In this study Natasha Constantinidou considers the views articulated by the scholars Pierre Charron (1541-1603), Justus Lipsius (1547-1606), Paolo Sarpi (1552-1623) and King James VI and I (1566-1625), in response to the religious ruptures of their time. Though rarely juxtaposed, all four authors were deeply affected by the religious divisions. In their works, they denounced religious zeal, focusing on non-dogmatic piety. Drawing on classical tradition and church history, they set out to offer consolation to the people of a war-torn continent and to discuss means of reconciliation. Their responses sought to define the role of religion in public and private. They emphasised the need for lay control of religious affairs as the only way of ensuring peace, whilst circumscribing belief and its practice to the private realm.

The Voice of Virtue illuminates the musical practices at the heart of the Neostoic movement that spread across French lands during the Wars of Religion in the latter half of the sixteenth century. Guided by twin reparative traditions granting music and philosophy therapeutic power, composers and performers across the embattled Catholic and Protestant confessions turned to moral song as a means of repairing personal and collective virtue damaged by the ongoing conflict. Moral song collections enlarged interest in Stoic philosophy by circulating its ethical program to a broader audience through attractive paraphrases of Stoic maxims set to music. Even more importantly, this skillfully composed repertoire of polyphonic song offered a multi-sensory moral practice that would have resonated powerfully for those well-versed in the paradoxes of the Stoic tradition. Bringing together a repertoire of little-known music prints, a rich visual culture, and an impressive body of literary and philosophical sources, The Voice of Virtue not only illuminates the influence of Stoicism on music, but also reveals that we cannot fully understand Neostoicism as an intellectual or cultural movement without accounting for its vibrant musical sounds. Virtue, as voiced in these Stoic practices, proves to be both rational and fully invested in the sensory processes of the singing body.

Long ghettoized within British and Irish studies, Catholicism and Recusancy in Britain and Ireland demonstrates that, despite many challenges and differences among them, English, Scottish, Welsh, and Irish Catholics formed strong bonds and actively participated in the life of their nations and their Church.

The story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century.

Constraint on Trial examines the life and thought of Dirck Volckertsz Coornhert (1522-1990). The self-made Coornhert was a notary, secretary, artist, poet, playwright, translator, theologian, but most of all, he was an intrepid controversialist, "born to contradict", indefatigable in his critique of the public church and sects. His main concern in polemics and disputations was the defense of freedom of conscience and advocacy of toleration. Coornhert's individualism made him eschew any restrictions on personal religious choice. His tolerationist writings, especially Synod on the Freedom of Conscience (1582) and Trial of the Killing of Heretics(1590), were rooted in his spiritualist belief system. He found inspiration in other protagonists of religious freedom, such as Sebastian Franck and Castellio, but his ideas were uniquely Coornhertian. He possessed an unrelenting drive to combat constraint, and regarded himself as "God's battering ram, meant to break down the prison of men's conscience".

This collection of essays, commissioned in honour of Andrew Pettegree, presents original contributions on the Reformation, communication and the book in early modern Europe. Together, the essays reflect on Pettegree’s ground-breaking influence on these fields, and offer a comprehensive survey of the state of current scholarship.

An investigation of modes of receiving and responding to Greek culture in diverse contexts throughout early modern Europe, in order to encourage a more over-arching understanding of the multifaceted phenomenon of early modern Hellenism and its multiple receptions.

Scholars of pre-modern literary culture rely almost exclusively on texts that have survived: mostly those that have reached the comparative safety of modern library collections. But the urge to record, catalogue and advertise the wealth of new publications in the age of print created an additional and valuable resource: book lists. Printers made lists of their available stock; owners catalogued their libraries; religious authorities drew up indexes of banned books; assessors inventoried collections and stock as part of the settlement of estates, or legal proceedings. This volume examines an array of such lists taken from a variety of European countries during the fifteenth, sixteenth and seventeenth centuries. The result is a wide-ranging re-evaluation of one of the most interesting and underused resources for early modern book history. Contributors include: Jürgen Beyer, Flavia Bruni, Gina Dahl, Cristina Dondi, Shanti Graheli, Neil Harris, Justyna Kiliańczyk-Zięba, Alexander Marr, Kasper van Ommen, Andrea Ottone, Leigh T.I. Penman, Benito Rial Costas, John Sibbald, Kevin M. Stevens and Malcolm Walsby.

In Natural and Political Conceptions of Community, Christoph Haar examines the role of the household community in Jesuit political thought. Introducing a fresh perspective on the early modern Jesuit academic discourse, the book explores how leading Jesuit thinkers drew on their theologically inspired conceptions of the family community to determine the usefulness as well as the limitations of the political realm. Natural and Political Conceptions of Community is about the place of the household in Scholastic theoretical works. The book demonstrates that Jesuits considered the human being as a household being when they determined the origin and purpose of the political community, producing a notion of politics that integrated their account of human nature with the sphere of law, rights, and virtues.

By examining the relationship between international law and empire from early modernity to the present, this volume improves current understandings of the way international legal institutions, practices, and narratives have shaped imperial ideas about and structures of world governance.