Revised and expanded papers from the International Workshop "Representations and Visions of Homeland in Modern Arabic Prose Literature and Poetry," held June 30-July 1, 2011 at the Lichtenberg Kolleg for Advanced Studies, University of Geottingen.

Zeina G. Halabi examines the unmaking of the intellectual as prophetic figure, national icon, and exile in Arabic literature and film from the 1990s onwards. She comparatively explores how contemporary writers and film directors such as Rabee Jaber, Rawi Hage, Rashid al-Daif, Seba al-Herz and Elia Suleiman have displaced the archetype of the intellectual as it appears in writings by Elias Khoury, Edward Said, Jurji Zaidan and Mahmoud Darwish. In so doing, Halabi identifies and theorises alternative articulations of political commitment, displacement, and loss in the wake of unfulfilled prophecies of emancipation and national liberation. The Unmaking of the Arab Intellectual offers critical tools to understand the evolving relations between aesthetics and politics in the alleged post-political era of Arabic literature and culture. --

A robust defense of a poetic genius Abū Tammām (d. 231 or 232/845 or 846) is one of the most celebrated poets in the Arabic language. Born in Syria to Greek Christian parents, he converted to Islam and quickly made his name as one of the premier Arabic poets in the caliphal court of Baghdad, promoting a new style of poetry that merged abstract and complex imagery with archaic Bedouin language. Both highly controversial and extremely popular, this sophisticated verse influenced all subsequent poetry in Arabic and epitomized the “modern style” (badīʿ), an avant-garde aesthetic that was very much in step with the intellectual, artistic, and cultural vibrancy of the Abbasid dynasty. In The Life and Times of Abū Tammām, translated into English for the first time, the courtier and scholar Abū Bakr Muḥammad ibn Yaḥyā al-Ṣūlī (d. 335 or 336/946 or 947) mounts a robust defense of “modern” poetry and of Abū Tammām’s significance as a poet against his detractors, while painting a lively picture of literary life in Baghdad and Samarra. Born into an illustrious family of Turkish origin, al-Ṣūlī was a courtier, companion, and tutor to the Abbasid caliphs. He wrote extensively on caliphal history and poetry and, as a scholar of “modern” poets, made a lasting contribution to the field of Arabic literary history. Like the poet it promotes, al-Ṣūlī's text is groundbreaking: it represents a major step in the development of Arabic poetics, and inaugurates a long line of treatises on innovation in poetry. A bilingual Arabic-English edition.

A robust defense of a poetic genius Abū Tammām (d. 231 or 232/845 or 846) is one of the most celebrated poets in the Arabic language. Born in Syria to Greek Christian parents, he converted to Islam and quickly made his name as one of the premier Arabic poets in the caliphal court of Baghdad, promoting a new style of poetry that merged abstract and complex imagery with archaic Bedouin language. Both highly controversial and extremely popular, this sophisticated verse influenced all subsequent poetry in Arabic and epitomized the “modern style” (badīʿ), an avant-garde aesthetic that was very much in step with the intellectual, artistic, and cultural vibrancy of the Abbasid dynasty. In The Life and Times of Abū Tammām, translated into English for the first time, the courtier and scholar Abū Bakr Muḥammad ibn Yaḥyā al-Ṣūlī (d. 335 or 336/946 or 947) mounts a robust defense of “modern” poetry and of Abū Tammām’s significance as a poet against his detractors, while painting a lively picture of literary life in Baghdad and Samarra. Born into an illustrious family of Turkish origin, al-Ṣūlī was a courtier, companion, and tutor to the Abbasid caliphs. He wrote extensively on caliphal history and poetry and, as a scholar of “modern” poets, made a lasting contribution to the field of Arabic literary history. Like the poet it promotes, al-Ṣūlī's text is groundbreaking: it represents a major step in the development of Arabic poetics, and inaugurates a long line of treatises on innovation in poetry. A bilingual Arabic-English edition.

For centuries, people moved between the Ottoman Empire, Eastern Europe, and Iran. This book studies the biographies of individuals and groups as different as rulers and revolutionaries, frontier bandits and merchants, soldiers and slaves from the sixteenth to the twentieth centuries. Following their journeys across borders, the case studies of this volume emphasize the profound effect that mobility had on the lives and thoughtworlds of everyone with a Transottoman trajectory. The chapters reveal breaks, adjustments, and continuities in people’s biographies and the in-betweenness that moving typically created.

