With this edition Swallow Press presents two of Anna Akhmatova’s best-known works that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime. Akhmatova began the three-decade process of writing “Requiem” in 1935 after the arrests of her son, Lev Gumilev, and her third husband. The autobiographical fifteen-poem cycle primarily chronicles a mother’s wait—lining up outside Leningrad Prison every day for seventeen months—for news of her son’s fate. But from this limbo, Akhmatova expresses and elevates the collective grief for all the thousands vanished under the regime, and for those left behind to speculate about their loved ones’ fates. Similarly, Akhmatova wrote “Poem without a Hero” over a long period. It takes as its focus the transformation of Akhmatova’s beloved city of St. Petersburg—historically a seat of art and culture—into Leningrad. Taken together, these works plumb the foremost themes for which Akhmatova is known and revered. When Ohio University Press published D. M. Thomas’s translations in 1976, it was the first time they had appeared in English. Under Thomas’s stewardship, Akhmatova’s words ring clear as a bell.

Akhmatova was unquestionably one of the great poets of the 20th century. These exquisite translations convey the subtle beauties and daring associations of a poet whose long life proved poetry's capacity for survival and subversive resistance to tyranny.

Anna Akhmatova (1889–1966), one of twentieth-century Russia’s greatest poets, was viewed as a dangerous element by post-Revolution authorities. One of the few unrepentant poets to survive the Bolshevik revolution and subsequent Stalinist purges, she set for herself the artistic task of preserving the memory of pre-Revolutionary cultural heritage and of those who had been silenced. This book presents Nancy K. Anderson’s superb translations of three of Akhmatova’s most important poems: Requiem, a commemoration of the victims of Stalin’s Terror; The Way of All the Earth, a work to which the poet returned repeatedly over the last quarter-century of her life and which combines Old Russian motifs with the modernist search for a lost past; and Poem Without a Hero, widely admired as the poet’s magnum opus. Each poem is accompanied by extensive commentary. The complex and allusive Poem Without a Hero is also provided with an extensive critical commentary that draws on the poet’s manuscripts and private notebooks. Anderson offers relevant facts about the poet’s life and an overview of the political and cultural forces that shaped her work. The resulting volume enables English-language readers to gain a deeper level of understanding of Akhmatova’s poems and how and why they were created.

Definitive translations of Akhmatova back in bilingual format.

Akhmatova was recognised as one of the world's great poets after her death in 1966. Refusing to leave Russia when her work was censored and her name attacked she spoke to and for the soul of her people. There are 800 poems and essays in this edition some of which have not been published in English before.

This striking biography, the first ever written about the great Russian poet, Anna Akhmatova (1889-1966), illuminates Akhmatova's dramatic personal and professional struggles. From the isolation of the twenty-five years she was banned from publishing her work, and the sorrow of her tragic losses--her first husband executed by Stalin, her second dead in the work camps, and her son imprisoned for fourteen years--to her final years of triumph receiving public acclaim as the country's foremost woman poet, this compelling, authoritative account traces the relationship between her writings and her life. Haight provides elegant translations and detailed analyses of Akhmatova's finest works, including "Requiem" and "Poem without a Hero," revealing the brilliance of this now highly praised poet.

This riveting biography tells the tragic story of one of our century's great poets. Born to aristocracy, Anna was raised in St. Petersburg in the twilight of the Romanov dynasty. With gift for poetry and prophecy, she became a cult figure among the intelligentsia of the Silver Age. Inclues 39 pages of photos.

Outlines a fresh and coherent framework, reviewing Akhmatova's oeuvre in its totality for the first time.

This Futurist opera was presented in snowy Petrograd in December 1913 to a riotous audience. The atonal music composed by Mikhail Matiushin accompanied the alogical libretto by Aleksei Kruchenykh, the action taking place in the 10th Land where "the windows of houses all face inside" and "all the paths go up to the earth," while the hands of a clock "both go backwards immediately before dinner." The cardboard costumes by Kazimir Malevich were surfaces lit by his roving colored spotlights, the characters bigger than life. This first English translation by Dr. Evgeny Steiner is accompanied by the Russian facsimile, followed by what is known of the musical score by Mikhail Matiushin, and a selection of Malevich's Cubist costume designs. Contemporary documents, from statements by the artists and photographs, to press reviews complete the contents of Vol. 1. Vol. 2 is a collection of scholarly essays on the Russian Futurist arts of language, music and performance, with Kruchenykh's own contribution to the "New Ways of the Word" first published in 1913. Together, this two volume collection of Victory Over the Sun presents Russian Futurism in all its guises. It is a tool for study, while it invites recreations of it today by theatre groups and those interested in the arts of language.