Oscar Wilde wrote of this novel, “Its directness, its uncompromising truths, its depth of feeling, and above all, its absence of any single superfluous word, make Reuben Sachs, in some sort, a classic.” Reuben Sachs, the story of an extended Anglo-Jewish family in London, focuses on the relationship between two cousins, Reuben Sachs and Judith Quixano, and the tensions between their Jewish identities and English society. The novel’s complex and sometimes satirical portrait of Anglo-Jewish life, which was in part a reaction to George Eliot’s romanticized view of Victorian Jews in Daniel Deronda, caused controversy on its first publication. This Broadview edition prints for the first time since its initial publication in The Jewish Chronicle Levy's essay "The Jew in Fiction." Other appendices include George Eliot's essay on anti-Jewish sentiment in Victorian England and a chapter from Israel Zangwill's novel The Children of the Ghetto. Also included is a map of Levy's London with landmarks from her biography and from the "Jewish geography" of Reuben Sachs.

Oscar Wilde wrote of this novel, “Its directness, its uncompromising truths, its depth of feeling, and above all, its absence of any single superfluous word, make Reuben Sachs, in some sort, a classic.” Reuben Sachs, the story of an extended Anglo-Jewish family in London, focuses on the relationship between two cousins, Reuben Sachs and Judith Quixano, and the tensions between their Jewish identities and English society. The novel’s complex and sometimes satirical portrait of Anglo-Jewish life, which was in part a reaction to George Eliot’s romanticized view of Victorian Jews in Daniel Deronda, caused controversy on its first publication. This Broadview edition prints for the first time since its initial publication in The Jewish Chronicle Levy's essay "The Jew in Fiction." Other appendices include George Eliot's essay on anti-Jewish sentiment in Victorian England and a chapter from Israel Zangwill's novel The Children of the Ghetto. Also included is a map of Levy's London with landmarks from her biography and from the "Jewish geography" of Reuben Sachs.

A novel of swashbuckling action in the series featuring the classic hero who saves innocents from the guillotine in Revolutionary France . . . “We seek him here! we seek him there! Those Frenchies seek him everywhere! Is he in heaven? Is he in hell? That demmed elusive Pimpernel?” Sir Percy thought he left his enemy vanquished, humiliated, and debased in Calais. Oh, how foolish he was. Now Chauvelin is bent on revenge . . . As punishment for letting the Scarlet Pimpernel escape the clutches of the French Republic, Chauvelin was demoted from the ranks of Robespierre’s trusted few. But he will have his day. Laying a trap for the wife of Sir Percy, Lady Marguerite, is only the first step. Can Sir Percy elude the blade of Madame Guillotine a second time, defend his honor as the Scarlet Pimpernel, and save his wife from a fate worse than death? Baroness Emma Orczy brings us the third thrilling installment in her iconic adventures of the Scarlet Pimpernel, pitting Sir Percy against the wily Chauvelin once again in a battle of wit and cunning that stands between thousands of innocent lives and the ignominious bite of Madame Guillotine. Credited with the introduction of the “hero with a secret identity” trope, the Scarlet Pimpernel and his exploits have captured the imaginations of readers for over a century. The series housing the most historical accuracies of French Revolution-centric fiction of its time, it also inspired a stage play garnering over 2,000 performances in four years. Join the League of the Scarlet Pimpernel and dive into the rollicking adventures of the masked hero of the French Revolution!

The Romance of a Shop (1888) is a novel by Amy Levy. Published the year before her tragic death, The Romance of a Shop is the debut novel of a pioneering writer and feminist whose poetry and prose explores the concept of the New Woman while illuminating the realities of Jewish life in nineteenth century London. “The air of desolation which hung about the house had communicated itself in some vague manner to the garden, where the trees were bright with blossom, or misty with the tender green of the young leaves. Perhaps the effect of sadness was produced, or at least heightened, by the pathetic figure that paced slowly up and down the gravel path immediately before the house; the figure of a young woman, slight, not tall, bare-headed, and clothed in deep mourning.” Following the unexpected death of their father, sisters Fanny, Gertrude, Lucy, and Phyllis are left with little inheritance and even less hope for the future. On the brink of despair, they join together to launch a photography business, each contributing to the best of their abilities in order to survive. As Lucy begins an apprenticeship with a local photographer, her sisters purchase and prepare their own studio for her return. Despite their efforts, they struggle to convince customers that a shop owned by women can demand the same prices as those run by men. Through perseverance and luck, however, the Lorimers find success as funeral photographers and through their connection to a prominent artist. As romance, illness, and war interrupt their plans, the sisters find solace in their mutual resolve to not only survive, but provide and care for one another. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Levy’s The Romance of a Shop is a classic work of British literature reimagined for modern readers.

Originally describing language use and class position, vulgarity became, over the course of the nineteenth century, a word with wider social implications. Variously associated with behavior, the possession of wealth, different races, sexuality and gender, the objects displayed in homes, and ways of thinking and feeling, vulgarity suggested matters of style, taste, and comportment. This collection examines the diverse ramifications of vulgarity in the four areas where it was most discussed in the nineteenth century: language use, changing social spaces, the emerging middle classes, and visual art. Exploring the dynamics of the term as revealed in dictionaries and grammars; Mayhew's London Labour and the London Poor; fiction by Dickens, Eliot, Gissing, and Trollope; essays, journalism, art, and art reviews, the contributors bring their formidable analytical skills to bear on this enticing and divisive concept. Taken together, these essays urge readers to consider the implications of vulgarity's troubled history for today's writers, critics, and artists.