At the age of twelve, Dresden-born Maurice de Saxe (1696–1750) entered the Saxon army, beginning a long and successful military career that culminated in his promotion to Marshal of France, where he retained full command of the main army in Flanders directly under Louis XV. Again and again, de Saxe achieved enormous victories over his enemies, becoming one of the greatest military leaders of the eighteenth century. Combining his memoirs and general observations with brilliant military thinking, Reveries on the Art of War was written in a mere thirteen days. Introducing revolutionary approaches to battles and campaigning at a time of changing military tactics and leadership styles, it stands as a classic of early modern military theory. De Saxe's Reveries offered numerous procedural innovations for raising and training troops. His descriptions for establishing field camps were soon standard procedure. His ideas advanced weapon technology, including the invention of a gun specially designed for infantrymen and the acceptance of breech-loading muskets and cannons. De Saxe heightened existing battle formations by introducing a specific attack column that required less training, and he rediscovered a military practice lost since the ancient Romans — the art of marching in cadence. He even delved into the minds and emotions of soldiers on the battlefield, obtaining a deeper understanding of their daily motivations. Written by a military officer of great acumen, Reveries on the Art of War has deeply impacted modern military tactics. Enduringly relevant, this landmark work belongs in the library of anyone interested in the history, tactics, and weapons of European warfare.

This engrossing anthology gathers together a remarkable collection of writings on the use of strategy in war. Gérard Chaliand has ranged over the whole of human history in assembling this collection—the result is an integration of the annals of military thought that provides a learned framework for understanding global political history. Included are writings from ancient and modern Europe, China, Byzantium, the Arab world, Persia, and the Ottoman Empire. Alongside well-known militarists such as Julius Caesar, Napoleon, Walter Raleigh, Rommel, and many others are "irregulars" such as Cortés, Lawrence of Arabia, and even Gandhi. Contrary to standard interpretations stressing competition between land and sea powers, or among rival Christian societies, Chaliand shows the great importance of the struggles between nomadic and sedentary peoples, and of the conflicts between Christianity and Islam. With the invention of firepower, a relatively recent occurrence in the history of warfare, modes of organization and strategic concepts—elements reflecting the nature of a society—have been key to how war is waged. Unparalleled in its breadth, this anthology will become the standard work for understanding a fundamental part of human history—the conduct of war. "This anthology is not only an unparalleled corpus of information and an aid to failing memory; it is also and above all a reliable and liberating guide for research. . . . Ranging "from the origins to the nuclear age," it compels us to widen our narrow perspectives on conflicts and strategic action and open ourselves up to the universal."—from the Foreword

War cannot be controlled in future without an understanding of its past. These essays analyse war, its strategic characteristics and its political and social functions, over the past five centuries.

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"Born to an Algerian-French father and a German mother, both Jews, Helene Cixous experienced a childhood fraught with racial and gender crises. In this moving story she recounts how small domestic events - a new dog, the gift of a bicycle - reverberate decades later with social and psychological meaning. The story's protagonist, whose life resembles that of the author, endures a double alienation: from Algerians because she is French and from the French because she is Jewish. The isolation and exclusion Cixous and her family feel, especially under the Vichy government and during the Algerian War of independence, underpin this heartbreaking but also warmly human and often funny story. The author-narrator concedes that memories of Algeria awaken in her longings for the sights, sounds, and smells of her home country and ponders how that stormy relationship has influenced her life and thought. A meditation on postcolonial identity and gender, Reveries of the Wild Woman is also a poignant recollection of how childhood is author to the woman."--BOOK JACKET.

Since 2001, Western forces have been involved in a series of major military campaigns, primarily in Iraq and Afghanistan but also in Africa. For all the sophistication of the contemporary Western way of war with its digital technologies and precision weapons, infantry soldier have been frequently involved in close combat of an intensity which is comparable to the wars of the twentieth century. At the small unit level, combat has been as brutal as ever. Yet, in many cases, they have prevailed even when they were surprised or disadvantaged. How and why have professional Western soldiers been willing and able to fight effectively together during these campaigns? Through a series of rich historical and ethnographic case-studies, this collection seeks to analyse the experience of combat soldiers on operations in the last decade. The book explores the motivation, training, and culture of the professional Western soldier, highlighting differences and commonalities between the troops of different nations. This book is a project of the Changing Character of War programme at the University of Oxford.

Frederick the Great (1712–1786), King of Prussia, initiated the Seven Years' War in 1756; outfought the formidable French, Russian, and Austrian armies aligned against him; and established Prussia as a major power, thereby decisively influencing the next two centuries of European history. He was also a brilliant military thinker whose observations arose from extensive battlefield experience.This volume presents a balanced selection from Frederick's writings on strategy, tactics, and mobility; the problems of logistics and a two-front war; the combined use of infantry, cavalry, and artillery; the history of the Prussian army; the critical battles of the Seven Years' War; generalship as an art; and much more. A majority of this material is translated here for the first time in English and available nowhere else. The result is an invaluable glimpse into the inner thoughts of a military genius.

The third book in Professor Christian Potholm’s war trilogy (which includes Winning at War and War Wisdom), Understanding War provides a most workable bibliography dealing with the vast literature on war and warfare. As such, it provides insights into over 3000 works on this overwhelmingly extensive material. Understanding War is thus the most comprehensive annotated bibliography available today. Moreover, by dividing war material into eighteen overarching themes of analysis and fifty seminal topics, and focusing on these, Understanding War enables the reader to access and understand the broadest possible array of materials across both time and space, beginning with the earliest forms of warfare and concluding with the contemporary situation. Stimulating and thought-provoking, this volume is essential for an understanding of the breadth and depth of the vast scholarship dealing with war and warfare through human history and across cultures.

Two centuries after Carl von Clausewitz wrote On War, it lines the shelves of military colleges around the world and even showed up in an Al Qaeda hideout. Though it has shaped much of the common parlance on the subject, On War is perceived by many as a “metaphysical fog,” widely known but hardly read. In War as Paradox, Youri Cormier lifts the fog on this iconic work by explaining its philosophical underpinnings. Building up a genealogy of dialectical war theory and integrating Hegel with Clausewitz as a co-founders of the method, Cormier uncovers a common logic that shaped the fighting doctrines and ethics of modern war. He explains how Hegel and Clausewitz converged on method, but nonetheless arrived at opposite ethics and military doctrines. Ultimately, Cormier seeks out the limits to dialectical war theory and explores the greater paradoxes the method reveals: can so-called “rational” theories of war hold up under the pressures of irrational propositions, such as lone-wolf attacks, the circular logic of a “war to end all wars,” or the apparent folly of mutually assured destruction? Since the Second World War, commentators have described war as obsolete. War as Paradox argues that dialectical war theory may be the key to understanding why, despite this, it continues.