The contributions to this volume enter into a dialogue about the routes, modes and institutions that transferred and transformed knowledge across the late antique Mediterranean and the Persian Gulf. Each contribution not only presents a different case study but also investigates a different type of question, ranging from how history-writing drew on cross-culturally constructed stories and shared sets of skills and values, to how an ancient warlord was transformed into the iconic hero of a newly created monotheistic religion. Between these two poles, the emergence of a new, knowledge-related, but market-based profession in Baghdad is discussed, alongside the long-distance transfer of texts, doctrines and values within a religious minority community from the shores of the Caspian Sea to the mountains of the southern Arabian Peninsula. The authors also investigate the outsourcing of military units and skills across religious and political boundaries, the construction of cross-cultural knowledge of the balance through networks of scholars, patrons, merchants and craftsmen, as well as differences in linguistic and pharmaceutical practices in mixed cultural environments for shared corpora of texts, drugs and plants.

The study of Arabic literature is blossoming. This book provides a comprehensive theoretical framework to help research this highly prolific and diverse production of contemporary literary texts. Based on the achievements of historical poetics, in particular those of Russian formalism and its theoretical legacy, this framework offers flexible, transparent, and unbiased tools to understand the relevant contexts within the literary system. The aim is to enhance our understanding of Arabic literature, throw light on areas of literary production that traditionally have been neglected, and stimulate others to take up the fascinating challenge of mapping out and exploring them.

Comprised of contributions from leading international scholars, The Routledge Handbook of Arabic Poetry incorporates political, cultural, and theoretical paradigms that help place poetic projects in their socio-political contexts as well as illuminate connections across the continuum of the Arabic tradition. This volume grounds itself in the present moment and, from it, examines the transformations of the fifteen-century Arabic poetic tradition through readings, re-readings, translations, reformulations, and co-optations. Furthermore, this collection aims to deconstruct the artificial modern/pre-modern divide and to present the Arabic poetic practice as live and urgent, shaped by the experiences and challenges of the twenty-first century and at the same time in constant conversation with its long tradition. The Routledge Handbook of Arabic Poetry actively seeks to destabilize binaries such as that of East-West in contributions that shed light on the interactions of the Arabic tradition with other Middle Eastern traditions, such as Persian, Turkish, and Hebrew, and on South-South ideological and poetic networks of solidarity that have informed poetic currents across the modern Middle East. This volume will be ideal for scholars and students of Arabic, Middle Eastern, and comparative literature, as well as non-specialists interested in poetry and in the present moment of the study of Arabic poetry.

This literary-historical book draws out and sheds light upon the mechanisms of "the ideological work" that the Arabic Majnūn Laylā story performed for ‘Abbāsid urbanite, imperial audiences in the wake of the disappearance of the "Bedouin cosmos." The study focuses upon the processes of primitivizing Majnūn in the romance of Majnūn Laylā as part of the paradigm shift that occurred in the ‘Abbāsid empire after the Greco-Arabian intellectual revolution. Moreover, this book demonstrates how gender and sexuality are employed in the processes of primitivizing Majnūn. As markers of "strangeness" and "foreignness" in the ‘Abbāsid interrogations of the multiple categories of ethnicity, culture, identity, religion and language present in their cosmopolitan milieus. Such "cultural work" is performed through the ideological uses of alterity given its mechanisms of distancing (e.g., temporal and spatial) and nearness (e.g., affective). Lastly, the Majnūn Laylā love story demonstrates, in its text and reception, that a Greco-Arabian and Greco-Persian subculture thrived in the centers of ‘Abbāsid Baghdad that molded and shaped the ways in which this love story was compiled, received and performed. Offering a corrective to the prevailing views expressed in Western scholarly writings on the Greco-Arabian encounter, this book is a major contribution to scholars and students interested in Islamic studies, Arabic and comparative literature, Middle East and gender studies.

The little-known story of the sophisticated and vibrant Arabic book culture that flourished during the Middle Ages. During the thirteenth century, Europe’s largest library owned fewer than 2,000 volumes. Libraries in the Arab world at the time had exponentially larger collections. Five libraries in Baghdad alone held between 200,000 and 1,000,000 books each, including multiple copies of standard works so that their many patrons could enjoy simultaneous access. How did the Arabic codex become so popular during the Middle Ages, even as the well-established form languished in Europe? Beatrice Gruendler’s The Rise of the Arabic Book answers this question through in-depth stories of bookmakers and book collectors, stationers and librarians, scholars and poets of the ninth century. The history of the book has been written with an outsize focus on Europe. The role books played in shaping the great literary cultures of the world beyond the West has been less known—until now. An internationally renowned expert in classical Arabic literature, Gruendler corrects this oversight and takes us into the rich literary milieu of early Arabic letters.