Like the preceeding books in The Representative Americans series, The Romantics makes history human by putting tissue on the skeletal framework of names and dates. It treats people whose principal contributions fell in the first half of the nineteenth century. And while certain individuals may be unfamiliar to readers-the slaves Prince and Fed; Free Frank, a black farmer of Kentucky and Illinois; and the Lowell Girls, Lucy Lacom and Sarah Bagley-the majority of the figures studied are well-known, such as Andrew Jackson and John Quincy Adams, Ralph Waldo Emerson, Margaret Fuller, Horace Mann, and Catharine Beecher. Tying it all together is the prevailing spirit of American Romanticism. Visit our website for sample chapters!

This updated volume of Representative Americans highlights three generations of colonial Americans--men and women who founded, shaped, and coined traditions of this country. This is a glimpse into a time of empire and frontier, religion, and science. The breadth of this experience is represented in the book's three sections.

Americans in the middle decades of the nineteenth century were a people with boundless energy capable of heroic deeds, monumental achievements, and tragic errors. In The Civil War Generation, his newest volume in The Representative Americans series, noted scholar Norman K. Risjord uses biographical sketches to create a composite portrait of the United States during and immediately after the Civil War. Risjord begins his study with Stephen A. Douglas and Frederick Douglass, who provide two different viewpoints on the events leading to the conflict, while Harriet Tubman represents a form of social activism during the same years. Profiles of Stonewall Jackson and William Tecumseh Sherman, as well as infantryman James Anderson, give the reader an insightful view of the men fighting the war. Risjord then leads the reader inside both the Northern and Southern governments as well as the Reconstruction Era through the eyes of people such as William H. Seward and Thaddeus Stevens. Looking at the postwar period, Risjord examines the social and economic changes the conflict wrought, describing the lives of Clara Barton and Cornelius Vanderbilt. As the nation's eyes turned westward, the tragic tale of Crazy Horse unfolds, as well as the chronicle of two of the first scientists to explore the new land. Masterfully written and eminently readable, The Civil War Generation brings to life one of our nation's most turbulent decades and will be of great value to students of the Civil War.

In this ambitious study of the intense and often adversarial relationship between English and American literature in the nineteenth century, Robert Weisbuch portrays the rise of American literary nationalism as a self-conscious effort to resist and, finally, to transcend the contemporary British influence. Describing the transatlantic "double-cross" of literary influence, Weisbuch documents both the American desire to create a literature distinctly different from English models and the English insistence that any such attempt could only fail. The American response, as he demonstrates, was to make strengths out of national disadvantages by rethinking history, time, and traditional concepts of the self, and by reinterpreting and ridiculing major British texts in mocking allusions and scornful parodies. Weisbuch approaches a precise characterization of this "double-cross" by focusing on paired sets of English and American texts. Investigations of the causes, motives, and literary results of the struggle alternate with detailed analyses of several test cases. Weisbuch considers Melville's challenge to Dickens, Thoreau's response to Coleridge and Wordsworth, Hawthorne's adaptation of Keats and influence on Eliot, Whitman's competition with Arnold, and Poe's reshaping of Shelley. Adding a new dimension to the exploration of an emerging aesthetic consciousness, Atlantic Double-Cross provides important insights into the creation of the American literary canon.

The secret history of the American Left. The Left is America’s oldest enemy. It was here long before the 1960s, calling for the execution of George Washington, plotting to stop the ratification of the Constitution, and collaborating with foreign enemies. Stolen elections, fake news, race riots, globalism, and socialism aren’t new problems; Americans faced them from the very beginning. Domestic Enemies reveals the true origins of the Democratic Party and its radicals, who—even two centuries ago—were calling for the redistribution of wealth, the end of marriage, and the use of schools for political indoctrination. From political battles to street fights, Domestic Enemies takes you into the heart of a century of forgotten struggles between America’s greatest heroes—such as Washington, Hamilton, Davy Crockett, and Abraham Lincoln—and radical villains like Aaron Burr. This is a 1619 Project for the American Left: a history of the Democrats as you’ve never heard it before, told through the political debates, naval battles, race riots, scandals, secret societies, and domestic terrorism that made the Left what it is today. Learn how the Founding Fathers defeated the Left before, and how we can beat it again.

