'Resurrecting Erotic Transgression' presents a feminist theological methodology based on the work of Julia Kristeva. This methodology provides the means for 'subjecting ambiguity', bringing to theology a recognition of the multiplicity of language and identity. A method of 'poetic reading' is proposed with a three stage process: articulation of the dualities present in and around a focal discourse; subversion of these dualities through a range of strategies; and the re-presentation of the discourse emphasising its ambiguous nature. The hermeneutical method of 'poetic reading' is explored in relation to three biblical texts and an image of the 'otherness' of God as whore.

Religion is not only about understanding the world - it is just as much about how to develop and shape the self’s experience of itself. Because the religious self is shaped by our symbols of God - and symbols of God are also shaped by the self, theology and philosophy of religion cannot ignore this interplay, or the psychological dimension, when they discuss what symbols of God are adequate and not. By discussing critically different ways the symbol of God functions in the formation of the self, the book develops a nuanced and original approach to the interplay between God and the self. It suggests that play is actually an important metaphor in order to develop a dynamic understanding of religion’s way of relating God and the Self. This approach challenges understandings of religion focussing only its cognitive claims, as well as those who emphasize doctrinal orthodoxy as the most important element in religion.

How are we to proclaim Christ in different cultures? This question was central to a landmark study on worship and culture conducted by the Lutheran World Federation between 1992 and 1999. Much has changed in the years since then: the world today more than ever is a multicultural global village. Worship and Culture revisits that LWF study and publication, shedding new light on the question from recent theological and sociological scholarship to expand and enrich the texts in the original three-volume work. This book includes texts from the main statements that came out of the original project as well as updated essays from some of the original contributors. It also adds new essays, prayers, and hymns to the conversation, inviting readers to consider what the life of the church should look like in today’s hybrid, multicultural world. Contributors Julio Cezar Adam Scott Anderson Mark P. Bangert Thomas F. Best Stephen Burns Anscar J. Chupungco, OSB Joseph A. Donnella II Norman A. Hjelm Margaret Mary Kelleher, OSU Dirk G. Lange Gordon W. Lathrop Anita Monro Martha Moore-Keish Melinda A. Quivik Gail Ramshaw S. Anita Stauffer Benjamin M. Stewart Glaucia Vasconcelos Wilkey Joyce Ann Zimmerman, CPPS

Motherhood provides a crucial place for exploring human life and its meaning. Within motherhood lies a deep tension between the pain, crisis, and association with death in motherhood and the joy, transformation, and life in motherhood. Few metaphors in Scripture (or in life) stand so firmly between life and death, love and loss, and joy and deep pain. After all, motherhood's meaning in part comes again and again at these crucial crossroads. Thus, motherhood has powerful implications for our biblical and theological understanding. Bringing together Jewish and ecumenical Christian scholars from North America, Oceania, and South America, this edited volume provides biblical and theological perspectives on understanding motherhood. The authors reflect upon a selection of biblical texts, systematic theologians, and Christian spiritual traditions to dialogue with the experience of maternity in its diverse manifestations. The purpose of the book is to provide essays that--through these biblical and theological lenses--engage the question of motherhood today, from the experience of pregnancy and birth, to raising children, to losing children and coping with grief. In this way, this volume helps to "make sense" of the complexity of motherhood.

Mainstream Christian theology has valued the integrity of the body and the goodness of God reflected in creation. However, it has also asserted the complementarity of "normal" male and female physiology. Sex and Uncertainty in the Body of Christ offers the first systematic theology of the intersexed body. The book analyzes the theological implications of physical intersex conditions and their medical treatment. The medical assumption of what constitutes male and female bodies is shown to raise essential questions about the meaning of incarnation and bodiliness. The book argues for a theology that speaks to stigmatized and marginal bodies, examining the impact of such a theology on sex, marriage, sexuality, perfection, healing, and the resurrected body.

The book explores the preoccupation of key twentieth-century English writers with theology and sexuality and how the Anglican Church has responded and continues to respond to the issue of homosexuality. Analysing the work of Oscar Wilde, E. F. Benson, Edward Carpenter, Jeanette Winterson, and Alan Hollingshurst, the book explores the literary tradition of exasperation at the church's obduracy against homosexuality.

God and Difference interlaces Christian theology with queer and feminist theory for both critical and constructive ends. Linn Marie Tonstad uses queer theory to show certain failures of Christian thinking about God, gender, and sexuality. She employs queer theory to dissect trinitarian discourse and the resonances found in contemporary Christian thought between sexual difference and difference within the trinity. Tonstad critiques a broad swath of prominent Christian theologians who either use queer theory in their work or affirm the validity of same-sex relationships, arguing that their work inadvertently promotes gendered hierarchy. This volume contributes to central debates in Christianity over divine and human personhood, gendered relationality, and the trinity, and provides original accounts of God, sexual difference, and Christian community that are both theologically rich and thoroughly queer.

Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.

This monograph focuses on "Christian Goddess Spirituality" (CGS), the phenomenon of (mostly) women who combine Christianity and Goddess Spirituality, including Wicca/Witchcraft. Mary Ann Beavis’s study provides ethnographic data and analysis on the lived religious experience of CGS practitioners, drawing on interviews of over 100 women who self-identify as combining Christianity and Goddess spirituality. Although CGS also has implications for Goddess Spirituality and related traditions (e.g., Neopaganism, Wicca), here, CGS is considered primarily as a phenomenon within Christianity. However, the study also shows that the fusion of Christian and Goddess spiritualties has had an impact on non-Christian feminist spirituality, since Goddess-worshippers have often constructed Christianity as the diametrical opposite and enemy of the Goddess, to the point that some refuse to admit the possibility that CGS is a valid spiritual path, or that it is even possible. In addition, biblical, Jewish and Christian images of the divine such as Sophia, Shekhinah, the Virgin Mary, and even Mary Magdalene, have found their way into the "Pagan" Goddess pantheon. The main themes of the study include: overlaps and differences between Christian feminist theology and CGS; the routes to CGS for individual practitioners, and their beliefs, practices and experiences; proto-denominational classifications ("spiritual paths") within CGS; CGS thealogy (Christian discourse about the female divine); and the future of CGS in social scientific and ecclesiological context. Christian Goddess Spirituality will be of interest to scholars of religion, especially those with interests in women and religion, feminist spiritualities, feminist theology/thealogy, alternative spiritualities, New Religious Movements, and emergent Christianities.

Is the doctrine of the Holy Spirit in Christian theology good news or bad news for women? Is the Holy Spirit in traditional Christian doctrine the guardian of the status quo or does it offer the dynamic possibility for change? How do the gifts of the Spirit, ecstatic and relational, inform feminist thinking of the Christian God. Opinions on these key questions vary wildly but are often formulated without coherent theological argument. Feminist theology has a history of questioning God the Father and God the Son - this study begins the theological questioning of God the Holy Spirit. Searching for the Holy Spirit brings feminist pneumatology into discussion with more traditional doctrine of the Spirit, notably the very significant early Christian treatise by Basil of Caesarea, De Spiritu Sancto. The results offer exciting new possibilities for both theology and the place of women in the church.