Elegant giftwrap reproduces details of 70 superb paintings by popular French Impressionist. Two full-color 18" x 24" sheets of the same design, ideal wrap for any gift-giving occasion, come with 3 matching gift cards. Shrink-wrapped in a sturdy 9¼" x 12¼" folder with no staples to mar the wrap.

In the first volume of the Artists of an Era series, Leslie Ross examines the identities of artists attributed to the most famous and influential works of medieval art. These works are much discussed within the realm of art history, yet the identities of medieval artists fall victim to incomplete historical records and often remain enigmatic. In ten narrative chapters, Ross examines this significant area of the art world (including architecture, iconography, metalwork, scribework, sculpture—even medieval art instruction) and summarizes the lives and work of that genre's leading artist or artists. Students will learn not only what is factually known of an artist's life (as well as what is purely speculative), but also the processes used to gather the information and fuel speculation. Readers will also gain unique insights into the practices and traditions of medieval art and the role it played within medieval society. A timeline, chapter bibliographies, a list of further resources on medieval art, and an index offer additional tools to students of medieval art and art history.

Renoir masterfully created Luncheon of the Boating Party's enchanting mood by capturing a contemporary moment - 19th-century leisure on the Seine - and the universal appeal of celebration. He also combined several of the traditional categories of painting: still life, landscape, portraiture and genre. The result is a timeless work that captures the atmosphere of an idyllic place, where friends share the pleasures of food, wine and conversation. Scala's new 4-fold format is ideal for displaying this exquisite painting. It showcases archival photographs that identify the revellers, and x-rays of the painting, which reveal little-known compositional changes, as well as details and images that fold out to bring this late 19th-century icon to life. 38 colour & 19 b/w illustrations

A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.

The white shape silhouetted against a blue background changes on every page.Is it a rabbit, a bird, or just spilt milk? Children are kept guessing until the surprise ending -- and will be encouraged to improvise similar games of their own.

What do four little girls discover when they spend an afternoon by the sea? Maggie, a shell; Milly, a star; Molly, a "horrible thing"; and May, a smooth round stone. This seemingly simple story by American poet Edward Estlin Cummings (1894-1962), showcasing his signature quirky style, is delightful as well as profound. Readers will enjoy the day at the beach for its innate pleasures, but on contemplation may realize that objects encountered by the girls reflect parts of themselves.Marcia Perry's bright, engaging illustrations enhance the poem with her playful and introspective portraits of the characters; her beach setting sings with the ocean tide and the seagulls' squawks.