"Portions of this work were previously published under the title, "A Damaged Mirror: a story of memory and redemption", Kasva Press, 2015"--Title page verso.

When the six-year war between the Uplanders and Downlanders is over and Cam returns home to his village, questions dog him, from how he lost an arm to why he was the only one of his fellow soldiers to survive, such that he must leave until his own suspicions are resolved.

Returning Home features and contextualizes the creative works of Diné (Navajo) boarding school students at the Intermountain Indian School, which was the largest federal Indian boarding school between 1950 and 1984. Diné student art and poetry reveal ways that boarding school students sustained and contributed to Indigenous cultures and communities despite assimilationist agendas and pressures. This book works to recover the lived experiences of Native American boarding school students through creative works, student interviews, and scholarly collaboration. It shows the complex agency and ability of Indigenous youth to maintain their Diné culture within the colonial spaces that were designed to alienate them from their communities and customs. Returning Home provides a view into the students’ experiences and their connections to Diné community and land. Despite the initial Intermountain Indian School agenda to send Diné students away and permanently relocate them elsewhere, Diné student artists and writers returned home through their creative works by evoking senses of Diné Bikéyah and the kinship that defined home for them. Returning Home uses archival materials housed at Utah State University, as well as material donated by surviving Intermountain Indian School students and teachers throughout Utah, Arizona, and New Mexico. Artwork, poems, and other creative materials show a longing for cultural connection and demonstrate cultural resilience. This work was shared with surviving Intermountain Indian School students and their communities in and around the Navajo Nation in the form of a traveling museum exhibit, and now it is available in this thoughtfully crafted volume. By bringing together the archived student arts and writings with the voices of living communities, Returning Home traces, recontextualizes, reconnects, and returns the embodiment and perpetuation of Intermountain Indian School students’ everyday acts of resurgence.

"There was a question that had come to trouble me a bit earlier, once I had taken the first steps on this return journey to Reims... Why, when I have had such an intense experience of forms of shame related to class, shame in relation to the milieu in which I grew up, why, when once I had arrived in Paris and started meeting people from such different class backgrounds, I would often find myself lying about my class origins... why had it never occurred to me to take up this problem in a book?" Returning to Reims is a breathtaking account of one man's return to the town where he grew up after an absence of thirty years. It is a frank, fearlessly personal story of family, memory, identity and time lost. But it is also a sociologist's view of what it means to grow up working class and then leave that class; of inequality and shifting political allegiances in an increasingly divided nation. A phenomenon in France and a huge bestseller in Germany, Didier Eribon has written the defining memoir of our times.

Third book in a wordless trilogy that began with Journey.

They came for the coffee and wound up in the Cretaceous. A ticking sound fills the air as Tim MacGregor enters The Daily Edition Cafe, hoping to meet his new girlfriend for coffee. Moments later, a chunk of building is transported 67 million years back in time, along with everyone inside. Ten unlikely companions find themselves in a world of dinosaurs and prehistoric reptiles. Several survivors compete for leadership as they search for a way home, while one member of the group plots to keep them all trapped in the past..."

The National Book Award–winning author of Hell of a Book shares “a breathtaking novel that navigates emotional minefields with realism and grace” (Kirkus Reviews, starred review). Harold and Lucille Hargrave’s eight-year-old son, Jacob, died tragically in 1966. In their old age they’ve settled comfortably into life without him. . . . Until one day Jacob mysteriously appears on their doorstep—flesh and blood, still eight years old. All over the world people’s loved ones are returning from beyond. No one knows how or why, whether it’s a miracle or a sign of the end. But as chaos erupts around the globe, the newly reunited family finds itself at the center of a community on the brink of collapse, forced to navigate a mysterious new reality. With spare, elegant prose and searing emotional depth, award-winning poet Jason Mott explores timeless questions of faith and morality, love and responsibility. This acclaimed debut novel marked Mott’s arrival as an important new voice in contemporary fiction.

A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut. Julie is missing, and no one believes she will ever return—except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?

Noted New Testament scholar Poythress provides an understandable and practical look into Revelation in this insightful commentary. Poythress focuses on Revelation's core message and ensures that its details do not cloud the big picture. He shows Revelation to be a "picture book, not a puzzle book," relevant and applicable to the daily lives of Christians.

Autobiography -- World War II Why did the German people tolerate the Nazi madness? Maria Ritter's life is haunted by the ever-painful, never-answerable German Question. Who knew? What was known? Confronting the profound silence in which most postwar Germans buried pain and shame, she attempts in this memoir to give an answer for herself and for her generation. Sixty years after the defeat of Nazi Germany, she reflects on the nation's oppressive burden and the persecution of the contemporary consciousness. 'We received what we deserved, ' my grandfather said after the war, and I believed him. His stare out the window spoke of bitterness and solemn resignation in the face of God's punishment and pity for us all. In probing the dark shadows of wartime, she reconstructs the voice of her childhood. With a determined search for remnants of her past during a visit to her homeland, Ritter retrieves memories and emotions from places, personal stories, and letters. As she interweaves them with events in her family's struggle to survive the war and its aftermath, she creates a tragic tapestry. She recalls the weary odyssey from Poland to Leipzig with refugees in 1943 and remembers being sheltered there beside her grandfather. She returns to Dresden to rekindle memories of the firebombing in 1945. She revisits the remote Saxony countryside where she and her mother crossed the border from East to West Germany in flight from the Communists in 1949. She relives the pain of learning that her father will never return from the war. On a Memorial Day many years later, Ritter's longstanding, unresolved grief overflows as she writes a posthumous letter to him. She suffers in the heartbreaking memory of her valiant mother, who overcame loss and grief along the road to freedom and a new home. Ritter's memoir sweeps through German history of the 1930s and '40s as she meditates on how she and her people figure in the tragic story of defeat and debacle. In her recollections, in listening to the voices of her kin, and in speaking out about the past, she finds the humane way to healing and reconciliation. Maria Ritter is a clinical psychologist in San Diego, California.