Although military music was among the most widespread forms of music making during the nineteenth-century, it has been almost totally overlooked by music historians. Music & the British Military in the Long Nineteenth Century however, shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life. Beginning with a discussion of the place of the military in civilian and social life, authors Trevor Herbert and Helen Barlow plot the story of military music from its sponsorship by military officers to its role as an expression of imperial force, which it took on by the end of the nineteenth century. Herbert and Barlow organize their study around three themes: the use of military status to extend musical patronage by the officer class; the influence of the military on the civilian music establishments; and an incremental movement towards central control of military music making by governments throughout the world. In so doing, they show that military music impacted everything from the configuration of the music profession in the major metropolitan centers, to the development of wind instruments throughout the century, to the emergence of organized amateur music making. A much needed addition to the scholarship on nineteenth century music, Music & the British Military in the Long Nineteenth Century is an essential reference for music, cultural and military historians, the social history of music and nineteenth century studies.

Publication of the special bibliography series of the US Army Military History Research Collection has had the primary purpose of providing information regarding the holdings of the Research Collection to the scholar and historian. It must be emphasized that this bibliography is not intended to be a definitive listing of bibliographic references on the subject; it is restricted to those materials physically incorporated in the Military History Research Collection at Carlisle Barracks, Pennsylvania.

This book spotlights Britain's “citizen army” to show who these volunteers were, why they enlisted, how they were trained—and how they quickly became disillusioned when they found themselves committed not to the supposed glories of conventional battle but instead to a prolonged guerrilla war.

The regimental system has been the foundation of the British army for three hundred years. This iconoclastic study shows how it was refashioned in the late nineteenth century, and how it was subsequently and repeatedly reinvented to suit the changing roles that were forced upon the army. Based upon a combination of official papers, private papers and personal reminiscences, and upon research in the National Archives, regimental museums and collections, and other depositories, this book challenges the assumptions of both the exponents and detractors of the system. The author, David French, shows that there was not one, but several, regimental systems and he demonstrates that localised recruiting was usually a failure. Many regiments were never able to draw more than a small proportion of their recruits from their own districts. He shows that regimental loyalties were not a primordial force; regimental authorities had to create them and in the late nineteenth century they manufactured new traditions with gusto, whilst in both World Wars regimental postings quickly broke down and regiments had to take recruits from wherever they could find them. French also argues that the notion that the British army was bad at fighting big battles because the regimental system created a parochial military culture is facile. This is the first book to strip away the myths that have been deliberately manufactured to justify or to condemn the regimental system and to uncover the reality beneath them. It thus illuminates our understanding of the past while simultaneously throwing glaring new light on the still continuing debate over the place of the regimental system in the modern army today.