First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1999. The kaukau a li‘i were lower ranked chiefs who served the AIVi Nui (high chiefs). This work describes how that service role changed overtime. Equally important is this study's attempt to understand the NativeHawaiian past in the context of how the kaukau ali 7 lived. The formalrelationship between a kaukau alVi and an AIVi Nui was based on theroutine performance of hana laxvelawe or "service tasks."

Three quarters of the U.S.’s bird and plant extinctions have occurred in Hawai‘i, and one third of the country’s threatened and endangered birds and plants reside within the state. Yet despite these alarming statistics, all is not lost: There are still 12,000 extant species unique to the archipelago and new species are discovered every year. In Restoring Paradise: Rethinking and Rebuilding Nature in Hawai‘i, Robert Cabin shows why current attempts to preserve Hawai‘i’s native fauna and flora require embracing the emerging paradigm of ecological restoration—the science and art of assisting the recovery of degraded species and ecosystems and creating more meaningful and sustainable relationships between people and nature. Cabin’s extensive experience as a research ecologist and applied practitioner enables him to provide a rare, behind-the-scenes look at successful and inspiring restoration programs. In Part 1 he recounts Hakalau Forest National Wildlife Refuge’s efforts to restore thousands of acres of degraded pasture on the island of Hawai‘i back to the native rain forests that once dominated the area and sheltered native birds now on the brink of extinction. Along the way, he presents an overview of Hawaiian natural and cultural history, biogeography, and evolutionary biology. Following chapters look at restoration work underway by the U.S. Park Service to reestablish native species within the vast Hawai‘i Volcanoes National Park; by a charismatic scientist and dedicated volunteers to restore the native forests of Auwahi on the southern slopes of Haleakalā; and by the Limahuli branch of Kauai’s National Tropical Botanical Garden to revive a thousand-year-old taro plantation. To investigate the compelling and often conflicting philosophies and strategies of those involved in restoration, Cabin opens Part 3 with interview excerpts from a cross-section of Hawai‘i’s environmental community. He concludes with a provocative and insightful discussion of the contentious, evolving relationship between humans and nature and the power and limitations of science within and beyond Hawai‘i.

* Exceptional overview of the tourism industry worldwide * Case studies of indigenous people’s responses to tourism development * Detailed listing of tourism and ecotourism resources This is a fully revised and comprehensive overview of the history and global development of tourism--one of the largest industries in the world. Despite promising great benefits to hosts and guests alike, tourism often results in some very stark and painful consequences for local host communities and the environment. The second edition provides updated information on global tourism and examines how local communities in different parts of the world, especially indigenous peoples, have responded to the challenges and opportunities of tourism and ecotravel.

Indigenous peoples have our own ways of defining oral history. For many, oral sources are shaped and disseminated in multiple forms that are more culturally textured than just standard interview recordings. For others, indigenous oral histories are not merely fanciful or puerile myths or traditions, but are viable and valid historical accounts that are crucial to native identities and the relationships between individual and collective narratives. This book challenges popular definitions of oral history that have displaced and confined indigenous oral accounts as merely oral tradition. It stands alongside other marginalized community voices that highlight the importance of feminist, Black, and gay oral history perspectives, and is the first text dedicated to a specific indigenous articulation of the field. Drawing on a Maori indigenous case study set in Aotearoa New Zealand, this book advocates a rethinking of the discipline, encouraging a broader conception of the way we do oral history, how we might define its form, and how its politics might move beyond a subsuming democratization to include nuanced decolonial possibilities.

DIVAn historical account of native Hawaiian encounters with and resistance to American colonialism, based on little-read Hawaiian-language sources./div

