Inverse Utopia looks at urbanism from the perspective of modernism and postmodernism, as well as at how commercialization has transformed the modern city. In his earlier book Ladders (1997), the author described the emergence of the cul-de-sac as a typical manifestation of this trend. In this new book, Inverse Utopia, Pope argues for the development of architectural and urban forms that respond to contemporary ecological and social challenges. The title refers to a statement by the philosopher Günther Anders: whereas utopians are unable to make the things they imagine, others are unable to imagine the things they make. This book is a stand-alone volume but may be read as a sequel to Ladders. Collection of essays and profiles of design projects The urban design project of modernism and postmodernism Connections between architectural morphology and the consumer economy

Ever since Adam and Eve were expelled from the Garden of Eden, writers and reformers have been inspired to create fictional or experimental utopias. The former may be serious as was Plato’s Republic or satires as Erewhon by Samuel Butler. The latter may be one-man utopias such as Thoreau at Walden Pond or continental reverse utopias (dystopias) such as the former Soviet Union. Utopias may stress technology as did the New Atlantis of Francis Bacon or resist technology as did the Islandia of Austin T. Wright. They may be sexually promiscuous as was the Brave New World of Huxley or extremely puritanical as were the Shaker communities. While they may appear frivolous they represent man’s desire to “dream the impossible dream.” They can show us the flaws in our present socioeconomic system and point to more prosperous and just systems in the future. They may, in the words of Lewis Mumford, be utopias of escape or utopias of reconstruction. In any case, fasten your seat belts and enjoy the trip of your life!

Literary critics and scholars have written extensively on the demise of the "utopian spirit" in the modern novel. What has often been overlooked is the emergence of a new hybrid subgenre, particularly in science fiction and fantasy, which incorporates utopian strategies within the dystopian narrative, particularly in the feminist dystopias of the 1980s and 1990s. The author names this new subgenre "transgressive utopian dystopias." Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are thoroughly analyzed within the context of this this new subgenre of "transgressive utopian dystopias." Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative. Without completely dissolving the dualistic order, the feminist dystopias studied here contest the notions of unambiguity and authenticity that are generally part of the canon.

Looking Backward - Julian West, a young American, towards the end of the 19th century falls into a deep, hypnosis-induced sleep and wakes up 113 years later. He finds himself in the same location (Boston, Massachusetts), but in a totally changed world: It is the year 2000, and while he was sleeping, the United States has been transformed into a socialist utopia. The young man readily finds a guide, Doctor Leete, who shows him around and explains all the advances of this new age, including drastically reduced working hours for people performing menial jobs and almost instantaneous, Internet-like delivery of goods. The two-start working on improving the future with the experiences from the past and the presence. Looking Further Backward - Set in future of 2023 the book narrates the story of how China invades USA in 2020 after China has adopted rampant capitalism as opposed to rest of the world who are in throes of Nationalism, a socialism like set up. Written in a form of a diary, the novel directly hits out at Edward Bellamy's 1888 Utopian novel Looking Backward. The political drama that unfolds in this novel will make you deeply wonder how the author could foresee so much!

During times of conflict, Americans have worried that enemies within would twist freedom of speech into a weapon of propaganda and use freedom of assembly to unleash violent internal chaos. As a result, the government isolated and confined within federal communities groups that they deemed dangerous. Within these so-called cultural structures of realistic democracy, the government awkwardly attempted to protect citizens while curbing their rights and freedoms. ø It is no accident that the government?s enclosed worlds were most numerous in the American West, where abundant open space has long symbolized the glory of American freedom and progress. Heather Fryer looks at four of these inverse utopias in the American West: the Klamath Indian reservation; the community of nuclear scientists in Los Alamos; the Japanese internment camp in Topaz, Utah; and the wartime company town of Vanport, Oregon. Each community stripped freedoms from Americans based on beliefs about the treacherous tendencies of minorities, workers, and radicals. Although the differences of experience among the four populations were considerable, they shared the marginalization, repression, displacement, and disillusionment with the federal government that flourished within the confined spaces of America?s inverse utopias. Nor was their experience theirs alone; it is instead part of a patterned, national, wartime dynamic that makes enemies of citizens while fighting to extend American freedom to every corner of the globe.

