Contributions by Remy Zaugg, Herzog & De Meruon.

Between 1996 and 2000 the renowned architects Herzog & de Meuron built a new research centre together with a library, auditorium and cafeteria for the pharmaceutical company Roche in Basle. Situated on the outskirts of the town on the edge of the industrial area, the building was to include a closed section for laboratories yet should also be publicly accessible: the ideal starting point for an interdisciplinary solution. Artist Rémy Zaugg worked together with the architects developing the colours used. In particular he created a dramatic blue wall which separates public and restricted areas. This publication documents the entire project from its genesis to the completed construction, using texts, sketches, plans and photographs. More than a mere monograph, this book provides a fascinating glimpse into the creative collaboration occuring between architects and artists.

More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.

Die globale Erfolgsgeschichte der Basler Architekten Jacques Herzog und Pierre de Meuron hat ihre lokalen Wurzeln. Ihnen spürt dieses Buch nach und arbeitet so die wesentlichen Leitlinien, die Berufsethik und die Entwicklung des 1978 gegründeten Büros heraus. Sowohl die Biografien der beiden Architekten als auch die Tätigkeit ihres Büros sind eng mit der Stadt Basel verbunden. Von dieser Basler Verankerung ausgehend, erörtern die Autoren zentrale Themen dieses Oeuvres: vom Habitat bis zum Monument. Anhand exemplarischer Bauwerke analysieren sie Motive, konstruktive Prinzipien und Raumgestaltung im architektonischen Werk von Herzog & de Meuron. Darüber hinaus führen Jacques Herzog und Pierre de Meuron in Rundgängen durch Basel und die Umgebung: Statements der Architekten und eigens für das Buch aufgenommene Fotografien von George Dupin stellen Orte und Gebäude vor, die eine Schlüsselrolle für die Arbeit der Architekten spielen. Ein intensiver Gedankenaustausch der beiden Architekten mit Jean-François Chevrier rundet das Buch ab.

Jeff Wall and Jacques Herzog are among art and architecture's most successful representatives. Award-winning photographer Wall's photography of Herzog & de Meuron's Dominus Winery in California (1999) represents the point of departure for a discussion on the relationship between art and photography. Questions arise on topics such as "photogenic architecture," the construction of pictures and buildings, and the question of time.

The experience of movement, of moving through buildings, cities, landscapes and in everyday life, is the only involvement most individuals have with the built environment on a daily basis. User experience is so often neglected in architectural study and practice. Architecture and Movement tackles this complex subject for the first time, providing the wide range of perspectives needed to tackle this multi-disciplinary topic. Organised in four parts it: documents the architect’s, planner’s, or designer’s approach, looking at how they have sought to deploy buildings as a promenade and how they have thought or written about it. concentrates on the individual’s experience, and particularly on the primacy of walking, which engages other senses besides the visual. engages with society and social rituals, and how mutually we define the spaces through which we move, both by laying out routes and boundaries and by celebrating thresholds. analyses how we deal with promenades which are not experienced directly but via other mediums such as computer models, drawings, film and television. The wide selection of contributors include academics and practitioners and discuss cases from across the US, UK, Europe and Asia. By mingling such disparate voices in a carefully curated selection of chapters, the book enlarges the understanding of architects, architectural students, designers and planners, alerting them to the many and complex issues involved in the experience of movement.

Treacherous Transparencies analyzes transparency as expressed in architecture and art in an attempt to understand the intentions and objectives that underlie its use by pertinent architects and artists. The publication looks at a few important works by selected artists and architects who work with transparency as an artistic strategy, which they implement primarily by using glass and mirrors but other media as well. e architects and artists listed together in this context form an unlikely alliance: Bruno Taut, Ivan Leonidov, Marcel Duchamp, Mies van der Rohe, Dan Graham, and Gerhard Richter. But they do have something in common: their work marks salient way stations in the story of modernism up to the present day. Concept & text by Jacques Herzog and photographs of Farnsworth House by Pierre de Meuron.