Kazuo Ishiguro is one of the finest contemporary authors who possesses that increasingly rare distinction of being a writer who is both popular with the general reading public and well-respected within the academic community. Kazuo Ishiguro: New Critical Visions of the Novels presents eighteen fresh perspectives on the author's work that will appeal to those who read him for pleasure or for purposes of study. Established and rising critics reassess Ishiguro's works from the early 'Japanese' novels through to his short story cycle Nocturnes, paying particular attention to The Remains of the Day, The Unconsoled, When We Were Orphans and Never Let Me Go. They address universal themes such as history, memory and mortality, but also provide groundbreaking explorations of diverse areas ranging from the posthuman and 'minor literature' to ethics, science fiction and Ishiguro's musical imagination. Featuring an insightful interview with Ishiguro himself, this collection of essays constitutes a significant contribution to the appreciation of his novels, and forms a lively and nuanced constellation of critical enquiry. Preface by Brian W. Shaffer. Essays by: Jeannette Baxter, Caroline Bennett, Christine Berberich, Lydia R. Cooper, Sebastian Groes, Meghan Marie Hammond, Tim Jarvis, Barry Lewis, Liani Lochner, Christopher Ringrose, Victor Sage, Andy Sawyer, Motoyuki Shibata, Gerry Smyth, Krystyna Stamirowska, Motoko Sugano, Patricia Waugh, Alyn Webley.

As the first book-length study of Nicholas Mosley, "The Paradox of Freedom" combines a discussion of the author's incredible biography with an investigation of his writing, nearly all of which is published by Dalkey Archive Press. The son of Oswald Mosley (the leader of Britain's fascistic Blackshirts), a British Lord, a Christian convert, a war veteran, a voracious reader, and an important thinker, Nicholas Mosley has, this book argues, employed all of these experiences and ideas in novels and memoirs that seek to describe the paradoxical nature of freedom: how can man be free when limiting structures are necessary? Can it be achieved, and how? The answer lies in the books themselves, in the ways telling and re-telling stories allows one to escape the seemingly logical bounderies of life and discover new meanings and possibilities. This is a much-needed companion to the work of one of Britain's most important post-War writers.

In international research, metafictionality and other metaliterary features have typically been regarded as phenomena related to postmodernist fiction, in particular – Metaliterary Layers in Finnish Literature, however, discusses the metalayers of Finnish literature from the early 20th century to the present. By analyzing different genres of Finnish literature in varying historical contexts Metaliterary Layers in Finnish Literature provides an abundance of new information on Finnish literature and its metaliterary phenomena for everyone interested. In the articles of this book, the metalayers of literature are discussed in experimental prose and poetry as well as in popular fiction and children’s literature.

The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.

The Handbook systematically charts the trajectory of the English novel from its emergence as the foremost literary genre in the early twentieth century to its early twenty-first century status of eccentric eminence in new media environments. Systematic chapters address ̒The English Novel as a Distinctly Modern Genreʼ, ̒The Novel in the Economy’, ̒Genres’, ̒Gender’ (performativity, masculinities, feminism, queer), and ̒The Burden of Representationʼ (class and ethnicity). Extended contextualized close readings of more than twenty key texts from Joseph Conrad’s Heart of Darkness (1899) to Tom McCarthy’s Satin Island (2015) supplement the systematic approach and encourage future research by providing overviews of reception and theoretical perspectives.