When most people think that “little girls should be seen and not heard,” a noisy, riotous scream can be revolutionary. But that’s not the case anymore. (Cis/Het/White) Girls aren’t supposed to be virginal, passive objects, but Poly-Styrene-like sirens who scream back in spectacularly noisy and transgressive ways as they “Lean In.” Resilience is the new, neoliberal feminine ideal: real women overcome all the objectification and silencing that impeded their foremothers. Resilience discourse incites noisy damage, like screams, so that it can be recycled for a profit. It turns the crises posed by avant-garde noise, feminist critique, and black aesthetics into opportunities for strengthening the vitality of multi-racial white supremacist patriarchy (MRWaSP). Reading contemporary pop music – Lady Gaga, Beyonce, Calvin Harris – with and against political philosophers like Michel Foucault, feminists like Patricia Hill Collins, and media theorists like Steven Shaviro, /Resilience & Melancholy/ shows how resilience discourse manifests in both pop music and in feminist politics. In particular, it argues that resilient femininity is a post-feminist strategy for producing post-race white supremacy. Resilience discourse allows women to “Lean In” to MRWaSP privilege because their overcoming and leaning-in actively produce blackness as exception, as pathology, as death. The book also considers alternatives to resilience found in the work of Beyonce, Rihanna, and Atari Teenage Riot. Updating Freud, James calls these pathological, diseased iterations of resilience “melancholy.” Melancholy makes resilience unprofitable, that is, incapable of generating enough surplus value to keep MRWaSP capitalism healthy. Investing in the things that resilience discourse renders exceptional, melancholic siren songs like Rihanna’s “Diamonds” steer us off course, away from resilient “life” and into the death.

A masterpiece of warrior wisdom: how to be resilient, how to overcome obstacles not by "positive thinking" or self-esteem, but by positive action. The bestselling author, Navy SEAL, and humanitarian Eric Greitens offers a self-help book unlike any other.

In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.

A NEW YORK TIMES BESTSELLER! AS HEARD ON NPR MORNING EDITION AND ON BEING WITH KRISTA TIPPETT “Katherine May opens up exactly what I and so many need to hear but haven't known how to name.” —Krista Tippett, On Being “Every bit as beautiful and healing as the season itself. . . . This is truly a beautiful book.” —Elizabeth Gilbert "Proves that there is grace in letting go, stepping back and giving yourself time to repair in the dark...May is a clear-eyed observer and her language is steady, honest and accurate—capturing the sense, the beauty and the latent power of our resting landscapes." —Wall Street Journal An intimate, revelatory book exploring the ways we can care for and repair ourselves when life knocks us down. Sometimes you slip through the cracks: unforeseen circumstances like an abrupt illness, the death of a loved one, a break up, or a job loss can derail a life. These periods of dislocation can be lonely and unexpected. For May, her husband fell ill, her son stopped attending school, and her own medical issues led her to leave a demanding job. Wintering explores how she not only endured this painful time, but embraced the singular opportunities it offered. A moving personal narrative shot through with lessons from literature, mythology, and the natural world, May's story offers instruction on the transformative power of rest and retreat. Illumination emerges from many sources: solstice celebrations and dormice hibernation, C.S. Lewis and Sylvia Plath, swimming in icy waters and sailing arctic seas. Ultimately Wintering invites us to change how we relate to our own fallow times. May models an active acceptance of sadness and finds nourishment in deep retreat, joy in the hushed beauty of winter, and encouragement in understanding life as cyclical, not linear. A secular mystic, May forms a guiding philosophy for transforming the hardships that arise before the ushering in of a new season.

Ensure that your kids (and you) thrive during distance learning when school is at home! To say the pandemic of 2020 threw parents and educators a curveball would be an understatement. Suddenly, we were charged not only with meeting our children’s emotional and social needs, but also helping them fulfill their academic tasks outside of the school and classroom. Feelings of stress, anxiety, and guilt were inevitable. While you’re recreating the structure and routine of school and attending to students’ mental health, the Good Parenting Strategies (GPS) offered in this essential guide will help you help your children succeed while learning at home. Ben Springer, an expert educator and school psychologist, provides you with real-life scenarios and ready-to-use tools rooted in positive psychology that show you how to · Manage stress and anxiety at home · Focus on the key ingredients to learning (both distance and face-to-face) · Prevent problem behaviors before they occur · Build resilience and find happiness Also included are more than 25 charts and tools that are accessible online for ease of printing. Full of humor, insights, and guidance fit for parents and teachers alike, this book equips you to confidently face challenging student behaviors, emotions, and schoolwork both now and in the future—and, perhaps most importantly, to begin to heal.

