How did the Greeks and Romans perceive rape? How seriously was it taken, and who were seen as its main victims? These are two central questions that Rape in Antiquity: Sexual Violence in the Greek and Roman Worlds (1997), edited by Susan Deacy and Karen F. Pierce, aimed to approach in twelve chapters. Setting out to understand if the ancients had a concept of rape and how it was understood through different angles – including legal, social, cultural and historiographical – Rape in Antiquity made an invaluable contribution to the scholarship on sexual violence in the ancient world, impacting upon the development of new approaches in the decades that followed its publication. Revisiting Rape in Antiquity: Sexualised Violence in Greek and Roman Worlds maps out the influence of Rape in Antiquity while exploring how far cultural changes since the 1990s have reshaped the scholarly landscape. This collection, comprising chapters by established scholars and early career researchers from many countries, provides a new window into sexual – and sexualized – violence. Covering a long chronology, this book journeys from Homer to Byzantium, to modern receptions, to the analysis of wartime rape, ancient Greek tragedy, classical myth, how stories involving rape are retold for children, ancient law and rhetoric, classical art, Ovid, Late Antiquity, modern literature, comic books and cinema. This book is the culmination of a rich scholarly inheritance, setting out new perspectives that will hopefully inspire researchers for decades to come.

In the award-winning Just Sex? The Cultural Scaffolding of Rape, Nicola Gavey provides an extensive commentary on the existing literature on rape, analysing recent research to examine the psychological and cultural conditions of possibility for contemporary sexual violence. Just Sex? argues that feminist theory on sexual victimization has gone both too far and not far enough. It presents the reader with a challenging and original perspective on the issues of rape, sex and the body, incorporating new material on sexism, misogyny and digital culture, as well as debates over gendered analyses of sexual violence. The second edition has been updated and expanded to be extremely timely and relevant, with the most recent high-profile rape cases – the Stanford rape case and the Belfast rape case – being tried in the media and online. The rise of the Hollywood Harvey Weinstein scandal and the #MeToo movement makes this book incredibly useful and necessary to those who are working within the area of sexual violence. This will appeal to academic readers studying psychology, sociology, and criminology, as well as those looking into cultural influences on society. It will also be very useful to those working in the professional sector on prevention and with people who have been subjected to sexual violence.

Winner of the Association for Women In Psychology 2006 Distinguished Publication Award! The past two decades have witnessed a significant shift in how rape is understood in Western societies. This shift in perception has revealed the startling frequency of occurrences of date rape, obscuring the divide between rape and what was once just sex. Just Sex? combines an overview of the existing literature with an analysis of recent research to examine the psychological and cultural implications of this new epidemic. The result is the conclusion that feminist theory on sexual victimisation has gone both too far and not far enough. The reader is presented with a challenging and original perspective on the issues of rape, sex and the body, incorporating subjects including: * rape as a social problem * the social constructionism of sex, subjectivity and the body * heterosexuality under the microscope This book succeeds in making a valuable contribution to feminist and social contructionist work on rape that will be of interest to those studying psychology, gender studies, cultural studies and sociology. Just Sex? The Cultural Scaffolding of Rape was selected as a 2005 winner of AWP's (Association for Women in Psychology) distinguished publication award.

Rape Myths: Understanding, Assessing, and Preventing is ideal for anyone wishing to know more about their theoretical background, prevalence, assessment, and functions. Outlining their meaning and foundations, this book also considers their conceptualisation and the construct of rape myth acceptance.

This book provides a feminist psychological analysis of contemporary resistance to sexual harassment in and around #MeToo. It explores how women’s assumed empowerment in postfeminist and neoliberal feminist discourses has shaped understandings of sexual harassment and social responses to it. This exploration is grounded in the trajectories of feminist activism and psychological theory about sexual harassment. Lazard addresses the gendered binary of female victims and male perpetrators in contemporary victim politics and the treatment of perpetrators within postfeminist and neoliberal frames. In doing so, the author unpacks the cultural conditions which support or deny who gets to speak and be heard in #MeToo politics. This book will be a valuable resource not only for scholars and students from within the psychological sciences and gender studies, but for the wider social sciences and anyone interested in the psychological grounding of the #MeToo movement.

In recent years, members of legal, law enforcement, media and academic circles have portrayed rape as a special kind of crime distinct from other forms of violence. In Framing the Rape Victim, Carine M. Mardorossian argues that this differential treatment of rape has exacerbated the ghettoizing of sexual violence along gendered lines and has repeatedly led to women’s being accused of triggering, if not causing, rape through immodest behavior, comportment, passivity, or weakness. Contesting the notion that rape is the result of deviant behaviors of victims or perpetrators, Mardorossian argues that rape saturates our culture and defines masculinity’s relation to femininity, both of which are structural positions rather than biologically derived ones. Using diverse examples throughout, Mardorossian draws from Hollywood film and popular culture to contemporary women’s fiction and hospitalized birth emphasizing that the position of dominant masculinity can be occupied by men, women, or institutions, while structural femininity is a position that may define and subordinate men, minorities, and other marginalized groups just as effectively as it does women. Highlighting the legacies of the politically correct debates of the 1990s and the terrorist attacks of 9/11, the book illustrates how the framing of the term “victim” has played a fundamental role in constructing notions of agency that valorize autonomy and support exclusionary, especially masculine, models of American selfhood. The gendering of rape, including by well-meaning, sometimes feminist, voices that claim to have victims’ best interests at heart, ultimately obscures its true role in our culture. Both a critical analysis and a call to action, Framing the Rape Victim shows that rape is not a special interest issue that pertains just to women but a pervasive one that affects our society as a whole.

This first-ever study of rape in modern American drama examines portrayals of rape, raped women and rapists in 36 plays written between 1970 and 2007, the period during which the feminist movement made rape a matter of public discourse. These dramas reveal much about sexuality and masculine and feminine identity in the United States. The author traces the impact of second-wave feminism, antifeminist backlash, third-wave feminism and postfeminism on the dramatic depiction of rape. The prevalence of commonly accepted rape myths--that women who dress provocatively invite sexual assault, for example--is well documented, along with equally frequent examples which dispute these myths.

Is justice possible for a woman raped in contemporary patriarchal culture? This book explores one of the major conundrums of our time: given all the feminist activism and reforms of the last 50 years, why does rape remain so prevalent and justice so elusive? In exploring these questions, Jan Jordan takes us back into the patriarchal origins of our rape culture in order to trace the connections between past laws and current justice realities. Her examination covers developments in police and court processes and explores the connections between men, masculinity, and rape before considering the scope of rape prevention. She argues the need for urgent transformation of the rape-condoning cultures that currently make it impossible for rape prevalence to abate or for rape victims to receive justice.