An in-depth look at why non-Jewish Poles are trying to bring Jewish culture back to life in Poland today Since the early 2000s, Poland has experienced a remarkable Jewish revival, largely driven by non-Jewish Poles with a passionate new interest in all things Jewish. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew, Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew presents an in-depth look at Jewish life in Poland today. The book shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. The book also raises urgent questions, relevant far beyond Poland, about the limits of performative solidarity and empathetic forms of cultural appropriation.

This book, written for religious and nonreligious people alike in clear and accessible language, Although this expectation, known as the resurrection of the dead, is widely understood to have been a part of Christianity from its beginnings nearly two thousand years ago, many people are surprised to learn that the Jews believed in resurrection long before the emergence of Christianity. In this sensitively written and historically accurate book, religious scholars Kevin J. Madigan and Jon D. Levenson aim to clarify confusion and dispel misconceptions about Judaism, Jesus, and Christian origins. Madigan and Levenson tell the fascinating but little-known story of the origins of the belief in resurrection, investigating why some Christians and some Jews opposed the idea in ancient times while others believed it was essential to their faith. The authors also discuss how the two religious traditions relate their respective practices in the here and now to the new life they believe will follow resurrection. Making the rich insights of contemporary scholars of antiquity available to a wide readership, Madigan and Levenson offer a new understanding of Jewish-Christian relations and of the profound connections that tie the faiths together.

I accept the resurrection of Jesus not as an invention of the community of disciples, but as an historical event.Ó When a leading orthodox Jew makes such a declaration, its significance can hardly be overstated. Pinchas Lapide is a rabbi and theologian who has specialized in the study of the New Testament. In this book he convincingly shows that an irreducible minimum of experience underlies the New Testament account of the resurrection, however much of the details of the narrative may be open to objection. He maintains that life after death is part of the Jewish faith experience, and that it is Jesus' messiahship, not his resurrection, which marks the division between Christianity and Judaism. Dr. Lapide quotes Moses Maimonides, the greatest Jewish thinker, in his support: All these matters which refer to Jesus of Nazareth...only served to make the way free for the King Messiah and to prepare the whole world for the worship of God with a united heart.Ó

This book, written for religious and nonreligious people alike in clear and accessible language, Although this expectation, known as the resurrection of the dead, is widely understood to have been a part of Christianity from its beginnings nearly two thousand years ago, many people are surprised to learn that the Jews believed in resurrection long before the emergence of Christianity. In this sensitively written and historically accurate book, religious scholars Kevin J. Madigan and Jon D. Levenson aim to clarify confusion and dispel misconceptions about Judaism, Jesus, and Christian origins. Madigan and Levenson tell the fascinating but little-known story of the origins of the belief in resurrection, investigating why some Christians and some Jews opposed the idea in ancient times while others believed it was essential to their faith. The authors also discuss how the two religious traditions relate their respective practices in the here and now to the new life they believe will follow resurrection. Making the rich insights of contemporary scholars of antiquity available to a wide readership, Madigan and Levenson offer a new understanding of Jewish-Christian relations and of the profound connections that tie the faiths together.

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.

This fascinating volume offers bold new insights into what it means to be a Christian or a Jew. We are Christians or Jews, Michael Goldberg maintains, not principally because we embrace different creeds, but because we have gained an understanding of the world from one of two distinct master stories - for Jews, the Exodus; for Christians, the life, death, and resurrection of Jesus. The author demonstrates what each master story ultimately reveals about who God is, what humanity is, and how humanity should therefore act in God's world.

Many famous antique texts are misunderstood and many others have been completely dismissed, all because the literary style in which they were written is unfamiliar today. So argues Mary Douglas in this controversial study of ring composition, a technique which places the meaning of a text in the middle, framed by a beginning and ending in parallel. To read a ring composition in the modern linear fashion is to misinterpret it, Douglas contends, and today's scholars must reevaluate important antique texts from around the world. Found in the Bible and in writings from as far a field as Egypt, China, Indonesia, Greece, and Russia, ring composition is too widespread to have come from a single source. Does it perhaps derive from the way the brain works? What is its function in social contexts? The author examines ring composition, its principles and functions, in a cross-cultural way. She focuses on ring composition in Homer's Iliad, the Bible's book of Numbers, and, for a challenging modern example, Laurence Sterne's Tristram Shandy, developing a persuasive argument for reconstruing famous books and rereading neglected ones.

In the summer and fall of 1998, ultranationalist Polish Catholics erected hundreds of crosses outside Auschwitz, setting off a fierce debate that pitted Catholics and Jews against one another. While this controversy had ramifications that extended well beyond Poland’s borders, Geneviève Zubrzycki sees it as a particularly crucial moment in the development of post-Communist Poland’s statehood and its changing relationship to Catholicism. In The Crosses of Auschwitz, Zubrzycki skillfully demonstrates how this episode crystallized latent social conflicts regarding the significance of Catholicism in defining “Polishness” and the role of anti-Semitism in the construction of a new Polish identity. Since the fall of Communism, the binding that has held Polish identity and Catholicism together has begun to erode, creating unease among ultranationalists. Within their construction of Polish identity also exists pride in the Polish people’s long history of suffering. For the ultranationalists, then, the crosses at Auschwitz were not only symbols of their ethno-Catholic vision, but also an attempt to lay claim to what they perceived was a Jewish monopoly over martyrdom. This gripping account of the emotional and aesthetic aspects of the scene of the crosses at Auschwitz offers profound insights into what Polishness is today and what it may become.

The Jewish study of Jesus has made enormous strides within the last two hundred years. Virtually every aspect of the life of Jesus and related themes have been analyzed and discussed. Jesus has been “reclaimed” as a fellow Jew by many, although what this actually means remains a matter for discussion. Ironically, the one event in the life of Jesus that has received significantly less attention is the one that the New Testament proclaims as the most important of all: his resurrection from the dead. This book is the first attempt to document Jewish views of the resurrection of Jesus in history and modern scholarship.