This edited book inserts postfeminism (PF) as a critical concept into understandings of work and organization. While the notion of PF has been extensively investigated in cultural and media studies, it has yet to emerge within organization studies - remaining marginal to understandings of work based experiences and subjectivities. Understanding PF as a discursive cultural context not only draws on an established epistemological orientation to organizations as discursively constructed and reproduced but allows us to highlight how PF may underpin and be underpinned by other discursive regimes This book, as the first in the field, draws on key international authors to explore: the contextual ‘backdrop’ of PF and its links with neo-liberalism, transnational feminism and other hegemonic discourses; the different ways in which this backdrop has infiltrated organizational values and practice through the primacy attached to choice, merit and individual agency as well as through the widespread perception that gender disadvantage has been ‘solved’; and the implications for organizational subjectivity and for how inequality is experienced and perceived. This book introduces postfeminism as a critical concept with contemporary importance for the study of organizations, arguing for its explanatory potential when: Exploring women’s and men’s experience of managing and organizing; Investigating the gendered aspects of organizational life; Analysing the contemporary validation of the feminine and the associated feminization of management/leadership and organizations; Tracing the emergence of new femininities and masculinities within organizational contexts. The book is ideal reading for researchers working in the area of Gender and Organization Studies but is also of interest to researchers in the areas of Cultural Studies, Media Studies, Women’s Studies and Sociology.

How does the sudden onset of disability impact the sense of self in a person whose identity was, at least in part, predicated on the possession of what is culturally understood to be an "able" body? How does this experience make visible the structures enabling society's shared notions of heteronormative masculinity? In the United States, the Second World War functioned as a key moment in the emergence of modern understandings of disability, demonstrating that an increased concern with disability in the postwar period would ultimately lead to greater incoherence in the definitions and cultural meanings of disability in America. The Illegible Man examines depictions of disability in American film and literature in twentieth-century postwar contexts, beginning with the first World War and continuing through America's war in Vietnam. Will Kanyusik searches for the origin of discourse surrounding disability and masculinity after the Second World War, examining both literature and film—both fiction and documentary—their depictions of disability and masculinity, and how many of these texts were created by the relationship between the culture industry and the Office of War Information in the 1940s. Supported by original archival research, The Illegible Man presents a new understanding of disability, masculinity, and war in American culture.

This volume offers a unique exploration of how ageing masculinities are constructed and represented in contemporary international cinema. With chapters spanning a range of national cinemas, the primarily European focus of the book is juxtaposed with analysis of the social and cultural constructions of manhood and the "anti-ageing" impulses of male stardom in contemporary Hollywood. These themes are inflected in different ways throughout the volume, from considering how old age is not the monolithic and unified life stage with which it is often framed, to exploring issues of queerness, sexuality, and asexuality, as well as themes such as national cinema and dementia. Offering a diverse and multifaceted portrait of ageing and masculinity in contemporary cinema, this book will be of interest to scholars and students of film and screen studies, gender and masculinity studies, and cultural gerontology.

Loving Music Till It Hurts explores how people's intense love and protectiveness of music can lead to interpersonal conflicts, societal injustices, and violence. But how might we love music, even embrace it as vital to human thriving, without weaponizing this love? What can we do when loving music and loving people seem at odds?

A thorough critique of the redemptive narratives of neoliberalism in US politics and society. “This is a book about what it would mean to be a bit moody in the midst of being theological and political. Its framing assumption is that neoliberal economics relies on narratives in which not being in the right mood means a cursed existence.” So begins Grave Attending: A Political Theology for the Unredeemed, which mounts a challenge to neoliberal narratives of redemption. Mapping the contemporary state of political theology, Karen Bray brings it to bear upon secularism, Marxist thought, affect theory, queer temporality, and other critical modes as a way to refuse separating one’s personal mood from the political or philosophical. Introducing the concept of bipolar time, she offers a critique of neoliberal temporality by countering capitalist priorities of efficiency through the experiences of mania and depression. And it is here Bray makes her crucial critical turn, one that values the power of those who are unredeemed in the eyes of liberal democracy?those too slow, too mad, too depressed to be of productive worth?suggesting forms of utopia in the poetics of crip theory and ordinary habit. Through performances of what she calls grave attending?being brought down by the gravity of what is and listening to the ghosts of what might have been?Bray asks readers to choose collective care over individual overcoming. Grave Attending brings critical questions of embodiment, history, and power to the fields of political theology, radical theology, secular theology, and the continental philosophy of religion. Scholars interested in addressing the lack of intersectional engagement within these fields will find this work invaluable. As the forces of neoliberalism demand we be productive, efficient, happy, and flexible in order to be deemed worthy subjects, Grave Attending offers another model for living politically, emotionally, and theologically. Instead of submitting to such a market-driven concept of salvation, this book insists that we remain mad, moody, and unredeemed. Drawing on theories of affect, temporality, disability, queerness, work, and race, Bray persuades us that embodying more just forms of sociality comes not in spite of irredeemable moods, but through them. “In Grave Attending, Bray forges a bold, and yet surprisingly gentle, theological response to the driving economies of salvation that flow through the bloodstream of US politics and American Christianity. Immersed in multiple scholarly discourses, Bray manages to expose the significance of theology amongst these, as her theological vision insists on countering the pathologizing forces that either numb us or compel us to rise above suffering. She catches readers off-guard by crafting a lyrical work of theology that claims moods and modes of reflection that are often deemed unsuitable and unworthy. Bray’s theology claims the damned and damns the redemptive.” —Shelly Rambo, Boston University