This updated volume of Representative Americans highlights three generations of colonial Americans--men and women who founded, shaped, and coined traditions of this country. This is a glimpse into a time of empire and frontier, religion, and science. The breadth of this experience is represented in the book's three sections. "Pathmarkers of the Empire" are represented in the first section. Captain John Smith and Nathaniel Bacon, though living half a century apart, were frontier soldiers shaping relations between Native and European cultures. William Bradford and William Penn came to America, also half a century apart, hoping to found a community of the righteous. In the book's second section, "Swords of Empire," the imperial, triangular contest among Britian, France, and Spain for supremacy in the New World is explored. "In the vanguard of the empire were the fortune hunters," Risjord writes. Among these "Caesars of the Forest" were Pierre Esprit Radisson and his merchant brother-in-law Medard Chouart who traversed the wilds of Canada in search of the elusive Northwest Passage. The book's final section, "Bridges of Empire," presents, among others, Cotton Mather and James Logan, who stood poised between an older order of religious humility and a newer one of political will which would later blossom into national identity.

Representative Americans: Populists and Progressives brings together brief biographies to explore the political, social, and cultural dimensions of the period from 1890-1920. Through the lives and accomplishments of these reformers, crusaders, and thinkers, readers gain a fascinating glimpse into the tumultuous turn of the twentieth century.

This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are treated at considerable length (10,000 words) by top-flight critics. Less well known figures arediscussed in essays ranging from 2,000 to 5,000 words. Each essay examines the life of the author in the context of his or her times, looking in detail at key works and describing the arc of the writer's career. These essays include an assessment of the writer's current reputation with abibliography of major works by the writer as well as a list of major critical and biographical works about the writer under discussion.A second key element of the project is the critical assessments of major American masterworks, such as Moby-Dick, Song of Myself, Walden, The Great Gatsby, The Waste Land, Their Eyes Were Watching God, Death of a Salesmanr, or Beloved. Each of these essays offers a close reading of the given work,placing that work in its historical context and offering a range of possibilities with regard to critical approach. These fifty essays (ranging from 2,000 to 5,000 words) are simply and clearly enough written that an intelligent high school student should easily understand them, but sophisticatedenough that a college student or general reader in a public library will find the essays both informative and stimulating.The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections. These essays treat many of the same authors already discussed, but in a different context; they alsogather into the fold authors who do not have an entire essay on their work (so that Zane Grey, for example, is discussed in an essay on Western literature but does not have an essay to himself). In this way, the project is truly "encyclopedic," in the conventional sense. These essays aim forcomprehensiveness without losing anything of the narrative force that makes them good reading in their own right.In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.

The Handbook of American Romanticism presents a comprehensive survey of the various schools, authors, and works that constituted antebellum literature in the United States. The volume is designed to feature a selection of representative case studies and to assess them within two complementary frameworks: the most relevant historical, political, and institutional contexts of the antebellum decades and the consequent (re-)appropriations of the Romantic period by academic literary criticism in the twentieth and early twenty-first centuries.

"This book can take its place on the shelf beside Henry Nash Smith's Virgin Land and Leo Marx's The Machine in the Garden."—Choice "[Gilmore] demonstrates the profound, sustained, engagement with society embodied in the works of Emerson, Hawthorne, Thoreau and Melville. In effect, he relocates the American Renaissance where it properly belongs, at the centre of a broad social, economic, and ideological movement from the Jacksonian era to the Civil War. Basically, Gilmore's argument concerns the writers' participation in what Thoreau called 'the curse of trade.' He details their mixed resistance to and complicity in the burgeoning literary marketplace and, by extension, the entire ' economic revolution' which between 1830 and 1860 'transformed the United States into a market society'. . . . "The result is a model of literary-historical revisionism. Gilmore's opening chapters on Emerson and Thoreau show that 'transcendental' thought and language can come fully alive when understood within the material processes and ideological constraints of their time. . . . The remaining five chapters, on Hawthorne and Melville, contain some of the most penetrating recent commentaries on the aesthetic strategies of American Romantic fiction, presented within and through some of the most astute, thoughtful considerations I know of commodification and the 'democratic public' in mid-nineteenth-century America. . . . Practically and methodologically, American Romanticism and the Marketplace has a significant place in the movement towards a new American literary history. It places Gilmore at the forefront of a new generation of critics who are not just reinterpreting familiar texts or discovering new texts to interpret, but reshaping our ways of thinking about literature and culture."—Sacvan Bercovitch, Times Literary Supplement "Gilmore writes with energy, clarity, and wit. The reader is enriched by this book." William H. Shurr, American Literature