidance, generations of researchers have been able to integrate archival documentation with extraordinary literary works available on that region. This collection of essays encapsulates recent trends in exploring the history of Rajasthan envisioning medieval Rajasthan as not just the present geographical spread of the state but situating it within the larger landscape extending up to Central Asia.Most of the essays in this volume are interdisciplinary in nature, dealing, on the one hand, with the interactions between society, polity and religion, and, on the other, the significance of climate variability and the human capacity for adaptations. A set of essays deals with the fluidity of identities of communities visible in religious affairs and in matrimonial alliances. Revisiting the History of Medieval Rajasthan, thus offers fresh perspectives on the history of the region even while it re-examines the conventional narratives of the history of medieval Rajasthan.

Did modernity arrive in South Asia with British colonialism? Or was South Asia already modern by then? What might have that modernity looked like? The Early Modern in South Asia engages with these questions. It brings together ten chapters, which collectively trace the contours of South Asia's early modernity between the sixteenth and eighteenth centuries. They do this by examining the nature of historical change in various domains, including philosophy, warfare, law, environment, politics, violence, religion, and society. The chapters argue that in all these fields, there were noticeable developments during this period, marking a shift from the medieval to the early modern. The introductory chapter contextualizes this by analysing the politics of periodization in history-writing across the world. It discusses the meanings of the relatively new concept of early modernity and the implications of its use for how we understand historical change and continuity in South Asia.

Contributed articles presented at a workshop convened at Department of History, Delhi University in September 2005.

An exploration of religious conflicts in premodern urban India. Diverse peoples intermingled in the streets and markets of premodern Indian cities. This book considers how these diverse residents lived together and negotiated their differences. Which differences mattered, when and to whom? How did state actions and policies affect urban society and the lives of various communities? How and why did conflict occur in urban spaces? Through these questions, this book explores the histories of urban communities in the three cities of Ajmer, Nagaur, and Pushkar in Rajasthan, between the sixteenth and eighteenth centuries. The focus of this study is on everyday life, contextualizing religious practices and conflicts by considering patterns of patronage and broader conflict patterns within society. The book examines various archival documents, from family and institutional records to state registers, and uses these documents to demonstrate the complex and sometimes contradictory ways religion intersected with politics, economics, and society. The author shows how many patronage patterns and processes persisted in altered forms, and how the robustness of these structures contributed to the resilience of urban spaces and society in precolonial Rajasthan.

Rajasthan- the land of rajas and maharajas, forts and palaces, deserts and ballads, the book covers a wide spectrum encompassing the political, socio-culural and economic history of Rajasthan from the earliest times up-to the middle of the twentieth century, in a comprehensive yet easy- to- read text. A History of Rajasthan uses various archival, epigraphical, numismatical, architectural, archaeological and arthistory related information as well as the traditional narratives and oral and written chronicles to provide a general overview of the city

Studies in Religion and the Everyday is a collection of essays addressing the contours of religious beliefs and practices in the context of everyday life in India. Events and processes in contemporary India--especially post the 1990s--have contributed to distinct modes of articulating religious practices. This volume is an attempt to historicize--and problematize--the categorization of religion as a universally held and analytically distinct feature of human life and seeks to understand the conditions--historical, political, discursive--and processes of authorization under which a particular set of practices, values, and dispositions constitutes the 'religious' at a specific point in time. By bringing together studies that draw from diverse methodological and epistemological approaches, the book will serve as a useful introduction to religion in India for the general reader and as an indispensable resource for students and researchers. The volume presents fresh perspectives on existing fields of study such as the city, capital, minorities, secularization, and the state--no longer seen as distinct from religion but actively co-produced with religion in the context of the theoretical rubric of the everyday--thereby marking a departure from approaching the question of religion solely through the lens of identity and conflict.

The political geography of Rajasthan in medieval times stretched far beyond modern day boundaries of State of Rajasthan. This wider geographic exapnse has been most rigorously and scrupulously examined by Prof. G.S.L. Devra. His scholarship has explored conventional and unconventional dimensions of historical pasts which began with the exploration of the revenue administration of Bikaner and went on to examine the nuances of human-nature interactions. His ability to move between Persian-Vernacular and Oral sources influenced writings of successive generations. This collection of essays covers a vast temporal span of the history of Rajasthan. Latest researches in the ancient past of the region based on recent excavations and examination of the post-colonial history of Rajasthan have been put together. Along with wide temporal expanse, this volume focuses on questions of Raja-Dharma, Santic communities, genealogies of geographies, urban studies along with the study of symbols and practices adopted during British colonial rule, identity formations of nomadic communities and tribal social formations. Reconfiguring the Historical Landscapes of Rajasthan: Essays for G.S.L. Devra, hence encapsulates recent researches on the region and goes beyond medieval orientation of history writing traditions of the region.

A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived. Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality. The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.