A book to challenge the status quo, spark a debate, and get people talking about the issues and questions we face as a country!

This masterfully assembled volume, arranged chronologically, reveals American poets' shifting, conflicting reactions to the war and highlights their efforts to shape U.S. policies and define American attitudes. In his introduction, Mark W. Van Wienen describes the rapid, politically charged responses possible in a culture attuned to poetry. His historical and biographical notes provide a sturdy framework for the study of poetry's role in social activism and change during the "war to end war." The most complete resource of its kind, Rendezvous with Death brings together poetry originally published in little magazines, labor journals, newspapers, and wartime anthologies. Alight with sorrow, grace, silliness, satire, pride, and anger, works by IWW members, sock poets, pacifists, and protestors take their places next to those by Edith Wharton, Alan Seeger, Wallace Stevens, James Weldon Johnson, Amy Lowell, and Claude McKay.

HISTORICAL MYSTERIES. A man's body is hauled from the Thames dressed like a commoner but with the face of a gentleman, yet no one has come forward to claim the body. Blackstone enters the world of the aristocracy and tramps the dangerous streets of London's Little Russia- both where English law and order are not welcome.

An endearing poem of a child who refuses tempting invitations, instead staying with her mother at playtime, blissful in her company. Words woven with great tenderness by the greatest poet of all times, a gentle verse for all the little ones.

One of the most devastating periods in twentieth-century history was the rule of Pol Pot and the Khmer Rouge over Cambodia. From April 1975 to the beginning of the Vietnamese occupation in late December 1978, the country underwent perhaps the most violent and far-reaching of all modern revolutions. These six essays search for what can be explained in the ultimately inexplicable evils perpetrated by the Khmer Rouge. Accompanying them is a photo essay that provides shocking visual evidence of the tragedy of Cambodia's autogenocide. "The most important examination of the subject so far.... Without in any way denying the horror and brutality of the Khmers Rouges, the essays adopt a principle of detached analysis which makes their conclusion far more significant and convincing than the superficial images emanating from the television or cinema screen." --Ralph Smith, The Times Literary Supplement "A book that belongs on the shelf of every scholar interested in Cambodia, revolution, or communism.... Answers to questions such as `What effect did Khmer society have on the reign of the Khmer Rouge?' focus on understanding, rather than merely describing." --Randall Scott Clemons, Perspectives on Political Science

When reporter, Shelley Jackson, discovers the body of her friend and informant in an alley, she teams up with the dead man's brother, architect, Jason Mallory, to solve the crime. But two more murders, a couple of arsons, and whispers of unsafe building practices tell them the deaths are connected to city corruption being investigated by Shelley's newspaper. Their relationship heats up to nights of hot sex, while their search for the truth has buildings crumbling around them. But the killer is watching from the shadows of respectability and planning for the couple's demise. Can they reveal the killer before they become tomorrow’s headline?

The harrowing true stories of fallen police officers and how they met their end in a rendevous with death on the path of duty. A new century and a new nation forged by the will of the people seemed to turn a new page and raised hope for a better future. In this there was abundant truth, but there still lurked the malcontents who fed on unsuspecting hosts using violence in support of their enterprise and deadly force to avoid detection. These are the traumatic stories of policemen, working class men, family men, often benighted men, who died at the hands of the mad, bad and sad and unexpectedly. They died in the knowledge that duty expected of them the laying down their lives for the community they were sworn to serve. They died bravely for the new nation, for its people and esprit de corps . This is a richly illustrated account of men who died preserving the peace at home, while their brothers-in- arms fought evil on the front lines of Europe. Their stories are often intertwined.

‘You’re being watched. You give us five minutes before leaving here. Five minutes. “If you want Laidlow back, don’t blow it.”' An important British diplomat is abducted in Pakistan. What appears to be a terrorist outrage may be the result of a vendetta by a powerful tycoon. Crime and mystery novel Rendezvous with Death follows the story of Nick Dyson, a young barrister in London, who accepts the appointment as personal assistant to his friend Robert Laidlow who is a Special Envoy to the Middle East, based in Islamabad. Nick, Robert and Robert’s wife, Emma have made a bitter enemy of Gerald Macbeth, now an influential tycoon in Islamabad. When Robert disappears and his security guard is beheaded, Nick begins to suspect that Macbeth is behind the crimes. He tries to persuade Emma to leave Pakistan with him. She refuses and dies in a speedboat acciden. Robert is executed by terrorists. Nick flees to London with over a million dollars of bribe money paid to Robert. Rendezvous with Death will appeal to those who enjoy crime and mystery novels plus fans of Gil’s former novels.

[The solemnity of Seeger's work] is thoroughgoing, not a mere literary formality. Alan Seeger, as one who knew him can attest, lived his whole life on this plane, with impeccable poetic dignity; everything about him was in keeping. - T. S. Eliot In this first modern biography of famed "Great War" poet Alan Seeger, Chris Dickon uses previously untapped papers and archives to reveal Seeger as a complex, enigmatic, and fatalistic genius confronting with robust, romantic intensity both his art and the war in which he found himself. From Seeger's affluent childhood in New York and Mexico, to his college days at Harvard with friend John Reed, to Bohemian Greenwich Village and finally the Left Bank of Paris, and his last year in the trenches of Northern France ... Dickon's masterful book tells the tale of Seeger's short life with great depth, clarity, and sympathy. Perhaps most importantly, Dickon shows the expatriate American Seeger as an avid soldier for France long before the time when the United States finally entered the war. In doing so, Dickon not only delivers an eloquent narrative of Seeger's works and days, but also expertly places him in the context of both his time and ours.