Nalo Hopkinson has been busily (and wonderfully) “subverting the genre” since her first novel, Brown Girl in the Ring, won a Locus Award for SF and Fantasy in 1999. Since then she has acquired a prestigious World Fantasy Award, a legion of adventurous and aware fans, a reputation for intellect seasoned with humor, and a place of honor in the short list of SF writers who are tearing down the walls of category and transporting readers to previously unimagined planets and realms. Never one to hold her tongue, Hopkinson takes on sexism and racism in publishing in “Report from Planet Midnight,” a historic and controversial presentation to her colleagues and fans. Plus... “Message in a Bottle,” a radical new twist on the time travel tale that demolishes the sentimental myth of childhood innocence; and “Shift,” a tempestuous erotic adventure in which Caliban gets the girl. Or does he? And Featuring: Our Outspoken Interview, an intimate one-on-one that delivers a wealth of insight, outrage, irreverence, and top-secret Caribbean spells.

Fantasy-roman.

6 Starred Reviews and a New York Public Library Best Book of 2017! New York Times bestselling author Jodi Lynn Anderson's epic tale—told through three unforgettable points of view—is a masterful exploration of how love, determination, and hope can change a person's fate. 2065: Adri has been handpicked to live on Mars. But weeks before launch, she discovers the journal of a girl who lived in her house more than a hundred years ago and is immediately drawn into the mystery surrounding her fate. 1934: Amid the fear and uncertainty of the Dust Bowl, Catherine’s family’s situation is growing dire. She must find the courage to sacrifice everything she loves in order to save the one person she loves most. 1919: In the recovery following World War I, Lenore tries to come to terms with her grief for her brother, a fallen British soldier, and plans to sail from England to America. But can she make it that far? While their stories span thousands of miles and multiple generations, Lenore, Catherine, and Adri’s fates are entwined in ways both heartbreaking and hopeful. In Jodi Lynn Anderson’s signature haunting, lyrical prose, human connections spark spellbindingly to life, and a bright light shines on the small but crucial moments that determine one’s fate. “Deft, succinct, and ringing with emotion without ever dipping into sentimentality, Anderson's novel is both intriguing and deeply satisfying.”—Kirkus (starred review) “Each character’s resilience and independence shines brightly, creating a thread that ties them together even before the intersections of their lives are fully revealed. Anderson’s piercing prose ensures that these remarkable women will leave a lasting mark on readers.”—Publishers Weekly (starred review) “With quietly evocative writing, compellingly drawn characters, and captivating secrets to unearth, this thought-provoking, lyrical novel explores the importance of pinning down the past before launching into the mystery of the future.”—Booklist (starred review) “Anderson …allows her characters to shine through, with each distinct, nuanced, and memorable.”—BCCB (starred review) “Anderson deftly tackles love, friendship, and grief in this touching exploration of resilience and hope. A must-have for all YA collections.”—School Library Journal (starred review) "In Midnight at the Electric, Jodi Lynn Anderson weaves a shining tale of hope in the face of adversity. " —Shelf Awareness (starred review)

Entered by a thousand unsuspected gateways - built by a race lost in the clouds of time - Well World transforms creatures of any sort into different forms. So, spacefarer Nathan Brazil is not surprised to find himself accompanied by a batman, an amorous female centaur and a mermaid as he sets out on his strange mission. Yet Nathan Brazil's own metamorphosis is more terrifying than any of the others - and with the gradual return of his memory comes the secret of the Well World.

Just when you thought you had it all figured out . . . "Alex Peter Gregory, you are a moron!" Laurie slammed her palms down on my desk and stomped her foot. I get a lot of that.One car crash.One measly little car crash. And suddenly, I'm some kind of convicted felon.My parents are getting divorced, my dad is shacking up with my third-grade teacher, I might be in love with a girl who could kill me with one finger, and now I'm sentenced to babysit some insane old guy.What else could possibly go wrong?This is the story of Alex Gregory, his guitar, his best gal pal Laurie, and the friendship of a lifetime that he never would have expected.

