First developed in the 1880s as a way to monitor glaciers in Europe, repeat photography —the practice of taking photographs at different points in times from the same physical vantage point—remains an essential and cost-effective technique for scientists and researchers working to track and study landscape change. This volume explores the technical and geographic scope of this important technique, focusing particularly on the intertwined influences of climatic variation and land-use practices in sculpting landscapes. Contributors offer a broad-perspective review of the state-of-the-art of repeat photography, with twenty-three chapters written by researchers around the globe who have made use of repeat photography in their work. Topics addressed include the history of repeat photography techniques for creating and analyzing repeat photographs applications in the geosciences applications in population ecology applications in ecosystem change cultural applications Repeat Photography demonstrates the wide range of potential applications, examines new techniques for acquiring data from repeat photography, and clearly shows that repeat photography remains a valuable and efficient means of monitoring change in both developed and developing regions. Over one hundred sets of photographs, including thirty-two pages of color photos, serve as examples. Recent concerns about climate change and its effects on natural landscapes, combined with ongoing concerns about land-use practices, make this state-of-the-art review a timely contribution to the literature.

This book gives a comprehensive view of the strengths and limits of the interdisciplinary methods that work together to form the geohistorical approach to geographical and geological sciences. The geohistorical approach can be synthetically defined as a multi- and interdisciplinary approach that uses techniques and perspectives, mainly from geography, history, and natural sciences, to examine topics that inform the space-time knowledge of environment, territory, and landscape. The boundary between the application of physical and human science methods is large and hazy. This volume exists at this boundary and offers an approach that utilizes both historical data (from both physical and human records) and GIScience (e.g. GIS, cartography, GPS, remote sensing) to investigate the evolution of the environment, territory and landscape through both space and time. The first objective of this volume is to define the term geohistorical approach. An entire chapter focuses on a review of the main disciplines that connect geography and history, a review of the terms environment, territory, and landscape as objects of study of this approach, and the definition and importance of the geohistorical approach. The second goal is to describe the methods used in the geohistorical approach. Eight chapters present the key methods also using examples of applications from the international context, offering an awareness of the potentials, limitations and accuracy of each method, with particular focus on the integration of methods. The third goal is to provide case studies to demonstrate the use and integration of geohistorical methods from both original material and published research. A final chapter is dedicated to an interdisciplinary case study from the Venetian Plain (Italy), providing an example of the integration of almost all methods described in the book.

First developed in the 1880s as a way to monitor glaciers in Europe, repeat photography —the practice of taking photographs at different points in times from the same physical vantage point—remains an essential and cost-effective technique for scientists and researchers working to track and study landscape change. This volume explores the technical and geographic scope of this important technique, focusing particularly on the intertwined influences of climatic variation and land-use practices in sculpting landscapes. Contributors offer a broad-perspective review of the state-of-the-art of repeat photography, with twenty-three chapters written by researchers around the globe who have made use of repeat photography in their work. Topics addressed include the history of repeat photography techniques for creating and analyzing repeat photographs applications in the geosciences applications in population ecology applications in ecosystem change cultural applications Repeat Photography demonstrates the wide range of potential applications, examines new techniques for acquiring data from repeat photography, and clearly shows that repeat photography remains a valuable and efficient means of monitoring change in both developed and developing regions. Over one hundred sets of photographs, including thirty-two pages of color photos, serve as examples. Recent concerns about climate change and its effects on natural landscapes, combined with ongoing concerns about land-use practices, make this state-of-the-art review a timely contribution to the literature.

A stunningly beautiful backdrop where cultures meet, meld, and thrive, the U.S.–Mexico borderlands is one of the most dynamic regions in the Americas. On the Border explores little-known corners of this fascinating area of the world in a rich collection of essays. Beginning with an exploration of mining and the rise of Tijuana, the book examines a number of aspects of the region's social and cultural history, including urban growth and housing, the mysterious underworld of border-town nightlife, a film noir treatment of the Peteet family suicides, borderlands cuisine, the life of squatters, and popular religion. As stimulating as it is lively, On the Border will spark a new appreciation for the range of social and cultural experiences in the borderlands.

"There Was Nothing There: Williamsburg, The Gentrification of a Brooklyn Neighborhood explores the daily, lived-effects of gentrification for neighborhood residents- those who are newcomers and those who have remained as Williamsburg transformed around them"--

Providing a thorough and comprehensive introduction to the study of photography, this second edition of Photography: The Key Concepts has been expanded and updated to cover more fully contemporary changes to photography. Photography is a part of everyday life; from news and advertisements, to data collection and surveillance, to the shaping of personal and social identity, we are constantly surrounded by the photographic image. Outlining an overview of photographic genres, David Bate explores how these varied practices can be coded and interpreted using key theoretical models. Building upon the genres included in the first edition – documentary, portraiture, landscape, still life, art and global photography – this second edition includes two new chapters on snapshots and the act of looking. The revised and expanded chapters are supported by over three times as many photographs as in the first edition, examining contemporary practices in more detail and equipping students with the analytical skills they need, both in their academic studies and in their own practical work.An indispensable guide to the field, Photography: The Key Concepts is core reading for all courses that consider the place of photography in society, within photographic practice, visual culture, art, media and cultural studies.