Since 2015, the ‘refugee crisis’ is possibly the most photographed humanitarian crises in history. Photographs taken, for instance, in Lesvos, Greece, and Bodrum, Turkey, were instrumental in generating waves of public support for, and populist opposition to “welcoming refugees” in Europe. But photographs do not circulate in a vacuum; this book explores the visual economy of the ‘refugee crisis,’ showing how the reproduction of images is structured by, and secures hierarchies of gender, sexuality, and ‘race,’ essential to the functioning of bordered nation-states. Taking photography not only as the object of research, but innovating the method of photographìa— the material trace of writing/grafì with light/phos— this book urges us to view images and their reproduction critically. Part theoretical text, part visual essay, Reproducing Refugees vividly shows how institutional violence underpins both the spectacularity and the banality of ‘crisis.’ This book goes about synthesising visual studies with queer, feminist, postcolonial, post-structuralist, and post-Marxist theories. Carastathis and Tsilimpounidi offer theoretical frameworks and methodological tools to critically analyse representations, both those circulated through hegemonic institutions, and those generated from ‘below’. They carve a space between logos and praxis, ways of knowing and ways of doing, by offering a new visual language that problematises reified categories such as that of the ‘refugee’ and makes possible disruptive, alternative, resistant perceptions. The book contributes to the fields of migration and border studies, critically engaging visual narratives drawn from migration movements to question dominant categories and frameworks, from a decolonial, no-borders, queer feminist perspective.

This Handbook presents a transnational and interdisciplinary study of refugee narratives, broadly defined. Interrogating who can be considered a refugee and what constitutes a narrative, the thirty-eight chapters included in this collection encompass a range of forcibly displaced subjects, a mix of geographical and historical contexts, and a variety of storytelling modalities. Analyzing novels, poetry, memoirs, comics, films, photography, music, social media, data, graffiti, letters, reports, eco-design, video games, archival remnants, and ethnography, the individual chapters counter dominant representations of refugees as voiceless victims. Addressing key characteristics and thematics of refugee narratives, this Handbook examines how refugee cultural productions are shaped by and in turn shape socio-political landscapes. It will be of interest to researchers, teachers, students, and practitioners committed to engaging refugee narratives in the contemporary moment. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Identity is widely acknowledged to be a felt experience, yet questions of atmosphere, mood and public sentiments are rarely made central to understanding the global politics of nationalism. This book asks what difference it makes when we address national identity as principally an affective force? National Affects traces how ideas about 'us and them' take form in ordinary spaces, in ways that are both deeply felt and hardly noticeable, in studies of global events that range from the London 2012 Olympic Games to responses to acts of terror, the European refugee crisis and 'Brexit'. In this timely intervention, Angharad Closs Stephens addresses the affective dimensions of being together to open new angles in the study of nationalism and global politics. She asks how the nation is felt in everyday life, as well as differently experienced, and investigates different forms of enacting being together to generate new insights in the study of national identity. National Affects draws on academic theories in the study of Politics, International Relations and Human Geography, as well as stories, performance works and novels, to establish a new tone of critical enquiry. Informed by longstanding critical interrogations of the politics of 'us and them', this book argues that these ideas are not as stable as they are often made to seem. Drawing on a combination of artistic and academic interventions, this book offers a refreshing approach to conceptualising the politics of nationalism, identity and citizenship. In its focus on everyday atmospheres, it identifies new registers for intervening politically. Overall, National Affects outlines other ways of imagining and practising being political together, beyond the exclusionary politics of nationalism.

