This collection of essays from a diverse group of internationally recognized scholars builds on the work of Steven J. Friesen to analyze the material and ideological dimensions of John’s Apocalypse and the religious landscape of the Roman East. Readers will gain new perspectives on the interpretation of John’s Apocalypse, the religion of Hellenistic cities in the Roman Empire, and the political and economic forces that shaped life in the Eastern Mediterranean. The chapters in this volume examine texts and material culture through carefully localized analysis that attends to ideological and socioeconomic contexts, expanding upon aspects of Friesen’s research and methodology while also forging new directions. The book brings together a diverse and international set of experts including emerging voices in the fields of biblical studies, Roman social history, and classical archeology, and each essay presents fresh, critically informed analysis of key sites and texts from the periods of Christian origins and Roman imperial rule. Revelation and Material Religion in the Roman East is of interest to students and scholars working on Christian origins, ancient Judaism, Roman religion, classical archeology, and the social history of the Roman Empire, as well as material religion in the ancient Mediterranean more broadly. It is also suitable for religious practitioners within Christian contexts.

"This collection of essays from a diverse group of internationally recognized scholars builds on the work of Steven J. Friesen to analyze the material and ideological dimensions of John's Apocalypse and the religious landscape of the Roman East. Readers will gain new perspectives on the interpretation of John's Apocalypse, the religion of Hellenistic cities in the Roman Empire, and the political and economic forces that shaped life in the Eastern Mediterranean. The chapters in this volume examine texts and material culture within carefully localized analysis while attending to their ideological and socio-economic contexts, expanding upon aspects of Friesen's research and methodology while also forging new directions. The book brings together a diverse and international set of experts including emerging voices in the fields of biblical studies, Roman social history, and classical archaeology, and each essay presents fresh, critically informed analysis of key sites and texts from the periods of Christian origins and Roman imperial rule. Revelation and Material Religion in the Roman East is of interest to students and scholars working on Christian origins, ancient Judaism, Roman religion, classical archaeology, and the social history of the Roman Empire, as well as material religion in the ancient Mediterranean more broadly. It is also suitable for religious practitioners within Christian contexts"--

In an effort to demonstrate the (im)practicalities of John's command for withdrawal (18:4), this book reconstructs the marble economy of Roman Ephesus and reads Revelation through the daily lives of its workers. It concludes that John's call for zero cultural participation is utterly devastating for its workers.

With contributions spanning from the Neolithic Age to the Iron Age, this book offers important insights into the religions and ritual practices in ancient Egyptian and Near Eastern communities through the lenses of their material remains. The book begins with a theoretical introduction to the concept of material religion and features editor introductions to each of its six parts, which tackle the following themes: the human body; religious architecture; the written word; sacred images; the spirituality of animals; and the sacred role of the landscape. Illustrated with over 100 images, chapters provide insight into every element of religion and materiality, from the largest building to the smallest amulet. This is a benchmark work for further studies on material religion in the ancient Near East and Egypt.

Comparing the verbal images of the book of Revelation to the visual rhetoric and images of Asia Minor, Andrew R. Guffey argues that Revelation is to be "seen" and not just read. By engaging Revelation as a visual text, Guffey reinserts it into the visual culture of early Christianity.

This book delves into the intricate and, as argued, essential relationship between poetics and religion in Pindar. It explores how performance, cult, and religious attitudes intersect, offering readers a nuanced approach to Pindaric poetry concerning the relationship between mortals and the divine. Marinis approaches the world of Pindaric poetry within its historical context, enabling readers to explore the cultural and religious foundations of Pindar’s lyric verse. The chapters examine both epinician poetry and cultic songs, the two major genres of the Pindaric corpus. This monograph focuses on the interconnectedness of poetics and religion, a central question that is essential for understanding the distinctive nature of Pindaric poetry. It examines the diverse ways in which Pindaric poetic tropes intersect with religious themes through detailed analysis and scholarly research. Readers gain an understanding of the significance of performance and cult in the public enactment of Pindar’s works, exploring the relations between mortals – the composer of the song, its performer, and the victor in the case of epinician poetry – and the divine, highlighting the complexities of ancient Greek literature regarding religious practices and attitudes. Through its rigorous examination of Pindaric poetics and religious themes, this book offers readers a profound insight into the religious dimensions of ancient Greek poetry and the enduring legacy of Pindar’s oeuvre. Poetics and Religion in Pindar is suitable for scholars and students working on ancient Greek literature, particularly the works of Pindar and lyric poetry, as well as those interested in classical literature and ancient Greek religion and culture more broadly.

