'Devoured it. Great characters and brilliant use of the history and architecture of Bologna. His best yet' Trevor Wood In the sweltering heat of a Bologna summer, a murderer plans their pièce de résistance... Only in Bologna reads the headline in the Carlino after a professor of music is apparently murdered leaving the opera. But what looks like an open-and-shut case begins to fall apart when English detective Daniel Leicester is tasked with getting the accused man off, and a trail that begins among Bologna's close-knit classical music community leads him to suspect there may be a serial killer at large in the oldest university in the world. And as Bologna trembles with aftershocks following a recent earthquake, the city begins to give up her secrets... Praise for Requiem in La Rossa 'I absolutely loved this book. Bologna is perfectly captured, the crime plot is fresh and intriguing, and the characterisation remains spot on. I found myself totally immersed and swept through this stunner of a story in 24 hours. Highly, highly recommend' Philippa East 'An atmospheric, intelligent crime novel that is an intricate portrait of the heart of Bologna. Beautiful, gripping, and very clever' Victoria Dowd 'A brilliant, involving crime novel' Louise Hare 'Clever and beautifully written... his best yet' Louise Fein 'I was so hooked on story, I read the whole novel in a couple of days despite trying to make it last as I didn't want it to end' Mystery People Praise for Tom Benjamin 'The locale is brought to life . . . the plot keeps you guessing' The Times 'A slow-burning, tense and brooding thriller' The Herald Scotland 'Tom Benjamin's debut novel blows the lid off a political cauldron in which Leftist agitators, property moguls, the police and city elders struggle for survival and dominance' Daily Mail 'It's an immensely promising debut, which leaves the reader feeling they really know the city.' Morning Star 'Another great crime novel set in Bologna' Reader Review 'The mystery smolders away nicely and the wrap-up throws some curve balls. Another indulgent offering in this rewarding series.' Reader Review

'There are two major stars in this book, the laconic private eye Daniel Leicester and the city of Bologna itself. Tom Benjamin mixes these ingredients perfectly making Italian Rules a really great read.' Ian Moore, author of DEATH AND CROISSANTS 'Italian Rules is a fabulously sophisticated and classy mystery with an utterly gripping plot' Victoria Dowd When Hollywood comes to Bologna, La Dolce Vita turns sweet murder... A famous Hollywood director arrives in Bologna to remake a cult film and the city's renown cinema archive decides to mark the occasion with a screening of the original, only to discover it has disappeared. After English detective Daniel Leicester follows the trail of Love on a Razorblade to an apparent murder-suicide, he begins to suspect there may be more at stake than missing negatives - could the film contain a clue to one of the city's most enduring mysteries? Together with a star from the forthcoming remake, Daniel moves from the glamour of Venice Lido to the depths of Bologna's secret tunnel system as a sinister network closes in and he learns some people are ready to kill for the ultimate director's cut. Praise for Italian Rules ' Benjamin skilfully combines a cracking crime novel with a love letter to Italian cinema . . . Italian Rules is an absolute treat' Trevor Wood 'Intelligent, kinetically sprung ' Irish Times 'Soul-moving' Peterborough Telegraph Praise for Tom Benjamin 'The locale is brought to life . . . the plot keeps you guessing' The Times 'A slow-burning, tense and brooding thriller' The Herald Scotland 'Tom Benjamin's debut novel blows the lid off a political cauldron in which Leftist agitators, property moguls, the police and city elders struggle for survival and dominance' Daily Mail 'It's an immensely promising debut, which leaves the reader feeling they really know the city.' Morning Star 'Another great crime novel set in Bologna' Reader Review 'The mystery smolders away nicely and the wrap-up throws some curve balls. Another indulgent offering in this rewarding series.' Reader Review