Marina Leslie draws on three important early modern utopian texts—Thomas More's Utopia, Francis Bacon's New Atlantis, and Margaret Cavendish's Description of a New World Called the Blazing World—as a means of exploring models for historical transformation and of addressing the relationship of literature and history in contemporary critical practice. While the genre of utopian texts is a fertile terrain for historicist readings, Leslie demonstrates that utopia provides unstable ground for charting out the relation of literary text to historical context. In particular, she examines the ways that both Marxist and new historicist critics have taken the literary utopia not simply as one form among many available for reading historically but as a privileged form or methodological paradigm. Rather than approach utopia by mapping out a fixed set of formal features, or by tracing the development of the genre, Leslie elaborates a history of utopia as critical practice. Moreover, by taking every reading of utopia to be as historically symptomatic as the literary production it assesses, her book integrates readings of these three English Renaissance utopias with an analysis of the history and politics of reading utopia. Throughout, Leslie considers utopia as a fictional enactment of historical process and method. In her view, these early modern utopian constructions of history relate very closely to and impinge upon the narrative structures of history assumed by critical theory today.

Universal basic income. A 15-hour workweek. Open borders. Does it sound too good to be true? One of Europe's leading young thinkers shows how we can build an ideal world today. "A more politically radical Malcolm Gladwell." -- New York Times After working all day at jobs we often dislike, we buy things we don't need. Rutger Bregman, a Dutch historian, reminds us it needn't be this way -- and in some places it isn't. Rutger Bregman's TED Talk about universal basic income seemed impossibly radical when he delivered it in 2014. A quarter of a million views later, the subject of that video is being seriously considered by leading economists and government leaders the world over. It's just one of the many utopian ideas that Bregman proves is possible today. Utopia for Realists is one of those rare books that takes you by surprise and challenges what you think can happen. From a Canadian city that once completely eradicated poverty, to Richard Nixon's near implementation of a basic income for millions of Americans, Bregman takes us on a journey through history, and beyond the traditional left-right divides, as he champions ideas whose time have come. Every progressive milestone of civilization -- from the end of slavery to the beginning of democracy -- was once considered a utopian fantasy. Bregman's book, both challenging and bracing, demonstrates that new utopian ideas, like the elimination of poverty and the creation of the fifteen-hour workweek, can become a reality in our lifetime. Being unrealistic and unreasonable can in fact make the impossible inevitable, and it is the only way to build the ideal world.

The Palgrave Handbook of Utopian and Dystopian Literatures celebrates a literary genre already over 500 years old. Specially commissioned essays from established and emerging international scholars reflect the vibrancy of utopian vision, and its resiliency as idea, genre, and critical mode. Covering politics, environment, geography, body and mind, and social organization, the volume surveys current research and maps new areas of study. The chapters include investigations of anarchism, biopolitics, and postcolonialism and study film, art, and literature. Each essay considers central questions and key primary works, evaluates the most recent research, and outlines contemporary debates. Literatures of Africa, Australia, China, Latin America, and the Middle East are discussed in this global, cross-disciplinary, and comprehensive volume.

Probes the contested concept of utopia, examining the different ways in which it has been used by commentators and theorists in both liberal and Marxist radiations. The works of Karl Mannheim, Georges Sorel, Ernst Bloch, William Morris, and Herbert Marcuse are studied. Annotation copyrighted by Book News, Inc., Portland, OR

Within the cycle that runs from Erewhon to Island, British literary utopias compete with one another to form the most persuasive picture of what the future might, or should, be like. At issue for Butler, Wells, Zamiatin, Orwell and others is whether utopia, be it positive or negative, is essentially prediction or hypothesis. Huxley contributed to this debate at roughly fifteen-year intervals, his three utopias becoming its key texts. In addition, Aldous Huxley and Utopia examines ironic cure scenes, the obsession with golf in the brave new world, attitudes towards death in Brave New World and Island, problems with names and history in the former, the role of islands in both, the detrimental impact of Madame Blavatsky and young Krishnamurti on the story of Pala, and the significance of a zoological conclusion of Island.