This award-winning foreign correspondent’s vivid account of Central Asia’s recent history “reads like a novel but is the stuff of hard-won journalism” (Gary Shteyngart, author of Absurdistan). Here are the stories of two revolutions, a massacre of unarmed civilians, a civil war, a drug-smuggling highway, brazen corruption schemes, contract hits, and larger-than-life characters who may be villains, heroes, or possibly both. Restless Valley is a gripping, contemporary chronicle of Central Asia from a veteran journalist with extensive experience in the region. Both Kyrgyzstan and Uzbekistan have struggled with the challenges of post-Soviet, independent statehood, and both became entangled in America’s Afghan campaign when the United States built military bases within their borders. Meanwhile, the region was becoming a key smuggling hub for Afghanistan’s booming heroin trade. Through the eyes of local participants—the powerful and the powerless—Shishkin reconstructs how Kyrgyzstan and Uzbekistan have ricocheted between extreme repression and democratic strivings; how alliances with the United States and Russia have brought mixed blessings; and how Stalin’s legacy of ethnic gerrymandering continues to incite conflict today. “The weird, the strange, the corrupt, and the grand are all evident . . . [Shishkin] relentlessly pursues and then tells the stories of the most corrupt and powerful and also the most sincere and admirable characters who inhabit these mountains.” —Ahmed Rashid, The New York Review of Books

We're being formed by our devices. Unpacking the soft tyranny of the digital age, Felicia Wu Song combines insights from psychology, neuroscience, sociology, and theology as she considers digital practices through the lens of "liturgy" and formation. Exploring pathways of meaningful resistance found in Christian tradition, this resource offers practical experiments for individual and communal change.

*Named one of Wall Street Journal's Best Books of 2015 *Selected as a Military Times's Best Book of the Year “You’re going up the Valley.” Black didn’t know its name, but he knew it lay deeper and higher than any other place Americans had ventured. You had to travel through a network of interlinked valleys, past all the other remote American outposts, just to get to its mouth. Everything about the place was myth and rumor, but one fact was clear: There were many valleys in the mountains of Afghanistan, and most were hard places where people died hard deaths. But there was only one Valley. It was the farthest, and the hardest, and the worst. When Black, a deskbound admin officer, is sent up the Valley to investigate a warning shot fired by a near-forgotten platoon, he can only see it as the final bureaucratic insult in a short and unhappy Army career. What he doesn’t know is that his investigation puts at risk the centuries-old arrangements that keep this violent land in fragile balance, and will launch a shattering personal odyssey of obsession and discovery as Black reckons with the platoon’s dark secrets, accumulated over endless hours fighting and dying in defense of an indefensible piece of land. The Valley is a riveting tour de force that changes our understanding of the men who fight our wars and announces John Renehan as one of the great American storytellers of our time.

It is 1939. Eva Delectorskaya is a beautiful 28-year-old Russian émigrée living in Paris. As war breaks out she is recruited for the British Secret Service by Lucas Romer, a mysterious Englishman, and under his tutelage she learns to become the perfect spy, to mask her emotions and trust no one, including those she loves most. Since the war, Eva has carefully rebuilt her life as a typically English wife and mother. But once a spy, always a spy. Now she must complete one final assignment, and this time Eva can't do it alone: she needs her daughter's help.

In this collection, her second, Hilary Davies demonstrates again the ferocity of imagination that characterised her first, The Shanghai Owner of the Bonsai Shop (1991). Her interrogations of faith and friendship bring to life, in a language strikingly rooted in the physical world, spiritual concerns that span centuries. There is a moral seriousness in these poems which confronts doubt and fear, and survival itself, asserting at all times an unsentimental belief in the redemptive power of the human capacity to love. This is particularly so in the two main sequences, which recreate the lives of the cave dwellers in prehistoric France, and the doomed love affair of Abelard and H�loise.

A search for her roots brought midwife Fiona Flanagan to Pennsylvania Dutch country—and made her wonder whether she should turn back. The area's mixture of Amish and English culture confused her, and her first encounter with local police chief Ted Rittenhouse didn't help. he'd thought she was breaking into her own office! Despite the misunderstanding, Fiona could see that Ted's tough-as-nails exterior hid a kind soul—one caught between two worlds, seeking a place to belong. She felt the same, but trusting him with her heart would require the biggest step of faith she had ever taken.

An award-winning author chronicles the settling of the Ohio River Valley, home to the defiant Shawnee Indians, who vow to defend their land against the seemingly unstoppable. They came on foot and by horseback, in wagons and on rafts, singly and by the score, restless, adventurous, enterprising, relentless, seeking a foothold on the future. European immigrants and American colonists, settlers and speculators, soldiers and missionaries, fugitives from justice and from despair—pioneers all, in the great and inexorable westward expansion defined at its heart by the majestic flow of the Ohio River. This is their story, a chronicle of monumental dimension, of resounding drama and impact set during a pivotal era in our history: the birth and growth of a nation. Drawing on a wealth of research, both scholarly and anecdotal—including letters, diaries, and journals of the era—Allan W. Eckert has delivered a landmark of historical authenticity, unprecedented in scope and detail.

Madeline Dare trades New York's gritty streets for the tree-lined avenues of Boulder, Colorado, when her husband Dean lands a promising job. As a freelance journalist in her new town, she closes in on a serial arsonist at large in the city.

"By patient accumulation of anecdote and detail, Rustad evolves Shetler’s story into something much more human, and humanly tragic, into a layered inquisition and a reportorial force....suffice it to say Rustad has done what the best storytellers do: tried to track the story to its last twig and then stepped aside." —New York Times Book Review In the vein of Jon Krakauer's Into the Wild, a riveting work of narrative nonfiction centering on the unsolved disappearance of an American backpacker in India—one of at least two dozen tourists who have met a similar fate in the remote and storied Parvati Valley. For centuries, India has enthralled westerners looking for an exotic getaway, a brief immersion in yoga and meditation, or in rare cases, a true pilgrimage to find spiritual revelation. Justin Alexander Shetler, an inveterate traveler trained in wilderness survival, was one such seeker. In his early thirties Justin Alexander Shetler, quit his job at a tech startup and set out on a global journey: across the United States by motorcycle, then down to South America, and on to the Philippines, Thailand, and Nepal, in search of authentic experiences and meaningful encounters, while also documenting his travels on Instagram. His enigmatic character and magnetic personality gained him a devoted following who lived vicariously through his adventures. But the ever restless explorer was driven to pursue ever greater challenges, and greater risks, in what had become a personal quest—his own hero’s journey. In 2016, he made his way to the Parvati Valley, a remote and rugged corner of the Indian Himalayas steeped in mystical tradition yet shrouded in darkness and danger. There, he spent weeks studying under the guidance of a sadhu, an Indian holy man, living and meditating in a cave. At the end of August, accompanied by the sadhu, he set off on a “spiritual journey” to a holy lake—a journey from which he would never return. Lost in the Valley of Death is about one man’s search to find himself, in a country where for many westerners the path to spiritual enlightenment can prove fraught, even treacherous. But it is also a story about all of us and the ways, sometimes extreme, we seek fulfillment in life. Lost in the Valley of Death includes 16 pages of color photographs.