“Intelligent and engaging science fiction” set against the backdrop of an environmental apocalypse from the SF Grand Master (The Washington Post). Not so very far in the future, the icecaps have melted and many coastal communities have been flooded out. The ozone layer is destroyed. Some areas are livable with breathing masks and injections that protect the skin from the now-deadly rays of the sun, but the only real refuge—for those who can afford it—has become the near-space orbital colonies built and run by private companies. Valparaiso Nuevo is one of these colonies—a haven and a center of action for hustlers, conspirators, and people looking for an edge. It is also the target of a disillusioned group of humans who become embroiled in a scheme to overthrow it. Their goals are individually motivated but the deadly combination of ambition, distrust, greed, stupidity, and lust leads to a dramatic conclusion that replicates in miniature the history of man’s destruction of his own living space on the planet. A bleak picture of future Earth and a complex plot peopled with dark, rich characters, comes together as one of Silverberg’s finer novels. “Silverberg focuses on his characters and their ruined world, providing a convincing portrayal of life in a greenhouse effect-cursed future. . . . [He] delivers powerful images of a world blighted by ecological abuse, and a satisfying novel as well.” —Publishers Weekly “It’s definitely major Silverberg and as such deserves all the readers it will undoubtedly get.” —Booklist

Nisi Shawl’s steampunk-flavored alternate history of the “Belgian” Congo, Everfair, has taken the science fiction and fantasy world by storm. No surprise there. Their swift, sure, and savvy short stories had already established them as a cutting-edge Afrofuturist icon whose politically charged fiction is in the grand feminist tradition of Ursula K. Le Guin, Octavia Butler, and Suzy McKee Charnas. In these previously uncollected stories, Shawl explores the unexpected possibilities and perils opened up by SF&F’s new intersectionality. In Shawl’s side-slippery world, sex can be both commerce and worship, complete with ancient rites, altars, and ointments (“Women of the Doll”); a virtual reality high school is a proving ground for girlpacks and their unfortunate adversaries (“Walk like a Man”); and a British rock singer finds an image in a mirror that reflects both future hits and ancient horrors (“Something More”). Also included is a presentation at a southern university, in which they patiently (and gleefully) deconstructs the academic and arcane intersections between ancient rites and modern tech. Ifa, anyone? Plus: Our Outspoken Interview with Shawl, in which unapologetics are proffered, riddles are unraveled, and icons are, as always, clasted.

In 2117 A.D., the human colonists of the jungle world of Midnight face an attack from the deadly Predators.

A key figure in contemporary speculative fiction, Jamaican-born Canadian Nalo Hopkinson (b. 1960) is the first Black queer woman as well as the youngest person to be named a Grand Master by the Science Fiction and Fantasy Writers of America. Her Caribbean-inspired narratives—Brown Girl in the Ring, Midnight Robber, The Salt Roads, The New Moon’s Arms, The Chaos, and Sister Mine—project complex futures and complex identities for people of color in terms of race, sex, and gender. Hopkinson has always had a vested interest in expanding racial and ethnic diversity in all facets of speculative fiction from its writers to its readers, and this desire is reflected in her award-winning anthologies. Her work best represents the current and ongoing colored wave of science fiction in the twenty-first century. In twenty-one interviews ranging from 1999 until 2021, Conversations with Nalo Hopkinson reveals a writer of fierce intelligence and humor in love with ideas and concerned with issues of identity. She provides powerful insights on code-switching, race, Afrofuturism, queer identities, sexuality, Caribbean folklore, and postcolonial science fictions, among other things. As a result, the conversations presented here very much demonstrate the uniqueness of her mind and her influence as a writer.

Late in the Day, Ursula K. Le Guin’s newest collection of poems, seeks meaning in an ever-connected world. In part evocative of Neruda’s Odes to Common Things and Mary Oliver’s poetic guides to the natural world, Le Guin gives voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological. As Le Guin herself states, “science explicates, poetry implicates.” Accordingly, this immersive, tender collection implicates us (in the best sense) in a subjectivity of everyday objects and occurrences. Deceptively simple in form, the poems stand as an invitation both to dive deep and to step outside of ourselves and our common narratives. As readers, we emerge refreshed, having peered underneath cultural constructs toward the necessarily mystical and elemental, no matter how late in the day. The poems are bookended with two short essays, “Deep in Admiration” and “Form, Free Verse, Free Form: Some Thoughts.” In 2014, the National Book Foundation awarded Le Guin the Medal for Distinguished Contribution to American Letters, a lifetime achievement award. Her celebrated acceptance speech, which criticized Amazon as a “profiteer” and praised her fellow authors of fantasy and science fiction, is included in Late in the Day as a postscript.