Winner of the Modern Language Association’s Prize for Studies in Native American Literatures, Cultures, and Languages Winner of the American Historical Association’s Albert J. Beveridge Award Winner of NAISA's Best Subsequent Book Award Winner of the Western History Association's John C. Ewers Award Finalist for the John Hope Franklin Prize What if we saw indigenous people as the active agents of global exploration rather than as the passive objects of that exploration? What if, instead of conceiving of global exploration as an enterprise just of European men such as Columbus or Cook or Magellan, we thought of it as an enterprise of the people they “discovered”? What could such a new perspective reveal about geographical understanding and its place in struggles over power in the context of colonialism? The World and All the Things upon It addresses these questions by tracing how Kanaka Maoli (Native Hawaiian people) explored the outside world and generated their own understandings of it in the century after James Cook’s arrival in 1778. Writing with verve, David A. Chang draws on the compelling words of long-ignored Hawaiian-language sources—stories, songs, chants, and political prose—to demonstrate how Native Hawaiian people worked to influence their metaphorical “place in the world.” We meet, for example, Ka?iana, a Hawaiian chief who took an English captain as his lover and, while sailing throughout the Pacific, considered how Chinese, Filipinos, Pacific Islanders, and Native Americans might shape relations with Westerners to their own advantage. Chang’s book is unique in examining travel, sexuality, spirituality, print culture, gender, labor, education, and race to shed light on how constructions of global geography became a site through which Hawaiians, as well as their would-be colonizers, perceived and contested imperialism, colonialism, and nationalism. Rarely have historians asked how non-Western people imagined and even forged their own geographies of their colonizers and the broader world. This book takes up that task. It emphasizes, moreover, that there is no better way to understand the process and meaning of global exploration than by looking out from the shores of a place, such as Hawai?i, that was allegedly the object, and not the agent, of exploration.

Asian Settler Colonialism is a groundbreaking collection that examines the roles of Asians as settlers in Hawai‘i. Contributors from various fields and disciplines investigate aspects of Asian settler colonialism to illustrate its diverse operations and impact on Native Hawaiians. Essays range from analyses of Japanese, Korean, and Filipino settlement to accounts of Asian settler practices in the legislature, the prison industrial complex, and the U.S. military to critiques of Asian settlers’ claims to Hawai‘i in literature and the visual arts.

Refocusing Ethnographic Museums through Oceanic Lenses offers a collaborative ethnographic investigation of Indigenous museum practices in three Pacific museums located at the corners of the so-called Polynesian triangle: Bernice Pauahi Bishop Museum, Hawai‘i; Museum of New Zealand Te Papa Tongarewa; and Museo Antropológico Padre Sebastián Englert, Rapa Nui. Since their inception, ethnographic museums have influenced academic and public imaginations of other cultural-geographic regions, and the often resulting Euro-Americentric projection of anthropological imaginations has come under intense pressure, as seen in recent debates and conflicts around the Humboldt Forum in Berlin, Germany. At the same time, (post)colonial renegotiations in former European and American colonies have initiated dramatic changes to anthropological approaches through Indigenous museum practices. This book shapes a dialogue between Euro-Americentric myopia and Oceanic perspectives by offering historically informed, ethnographic insights into Indigenous museum practices grounded in Indigenous epistemologies, ontologies, and cosmologies. In doing so, it employs Oceanic lenses that help to reframe Pacific collections in, and the production of public understandings through, ethnographic museums in Europe and the Americas. By offering insights into Indigenous museologies across Oceania, the coauthors seek to recalibrate ethnographic museums, collections, and practices through Indigenous Oceanic approaches and perspectives. This, in turn, should assist any museum scholar and professional in rethinking and redoing their respective institutional settings, intellectual frameworks, and museum processes when dealing with Oceanic affairs; and, more broadly, in doing the “epistemic work” needed to confront “coloniality,” not only as a political problem or ethical obligation, but “as an epistemology, as a politics of knowledge.” A noteworthy feature is the book’s layered coauthorship and multi-vocality, drawing on a collaborative approach that has put the (widespread) philosophical commitment to dialogical inquiry into (seldom) practice by systematically co-constituting ethnographic knowledge. Further, the book shapes an “ethnographic kaleidoscope,” proposing the metaphor of the kaleidoscope as a way of encouraging fluid ethnographic engagements to avoid the impulse to solidify and enclose differences, and remain open to changing ethnographic meanings, positions, performances, and relationships. The coauthors collaboratively mobilize Oceanic eyes, bodies, and sovereignties, thus enacting an ethnographic kaleidoscopic process and effect aimed at refocusing ethnographic museums through Oceanic lenses.

Volume II of The Cambridge History of the Pacific Ocean focuses on the latest era of Pacific history, examining the period from 1800 to the present day. This volume discusses advances and emerging trends in the historiography of the colonial era, before outlining the main themes of the twentieth century when the idea of a Pacific-centred century emerged. It concludes by exploring how history and the past inform preparations for the emerging challenges of the future. These essays emphasise the importance of understanding how the postcolonial period shaped the modern Pacific and its historians.