At the beginning of the twentieth century, Indian Territory, which would eventually become the state of Oklahoma, was a multicultural space in which various Native tribes, European Americans, and African Americans were equally engaged in struggles to carve out meaningful lives in a harsh landscape. John Milton Oskison, born in the territory to a Cherokee mother and an immigrant English father, was brought up engaging in his Cherokee heritage, including its oral traditions, and appreciating the utilitarian value of an American education. Oskison left Indian Territory to attend college and went on to have a long career in New York City journalism, working for the New York Evening Post and Collier?s Magazine. He also wrote short stories and essays for newspapers and magazines, most of which were about contemporary life in Indian Territory and depicted a complex multicultural landscape of cowboys, farmers, outlaws, and families dealing with the consequences of multiple interacting cultures. Though Oskison was a well-known and prolific Cherokee writer, journalist, and activist, few of his works are known today. This first comprehensive collection of Oskison?s unpublished autobiography, short stories, autobiographical essays, and essays about life in Indian Territory at the turn of the twentieth century fills a significant void in the literature and thought of a critical time and place in the history of the United States.

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"This book marks the first major examination of Moorhouse and his work. Featuring eighty plates, it not only showcases Moorhouse's extensive photographs but also tells the story of the man and of the world in which he lived and worked."--BOOK JACKET.

Excerpt from Report of the Commissioner of Indian Affairs: To the Secretary of the Interior, 1907 Sir: I have the honor to submit herewith the seventy-sixth annual report of the Office of Indian Affairs. A Session's Legislation. The Fifty-ninth Congress ended, as it began, with a most striking array of important permanent legislation respecting Indian interests. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Cherokees: A Population History is the first full-length demographic study of an American Indian group from the protohistorical period to the present. Thornton shows the effects of disease, warfare, genocide, miscegenation, removal and relocation, and destruction of traditional lifeways on the Cherokees. He discusses their mysterious origins, their first contact with Europeans (prob-ably in 1540), and their fluctuation in population during the eighteenth century, when the Old World brought them smallpox. The toll taken by massive relocations in the following century, most notably the removal of the Cherokees from the Southeast to In-dian Territory, and by warfare, predating the American Revolution and including the Civil War, also enters into Thornton's calculations. He goes on to measure the resurgence of the Cherokees in the twentieth century, focusing on such population centers as North Carolina, Oklahoma, and California.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Winner of the Society of American Historians' Francis Parkman Prize Winner of the PEN / Jacqueline Bograd Weld Award for Biography Best Biography of 2016, True West magazine Winner of the Western Writers of America 2017 Spur Award, Best Western Biography Finalist, National Book Critics Circle Award for Biography Long-listed for the Cundill History Prize One of the Best Books of 2016, The Boston Globe The epic life story of the Native American holy man who has inspired millions around the world Black Elk, the Native American holy man, is known to millions of readers around the world from his 1932 testimonial Black Elk Speaks. Adapted by the poet John G. Neihardt from a series of interviews with Black Elk and other elders at the Pine Ridge Reservation in South Dakota, Black Elk Speaks is one of the most widely read and admired works of American Indian literature. Cryptic and deeply personal, it has been read as a spiritual guide, a philosophical manifesto, and a text to be deconstructed—while the historical Black Elk has faded from view. In this sweeping book, Joe Jackson provides the definitive biographical account of a figure whose dramatic life converged with some of the most momentous events in the history of the American West. Born in an era of rising violence between the Sioux, white settlers, and U.S. government troops, Black Elk killed his first man at the Little Bighorn, witnessed the death of his second cousin Crazy Horse, and traveled to Europe with Buffalo Bill’s Wild West show. Upon his return, he was swept up in the traditionalist Ghost Dance movement and shaken by the Massacre at Wounded Knee. But Black Elk was not a warrior, instead accepting the path of a healer and holy man, motivated by a powerful prophetic vision that he struggled to understand. Although Black Elk embraced Catholicism in his later years, he continued to practice the old ways clandestinely and never refrained from seeking meaning in the visions that both haunted and inspired him. In Black Elk, Jackson has crafted a true American epic, restoring to its subject the richness of his times and gorgeously portraying a life of heroism and tragedy, adaptation and endurance, in an era of permanent crisis on the Great Plains.