The first comprehensive overview of the development of literacy, script usage, and literature in Hittite Anatolia (1650-1200 BC).

The Jewish King Lear, written by the Russian-Jewish writer Jacob Gordin, was first performed on the New York stage in 1892, during the height of a massive emigration of Jews from eastern Europe to America. This book presents the original play to the English-speaking reader for the first time in its history, along with substantive essays on the play’s literary and social context, Gordin’s life and influence on Yiddish theater, and the anomalous position of Yiddish culture vis-�-vis the treasures of the Western literary tradition. Gordin’s play was not a literal translation of Shakespeare’s play, but a modern evocation in which a Jewish merchant, rather than a king, plans to divide his fortune among his three daughters. Created to resonate with an audience of Jews making their way in America, Gordin’s King Lear reflects his confidence in rational secularism and ends on a note of joyful celebration.

A Companion to Soviet Children’s Literature and Film offers a comprehensive and innovative analysis of Soviet literary and cinematic production for children. Its contributors contextualize and reevaluate Soviet children’s books, films, and animation and explore their contemporary re-appropriation by the Russian government, cultural practitioners, and educators. Celebrating the centennial of Soviet children’s literature and film, the Companion reviews the rich and dramatic history of the canon. It also provides an insight into the close ties between Soviet children’s culture and Avant-Garde aesthetics, investigates early pedagogical experiments of the Soviet state, documents the importance of translation in children’s literature of the 1920-80s, and traces the evolution of heroic, fantastic, historical, and absurdist Soviet narratives for children.

A panoramic, provocative account of the clash between British imperialism and Arab jihadism in Africa between 1870 and 1920 The Ottoman Sultan called for a "Great Jihad" against the Entente powers at the start of the First World War. He was building on half a century of conflict between British colonialism and the people of the Middle East and North Africa. Resistance to Western violence increasingly took the form of radical Islamic insurgency. Ranging from the forests of Central Africa to the deserts of Egypt, Sudan, and Somaliland, Neil Faulkner explores a fatal collision between two forms of oppression, one rooted in the ancient slave trade, the other in modern "coolie" capitalism. He reveals the complex interactions between anti-slavery humanitarianism, British hostility to embryonic Arab nationalism, "war on terror" moral panics, and Islamist revolt. Far from being an enduring remnant of the medieval past, or an essential expression of Muslim identity, Faulkner argues that "Holy War" was a reactionary response to the violence of modern imperialism.

"A story of Mississippi sharpshooters, by ... Capt. Robert F. Ward, interpolated by an exhaustive description of the battles of the Wilderness and Spottslvania Court House by the correspondent of the London Morning herald": pages [359]-475.