The epic SF trilogy concludes with a mind-blowing exploration of space as the truth of the Originators is revealed and the future of humanity is decided amongst the stars; a fate forged deep in the secret history of our past. Pre-cog: the ability to visualise a future outcome and how to achieve or avoid it. It is thought by some to be associated with quantum entanglement and possibility/probability fields. Pre-cog based societies dislike any form of change. Their over-riding instinct is to control or destroy anything that affects the status quo. This includes creativity in all its forms. It wasn't much of an army to save Earth from alien, pre-cog domination. Only three people: an heiress, a sociopathic artist and their leader, a female licensed assassin. But time has run out. The artificial intelligences - alien artefacts - that run Earth and its colonies are going mad. Long held human grudges, suspicions and fears have erupted in violence throughout the world. Earth's own pre-cogs have seen the trio victorious. . . maybe. For Kara Jones, the assassin, it is a time of chaos made worse by the absence of Tatia Nerein, the heiress now warrior who is following her own dangerous path across alien worlds, and Marc Keislack, who stepped into netherspace, the dimension that allows star travel. Kara searches for a way to snatch her people back from a hostile galaxy even as she is assailed by doubts. But loyalty is everything and she will sacrifice anything to find her comrades and complete a mission she barely understands. And ultimately discover the truth about the aliens. . . a revelation no greater than the truth she learns about herself.

The epic SF trilogy concludes with a mind-blowing exploration of space as the truth of the Originators is revealed and the future of humanity is decided amongst the stars; a fate forged deep in the secret history of our past. Pre-cog: the ability to visualise a future outcome and how to achieve or avoid it. It is thought by some to be associated with quantum entanglement and possibility/probability fields. Pre-cog based societies dislike any form of change. Their over-riding instinct is to control or destroy anything that affects the status quo. This includes creativity in all its forms. It wasn't much of an army to save Earth from alien, pre-cog domination. Only three people: an heiress, a sociopathic artist and their leader, a female licensed assassin. But time has run out. The artificial intelligences - alien artefacts - that run Earth and its colonies are going mad. Long held human grudges, suspicions and fears have erupted in violence throughout the world. Earth's own pre-cogs have seen the trio victorious. . . maybe. For Kara Jones, the assassin, it is a time of chaos made worse by the absence of Tatia Nerein, the heiress now warrior who is following her own dangerous path across alien worlds, and Marc Keislack, who stepped into netherspace, the dimension that allows star travel. Kara searches for a way to snatch her people back from a hostile galaxy even as she is assailed by doubts. But loyalty is everything and she will sacrifice anything to find her comrades and complete a mission she barely understands. And ultimately discover the truth about the aliens. . . a revelation no greater than the truth she learns about herself.

Fans of Elizabeth Moon and Anne Leckie will love this first thrilling adventure in an epic space opera trilogy—set in a future where alien technology comes at a steep price: human life. Aliens came to Earth 40 years ago. Their anatomy proved unfathomable and all attempts at communication failed. But through trade, humanity gained technology that allowed them to colonize the stars. The price: live humans for every alien faster-than-light drive. Kara’s sister was one of hundreds exchanged for this technology, and Kara has little love for aliens. So when she is drafted by GalDiv—the organization that oversees alien trades—it is under duress. A group of colonists have been kidnapped by aliens and taken to an uncharted planet, and an unusual team is to be sent to negotiate. As an ex-army sniper, Kara’s role is clear. But artist Marc has no combat experience, although the team’s pre-cog Tse is adamant that he has a part to play. All three know that success is unlikely. For how will they negotiate with aliens when communication between the species is impossible?

This priceless and inexhaustible resource is the ultimate synthesis of science, philosophy and truth, of reason, wisdom and faith, and of past, present and future. This book comes in either red or blue.

A man escapes into the Desert of Yondo where he encounters the abominations that live there. (note: a very short story)

DIVA special issue of PUBLIC CULTURE, this collection of essays forms an empirically grounded, conceptual discussion that posits global millennial capitalism as a historical formation./div

In this book, Lorraine York examines the figure of the celebrity who expresses discomfort with his or her intense condition of social visibility. Bringing together the fields of celebrity studies and what Ann Cvetkovich has called the “affective turn in cultural studies”, York studies the mixed affect of reluctance, as it is performed by public figures in the entertainment industries. Setting aside the question of whether these performances are offered “in good faith” or not, York theorizes reluctance as the affective meeting ground of seemingly opposite emotions: disinclination and inclination. The figures under study in this book are John Cusack, Robert De Niro, and Daniel Craig—three white, straight, cis-gendered-male cinematic stars who have persistently and publicly expressed a feeling of reluctance about their celebrity. York examines how the performance of reluctance, which is generally admired in celebrities, builds up cultural prestige that can then be turned to other purposes.

Elizarenkova, perhaps the greatest living scholar of the Rgveda and certainly its greatest linguist, explains here the relationships between a very complicated grammatical system and the peculiarities of style of the archaic religious poetry. The laudatory hymn is treated as an act of verbal communication between the poet Rsi and the deity, with the hymn itself transmitting certain information from man to god. From this viewpoint, the hymn is used as a means to maintain a circular exchange of gifts between the Rsis and their gods. Many peculiarities of the functioning of the grammatical system of the Rgveda are interpreted in connection with the model of the universe of the Vedic Aryan. For example, the concept of time as a circular process bears closely on the use of the verbal grammatical categories of tense and mood; the personification of some abstract forces can explain some irregularities in the functioning of the nominal category of gender; and the idea of magical power attributed to the Sacred Speech in general, and to the name of a god in particular, underlies the magical grammar of this religious poetry.