The political economy of migration / Sungur Savran -- War, migration, and class / Kemal Vural Tarlan -- Images as border : on the visual production of the "migration crisis" / Mariam Durrani and Arjun Shankar -- Why do employment and socioeconomic integration have a strained relationship? The international protection context and Syrians in Turkey / Saime Özçürümez and Deniz Yıldırım -- Welfare nationalism and rising prejudice against migrants in Central and Eastern Europe / Anıl Duman -- Vulnerable permanency in mass influx : the case of Syrians in Turkey / Ahmet İçduygu and Damla B. Aksel -- Legal topography of the 2015 European refugee "crisis" / Everita Silina -- "The preparation of living corpses" : immigration detention and the production of the non-person / David Herd -- The Germans' "refugee" : concepts and images of the "refugee" in Germany's twisted history between acceptance and denial as a country of immigration and refuge / Marion Detjen -- "Without it, you will die" : smartphones and refugees' digital self-organization / Stephan O. Görland and Sina Arnold -- Processes of wage theft : the neoliberal labor market and Syrian refugees in Turkey / Danièle Bélanger and Cenk Saraçoğlu -- The narratives of Syrian refugees on taking Turkey as a land of a long or temporary settlement / Samer Sharani -- Concluding remarks / Erol Balkan and Zümray Kutlu-Tonak.

A Critical Cultural Sociological Exploration of Attitudes toward Migration in Czechia: What Lies Beneath the Fear of the Thirteenth Migrant qualitatively deciphers what lies beneath the fears about the imaginary “thirteenth migrant” and explores how individuals make sense of migration in nontraditional destination countries, utilizing critical, cultural sociological methods to explore the deep meaning-making processes that inform migration attitudes.

Grounding Critique: Marxism, Concept Formation, and Embodied Social Relations argues that marxism must have a robust understanding of embodied social relations, such as race, gender, and sexuality, in order to produce the knowledge necessary for transformative social change. Tanyildiz subjects two important strands of marxist social theory —marxist-feminism and social reproduction theory— to a methodological examination and demonstrates their shortcomings. Focusing on these strands’ critiques of intersectionality as a moment of crystallization in concept formation, Grounding Critique explores alternative ways of using Marx’s method to understand contemporary human praxis.

Postcolonial Surveillance investigates the long history of the European border regime, focusing on the colonial forerunners of today’s border technologies. The book takes a longue durée perspective to uncover how Europe’s colonial history continues to shape the high-tech political present and has morphed into EU border migration policies, border security, and surveillance apparatuses. It exposes the racial hierarchies and power relations that form these systems and highlights key moments when the past and present interact and collide, such as in panoptic surveillance, biopolitical registers, biometric sorting, and deterrent media infrastructure. The technological genealogies assembled in this book reveal the unacknowledged histories that had to be rejected for the seemingly clean, unbiased, and neutral technologies to emerge as such.

Collective Movements and Emerging Political Spaces addresses the politics of new forms of collective movements, ranging from anti‐austerity protests to migrant struggles and anticolonial demonstrations. Drawing on examples from various countries, as well as struggles taking place across borders, this book traces the emergence of new practices of being political, described as ‘collective movements’. These represent something looser than a common identity – long held as necessary for a political struggle to cohere. They also suggest a different understanding of emancipation to the promise of transformation in time. By addressing various examples of ‘collective movements’, the chapters in this book examine other ways of being political together, formed through relations carved in cramped spaces or small movements that rearrange our ideas about what is possible. Drawing on the temporary and fleeting nature of many migrants’ struggles, the chapters develop concepts and approaches that acknowledge how such mobilisations trouble many standard political sociological categories – including nation, identity and citizenship. In combining an attentiveness to theories of affect, emotion and atmosphere, they also go beyond a focus on either individuals or collectives, to address the ways bodies are moved by the world and by others. Overall, the chapters propose new questions, methods and starting points for addressing collective movements in emerging political spaces, and for understanding how what counts as politics is being redrawn on the ground. This book will interest students, researchers and scholars of international political sociology, human geography, international relations, critical security studies and migration studies.

Whether aesthetically or politically inspired, graffiti is among the oldest forms of expression in human history, one that becomes especially significant during periods of social and political upheaval. With a particular focus on the demographic, ecological, and economic crises of today, this volume provides a wide-ranging exploration of urban space and visual protest. Assembling case studies that cover topics such as gentrification in Cyprus, the convulsions of post-independence East Timor, and opposition to Donald Trump in the American capital, it reveals the diverse ways in which street artists challenge existing social orders and reimagine urban landscapes.