War, migration, and refugeehood are inextricably linked and the complex nature of all three phenomena offers profound opportunities for representation and misrepresentation. This volume brings together international contributors and practitioners from a wide range of fields, practices, and backgrounds to explore and problematize textual and visual inscriptions of war and migration in the arts, the media, and in academic, public, and political discourses. The essays in this collection address the academic and political interest in representations of the migrant and the refugee, and examine the constructed nature of categories and concepts such as ‘war,’ ‘refuge(e),’ ‘victim,’ ‘border,’ ‘home,’ ‘non-place,’ and ‘dis/location.’ Contributing authors engage with some of the most pressing questions surrounding war, migration, and refugeehood as well as with the ways in which war and its multifarious effects and repercussions in society are being framed, propagated, glorified, or contested. This volume initiates an interdisciplinary debate which re-evaluates the relationship between war, migration, and refugeehood and their representations.

Perception and representation of newcomers and immigrants The topic of migration has become particularly contentious in national and international debates. Media have a discernable impact on overall societal attitudes towards this phenomenon. Polls show time and again that immigration is one of the most important issues occupying people’s minds. This book examines the dynamic interplay between media representations of migrants and refugees on the one hand and the governmental and societal (re)actions to these on the other. Largely focusing on Belgium and Sweden, this collection of interdisciplinary research essays attempts to unravel the determinants of people’s preferences regarding migration policy, expectations towards newcomers, and economic, humanitarian and cultural concerns about immigration’s effect on the majority population’s life. Whilst migrants and refugees remain voiceless and highly underrepresented in the legacy media, this volume allows their voices to be heard. Contributors: Leen d’Haenens (KU Leuven), Willem Joris (KU Leuven), Paul Puschmann (KU Leuven/Radboud University Nijmegen), Ebba Sundin (Halmstad University), David De Coninck (KU Leuven), Rozane De Cock (KU Leuven), Valériane Mistiaen (Université libre de Bruxelles), Lutgard Lams (KU Leuven), Stefan Mertens (KU Leuven), Olivier Standaert (UC Louvain), Hanne Vandenberghe (KU Leuven), Koen Matthijs (KU Leuven), Kevin Smets (Vrije Universiteit Brussel), Jacinthe Mazzocchetti (UC Louvain), Lorraine Gerstmans (UC Louvain), Lien Mostmans (Vrije Universiteit Brussel), and François Heinderyckx (Université libre de Bruxelles) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). With thanks to the funding provided by Belspo (Belgian Science Policy Office), as part of the framework programme BRAIN-be (Belgian Research Action Through Interdisciplinary Networks), contract nr BR/165/A4/IM2MEDIATE.

Migration in the 21st century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities. Refugees and Migrants in Film, Art and Media consists of eleven essays that explore how artists have imaginatively engaged with this monumental human drama, examining a range of alternative modes of representation that provide striking new takes on the experiences of these precarious populations. Covering prominent art works by Ai Weiwei and Richard Mosse, and extending the spectrum of representation to refugee film workshops on the island of Lesvos as well as virtual reality installations of Alejandro G. Iñárritu and others, the chapters included here focus on the power of aesthetic engagement to illuminate the stories of refugees and migrants in ways that overturn journalistic clichés.

Refugee and Forced Migration Studies has grown from being a concern of a relatively small number of scholars and policy researchers in the 1980s to a global field of interest with thousands of students worldwide studying displacement either from traditional disciplinary perspectives or as a core component of newer programmes across the Humanities and Social and Political Sciences. Today the field encompasses both rigorous academic research which may or may not ultimately inform policy and practice, as well as action-research focused on advocating in favour of refugees' needs and rights. This authoritative Handbook critically evaluates the birth and development of Refugee and Forced Migration Studies, and analyses the key contemporary and future challenges faced by academics and practitioners working with and for forcibly displaced populations around the world. The 52 state-of-the-art chapters, written by leading academics, practitioners, and policymakers working in universities, research centres, think tanks, NGOs and international organizations, provide a comprehensive and cutting-edge overview of the key intellectual, political, social and institutional challenges arising from mass displacement in the world today. The chapters vividly illustrate the vibrant and engaging debates that characterize this rapidly expanding field of research and practice.

Though the refugee crisis was discussed in many countries e.g. in Greece, Hungary, Italy and Spain long before 2015, it began to receive cross- European press coverage only after Angela Merkel’s statement ‘Wir schaffen das!’ on the August 30th 2015 This data-based study focuses on, how journalists report on and leading politicians make statements about refugees, migrants and asylum seekers in media and frame these humans after Angela Merkels’ sentence in 2015 until the end of 2017. This volume uses mainly Corpus Linguistics but also Communicative Science for the analysis of labelling strategies and the usage of words, collocations and grammar systems used by journalists and politicians in different European countries in comparison. This empirical volume pictures language specific variation and change of labels. To enable a contrastive study between the press discourses of many European countries, every chapter analyses the data consisting of newspaper articles describing the discourse of a particular country, including discourses of some transit countries around the borders of the Schengen Area of the European Union, which barely have been covered in other studies.

The global narrative surrounding migrants, refugees, and people on the move is often fraught with biases, misunderstandings, and misrepresentations. While crucial for informing public opinion, media coverage can inadvertently perpetuate stereotypes, fuel discrimination, and distort realities. This leads to a climate where migrants and refugees are often misunderstood, marginalized, and even targeted with hate speech. Such narratives hinder efforts for inclusive societies and contribute to the polarization of public debates on migration. Media Representation of Migrants and Refugees offers a comprehensive solution by bringing together interdisciplinary perspectives to examine and challenge prevailing media narratives critically. By inviting scholars and practitioners from diverse fields such as Social Sciences, Humanities, Media, Communications, and Government, the book aims to provide a nuanced understanding of the complex interplay between media representations and the lived experiences of migrants. This book is a vital resource for academics, researchers, policymakers, and media professionals seeking to understand and address the challenges of media representation in the context of migration.

Displacement, Memory, and Travel in Contemporary Migrant Writing examines contemporary cultural representations of transforming identities in the era of increasing global mobility. It pays particular attention to the ways in which cultural encounters are experienced affectively and discursively in migrant literature. Divided into three parts that deal with refugee writing and displacement, migration and memory, and new European identities, the volume develops current methodologies and shows how postcolonial studies can be applied to the study of cultural encounters. Writers studied include Simão Kikamba, Ishmael Beah, Madhur Jaffrey, Diana Abu-Jaber, Abdulrazak Gurnah, Caryl Phillips, Jamal Mahjoub, and Monica Ali, and several refugee writers.

In Turkish textbooks, migrants are frequently portrayed as marginalized individuals who are labelled as “needy”, “guests”, and “consumers of limited resources”. These textbooks fail to portray migrants as a constituent element of society neglecting to acknowledge their substantial contributions to both social and economic life. Furthermore, the textbooks disregard the rich tapestry of migrants’ lives, traditions, and cultures by omitting instances of successful migrant experiences. This narrative promotes discontent, hatred, exclusion, and fear towards migrants within educational institutions and society at large. However, defining migrants as the constituent elements of society, highlighting their contributions to social and economic life, and including their culture and traditions in textbooks can play a pivotal role in cultivating positive attitudes and behaviors towards immigrants. A paradigm shift in depicting migrants as essential constituents of society is imperative.

Drawing together the work and ideas of a combination of the world's leading and emerging International Relations scholars, Refugees in International Relations considers what ideas from International Relations can offer our understanding of the international politics of forced migration. The insights draw from across the theoretical spectrum of International Relations from realism to critical theory to feminism, covering issues including international cooperation, security, and the international political economy.