'Benjamin's latest captivating mystery will keep the reader hooked to the very last page while also bringing the city of Bologna to fascinating life. Bravo!' Camilla Trinchieri, author of Murder in Chianti 'Excellent! This time, English detective Daniel Leicester takes us on a hairpin ride through the glamorous, perilous world of Formula One. An absorbing portrayal of what happens when wealth, rivalry and corruption collide, this is a compelling read from a writer who knows Italy inside out and is at the top of his game.' Eleni Kyriacou, author of The Unspeakable Acts of Zina Pavlou, selected for BBC 2 Between the Covers Book Club 2023 'Raced through this latest in the fab crime series featuring English 'tec Dan Leicester. Set in the murky world of Formula 1, this souped-up thriller should ensure that Tom Benjamin takes his rightful place at the front of the crime-writing grid' Trevor Wood When an old man makes a bequest to investigate the mysterious death of his son, English detective Daniel Leicester follows a trail leading to one of Bologna's wealthiest families - makers of some of the world's most coveted supercars. He soon discovers that beneath the glitz and glamour of the Formula One circuit lurk certain people, with sinister interests, who may just be prepared to kill to keep their secrets. Time and tide wait for no man - or woman - and while biology obliges one of Faidate Investigations' team to finally undergo a long-delayed operation, history catches up with another. Shadowing a suspect along one of Bologna's blood-red porticoes or mixing with the glitterati in the paddock at Imola, the English detective comes to learn in Italy the past not only has a long tail, but its sting can be deadly. Praise for Italian Rules 'There are two major stars in this book, the laconic private eye Daniel Leicester and the city of Bologna itself. Tom Benjamin mixes these ingredients perfectly making Italian Rules a really great read.' Ian Moore, author of DEATH AND CROISSANTS ' Benjamin skilfully combines a cracking crime novel with a love letter to Italian cinema . . . Italian Rules is an absolute treat' Trevor Wood Praise for Tom Benjamin "Tom Benjamin does it again! Last Testament in Bologna is another brilliantly-immersive crime mystery, seeped in the culture and scenery of Italy, that leads you through a compellingly-twisty plot balanced with authentic and heartfelt characterisation, and unspools to a perfectly satisfying conclusion." Philippa East 'The locale is brought to life . . . the plot keeps you guessing' The Times 'A slow-burning, tense and brooding thriller' The Herald Scotland 'Tom Benjamin's debut novel blows the lid off a political cauldron in which Leftist agitators, property moguls, the police and city elders struggle for survival and dominance' Daily Mail 'It's an immensely promising debut, which leaves the reader feeling they really know the city.' Morning Star 'Another great crime novel set in Bologna' Reader Review 'The mystery smolders away nicely and the wrap-up throws some curve balls. Another indulgent offering in this rewarding series.' Reader Review

'The locale is brought to life . . . the plot keeps you guessing' The Times 'A slow-burning, tense and brooding thriller' The Herald Scotland 'Tom Benjamin's debut novel blows the lid off a political cauldron in which Leftist agitators, property moguls, the police and city elders struggle for survival and dominance' Daily Mail 'It's an immensely promising debut, which leaves the reader feeling they really know the city.' Morning Star Bologna: city of secrets, suspicion . . . and murder When the body of a radical protestor is found floating in one of Bologna's underground canals, it seems that most of the city is ready to blame the usual suspects: the police. But when private investigator Daniel Leicester, son-in-law to the former chief of police, receives a call from the dead man's lover, he follows a trail that begins in the 1970s and leads all the way to the rotten heart of the present-day political establishment. Beneath the beauty of the city, Bologna has a dark underside, and English detective Daniel must unravel a web of secrets, deceit and corruption - before he is caught in it himself. A dark and atmospheric crime thriller set in the beautiful Italian city of Bologna, perfect for fans of Donna Leon, Michael Dibdin and Philip Gwynne Jones.

A broad study of the Chicano/a movement in the Viet Nam War era.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Between 1780 and 1850, the growing prominence of female singers in Britain's professional and amateur spheres opened a fraught discourse about women's engagement with musical culture. Protestant evangelical gender ideology framed the powerful, well-trained, and expressive female voice as a sign of inner moral corruption, while more restrained and delicate vocal styles were seen as indicative of the performer's virtuous femininity. Yet far from everyone was of this persuasion, and those from alternative class and religious milieux responded in more affirmative ways to the sound of professional female voices. The meanings listeners ascribed to women's voices reflect crucial developments in the musical world of the period, such as the popularity of particular genres with audiences of certain social backgrounds, and the reasons underpinning the development of prevalent types of nineteenth-century professional female vocality. Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture. Arguing for the importance of the aural dimension of the past, author David Kennerley draws from a variety of fields-including sound studies, sensory histories, and gender theory-to examine how audiences heard different kinds of femininities in the voices of British female singers. Sounding Feminine explores the intense divisions over the "correct" use of the female voice, and the intricate links between gender, nationality, class, and religion in ascribing status, purpose, and morality to female singing. Through this lens, Kennerley also explores the formation of British middle-class identities and the cultural impact of the evangelical revival-deepening our understanding of this period of transformational change in British culture.