This volume explores the effects of Greek presence in the Iberian Peninsula, and how this Iberian Greek experience evolved in resonance with its neighbouring region, the Mediterranean West. Contributions cover the Phocaean settlement at Emporion and its relationship with the indigenous hinterland, the government of the Greek communities, Greek settlement and trade at Málaga, the Greek settlement of Santa Pola, Greek trade in Southern France and Eastern Spain, the implications of imported Attic pottery in the fifth and fourth centuries BC and the conception of Iberia in the eyes of the Greeks. The Iberian Peninsula invites discussion of key notions of ethnic identity, the use of code-switching, cultural geography and the role of society in generating, developing and exploiting social memory in a changing world. The contributions in this volume provide a variety of responses and interpretations of the Greek presence, reflecting the extent of this debate and offering different approaches in order to better understand the range of evidence from the Iberian Peninsula. The Greeks in Iberia and their Mediterranean Context develops current research on the Greek presence, presenting diverse opinions and new interpretations that are of interest not only to scholars studying the Iberian Peninsula and Greek settlement but also students of identity, cultural geography and colonisation more widely, as well as the applicability of these concepts to the historical record.

The essays in this collection explore various various models of representing temporality in ancient Greek and Roman literature to elucidate how structures of time communicate meaning, as well as the way that the cultural impact of measured time is reflected in ancient texts. This collection serves as a meditation on the different ways that cosmological and experiential time are construed, measured, and manipulated in Greek and Latin literature. It explores both the kinds of time deemed worthy of measurement, as well as time that escapes notice. Likewise, it interrogates how linear time and its representation become politicized and leveraged in the service of emerging and dominant power structures. These essays showcase various contemporary theoretical approaches to temporality in order to build bridges and expose chasms between ancient and modern ideologies of time. Some of the areas explored include the philosophical and social implications of time that is not measured, the insights and limitations provided by queer theory for an investigation of the way sex and gender relate to time, the relationship of time to power, the extent to which temporal discourses intersect with spatial constructs, and finally an exploration of experiences that exceed the boundaries of time. Making Time for Greek and Roman Literature is of interest to scholars of time and temporality in the ancient world, as well as those working on time and temporality in English literature, comparative literature, history, sociology, and gender and sexuality. It is also suitable for those working on Greek and Roman literature and culture more broadly.

This volume investigates how versions of Trojan War narratives written in Greek in the first through fifth centuries C.E. created nostalgia for audiences. In ancient education, the Iliad and the Odyssey were used as models through which students learned Greek language and literature. This, combined with the ruling elite’s financial encouragement of re-creations of the Greek past, created a culture of nostalgia. This book explores the different responses to this climate, particularly in the case of the third-century C.E. poet Quintus of Smyrna’s epic Posthomerica. Positioning itself as a sequel to the Iliad and a prequel to the Odyssey, the Posthomerica is unique in its middle-of-the-road response to nostalgia for Homer’s epics. This book contrasts Quintus’ poem with other responses to nostalgia for Homeric narratives in Greek literature of the Roman Empire. Some authors contradict pivotal events of the Iliad and Odyssey, such as the first-century orator Dio Chrysostom’s Trojan Speech, which claims that the Trojan hero Hector did not in fact die, contrary to the Iliad’s account. Others re-created Homeric narratives but did not contradict them, improvising some elements and adding others. Quintus strikes a compromise in his epic, re-imagining Homeric narrative by introducing new characters and scenarios, while at the same time retaining the Iliad and Odyssey’s aesthetics. Nostalgias for Homer in Greek Literature of the Roman Empire is of interest to students and scholars working on Homeric reception and the Greek literature of the Roman Empire, as well as those interested in classical literature and reception more broadly.

This book explores the ways in which the origins of time, of the gods, and processes associated with time were conceptualised in antiquity, examining a variety of ancient sources from across the ancient world and addressing issues surrounding the sources themselves. Time is a key framework through which we understand the world around us. Shared structures to measure the passage of time reveal certain cultural and societal values, while time’s less concrete forms are evident across art and literature. This volume examines how the tangible and intangible, direct and complex representations of time are used in ancient sources. The chapters in this book are written by scholars whose work focuses on India, Assyria, Greece, and Rome. Their analyses explore poetic and mythological narratives, philosophical discourse, and representations of the divine, allowing us to see how ideas about time and chronology reveal various cultural understandings of our world. Accessibly written, this volume enables scholars from a variety of disciplines to engage effectively with each chapter. Time and Chronology in Creation Narratives offers a fascinating interdisciplinary collection suitable for scholars working in ancient literature, philosophy, and religion across Classics, Ancient History, Indology, and Near Eastern Studies.