Looking Backward - Julian West, a young American, towards the end of the 19th century falls into a deep, hypnosis-induced sleep and wakes up 113 years later. He finds himself in the same location (Boston, Massachusetts), but in a totally changed world: It is the year 2000, and while he was sleeping, the United States has been transformed into a socialist utopia. The young man readily finds a guide, Doctor Leete, who shows him around and explains all the advances of this new age, including drastically reduced working hours for people performing menial jobs and almost instantaneous, Internet-like delivery of goods. The two-start working on improving the future with the experiences from the past and the presence. Looking Further Backward - Set in future of 2023 the book narrates the story of how China invades USA in 2020 after China has adopted rampant capitalism as opposed to rest of the world who are in throes of Nationalism, a socialism like set up. Written in a form of a diary, the novel directly hits out at Edward Bellamy's 1888 Utopian novel Looking Backward. The political drama that unfolds in this novel will make you deeply wonder how the author could foresee so much!

Looking Backward: 2000-1887 is a utopian science fiction novel by Edward Bellamy, a lawyer and writer from Chicopee Falls, Massachusetts; it was first published in 1887. According to Erich Fromm, Looking Backward is "one of the most remarkable books ever published in America".

Looking Backward is a utopian novel by Edward Bellamy, a lawyer and writer from western Massachusetts. First published in 1888 (Ticknor and Company Copyrighted the work in 1887), it describes a young man, named Julian West, who falls asleep in 1887 and wakes up in 2000 to find the USA has become a socialist utopia. In the first years of its release, Looking Backward sold more than 1 million copies. More than 160 Nationalist Clubs formed to propagate the book's ideas. Many authors wrote utopian fiction to attack, support, ridicule, or defend Bellamy's ideas. Scholars count over 150 sequels or other fictional responses to Bellamy's book.[1][2][3] This list focuses on works that (to various extents) use the same setting or characters as Looking Backward, and was derived from several sources.

A 2021 Lambda Literary Award Finalist “A unique alien invasion story that focuses on the human and the myriad ways we see and don’t see our own world. Mesmerizing.” —Jeff VanderMeer A blend of searing social commentary and speculative fiction, Chana Porter’s fresh, pointed debut explores a strange new world in the wake of a benign alien invasion. Trina FastHorse Goldberg-Oneka is a fifty-year-old trans woman whose life is irreversibly altered in the wake of a gentle—but nonetheless world-changing—invasion by an alien entity called The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible. Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence—until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seeptech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated. Heartbroken and deep into an alcoholic binge, Trina follows a lost boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind. A strange new elegy of love and loss, The Seep explores grief, alienation, and the ache of moving on.

In this work, Buber expounds upon and defends the Zionist experiment - a federal system of communities on a co-operative basis. He looks to the anarchists Proudhon, Kropotkin and Gustav Landauer, but selects only that part of their doctrines appropriate to his case.

Set in Boston on December 26, 2000, but written before the turn of the nineteenth century, this classic Utopian novel is more significant and relevant than ever with its reappearance this millennium. Addressing moral and material concerns of late nineteenth century industrial America through romantic narrative, Bellamy suggests a fictionalized society in which war, poverty, and malice do not exist.

The concepts of utopia and dystopia have received much historical attention. Utopias have traditionally signified the ideal future: large-scale social, political, ethical, and religious spaces that have yet to be realized. Utopia/Dystopia offers a fresh approach to these ideas. Rather than locate utopias in grandiose programs of future totality, the book treats these concepts as historically grounded categories and examines how individuals and groups throughout time have interpreted utopian visions in their daily present, with an eye toward the future. From colonial and postcolonial Africa to pre-Marxist and Stalinist Eastern Europe, from the social life of fossil fuels to dreams of nuclear power, and from everyday politics in contemporary India to imagined architectures of postwar Britain, this interdisciplinary collection provides new understandings of the utopian/dystopian experience. The essays look at such issues as imaginary utopian perspectives leading to the 1856-57 Xhosa Cattle Killing in South Africa, the functioning racist utopia behind the Rhodesian independence movement, the utopia of the peaceful atom and its global dissemination in the mid-1950s, the possibilities for an everyday utopia in modern cities, and how the Stalinist purges of the 1930s served as an extension of the utopian/dystopian relationship. The contributors are Dipesh Chakrabarty, Igal Halfin, Fredric Jameson, John Krige, Timothy Mitchell, Aditya Nigam, David Pinder, Marci Shore, Jennifer Wenzel, and Luise White.

The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman--who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society. These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.

Set in Boston on December 26, 2000, but written before the turn of the nineteenth century, this classic Utopian novel is more significant and relevant than ever with its reappearance this millennium. Addressing moral and material concerns of late nineteenth century industrial America through romantic narrative, Bellamy suggests a fictionalized society in which war, poverty, and malice do not exist.The main character discovered that all social class differences were erased, and there is a utopian society. He wonders how in the twenty-first century all kinds of music are available at the touch of a button. Credit card replaced the money. The author compares the 21st century and 19 in the novel.