In a bold reassessment, this book analyzes the works of Baudelaire and Celan, two poets who frame our sense of modern poetry and define the beginning and end of modernity itself. It relates Baudelaire s exploration of the trauma of the minute personal shocks of everyday existence to Celan s engagement with the catastrophic magnitude of the Holocaust."

This is a study of Baudelaire's canonization in the critical debates of the twentieth century, focusing particularly on his role in the development of a modernist consciousness. Much recent work on Baudelaire assumes his modernism by emphasizing his relationship to current critical preoccupations—by sounding him out on issues of race and gender, for example, or by "correcting" his politics. The author begins from the premise that this updating of Baudelaire mistakenly takes him for our contemporary. Instead, she attempts to treat modernism as a historical problem by seeing Baudelaire as engaged in a more difficult dialogue with twentieth-century critics. The book concentrates on two key moments in the literary history of the twentieth century, the periods following each world war. At these junctures French intellectuals intensely reconsidered their cultural patrimony and articulated something like a modernist consciousness. Baudelaire stood at the center of this process, becoming a sacred figure of modernism, and his poetry contributed to a radical reorienting of aesthetic sensibilities. For the post-World War I period, the author focuses on Paul Valéry's essay "Baudelaire's Situation"; for post-World War II, on the virulent debate between Jean-Paul Sartre and Georges Bataille over the question of Baudelaire's "bad faith." She argues that Sartre's resistance to the sacralization of Baudelaire and to the continuing formulation of a modernist ideology actually suggests a valuable way of rethinking Baudelaire's poetry and critiquing the modern consciousness. She attempts to show that something like an "aesthetics of bad faith" exists, and that it is a useful concept for understanding modernism in relationship to its own history. Throughout, Baudelaire's poetry is examined in detail, with a focus on its relationship to his writings on caricature, on the problem of the "secret architecture," and on the place of allegory in a symbolist poetics. In the closing chapter, the author analyzes Baudelaire's denunciation of photography, which reveals the various tensions (or "bad faith") implicit in the modernist consciousness.

Breathe New Life into Your Prayer with the Wisdom of Kabbalah and the Hasidic Masters Jewish mystics teach that every word a person utters in prayer should radiate light. Even the letters of the words of prayer carry sparks of the Divine that yearn to join together in holiness. In this inspiring spiritual companion, Reform rabbi Lawrence Kushner and Orthodox rabbi Nehemia Polen join together to provide a window into the liturgy for people of all backgrounds by offering fresh insights and meditations that bring the traditional prayerbook to life. Drawing from the Torah, Zohar, and ancient and contemporary Hasidic masters, Kushner and Polen reflect on the joy, gratitude, compassion, mystery, and awe embedded in traditional prayers and blessings, and show how you can imbue these familiar sacred words with your own sense of holiness. Insightful, fresh, and wise, Filling Words with Light will enrich your understanding of the prayer book and guide you on how to put more of yourself into the holy words of the Jewish tradition.

Poetic Affairs deals with the complex and fascinating interface between literature and life through the prism of the lives and works of three outstanding poets: the German-Jewish poet and Holocaust survivor, Paul Celan (1920–1970); the Leningrad native, U.S. poet laureate, and Nobel Prize winner, Joseph Brodsky (1940–1996); and Germany's premier contemporary poet, Durs Grünbein (born 1962). Focusing on their poetic dialogues with such interlocutors as Shakespeare, Seneca, and Byron, respectively—veritable love affairs unfolding in and through poetry—Eskin offers unprecedented readings of Celan's, Brodsky's, and Grünbein's lives and works and discloses the ways in which poetry articulates and remains faithful to the manifold "truths"—historical, political, poetic, erotic—determining human existence.

Young Brierley was a healer, until she was betrayed by one she trusted, and her secret heritage as a Sh'ari healer was exposed. On the run from those who would destroy her as they did the rest of her race, Brierley discovered the shocking truth about what really happened to her people... and fell in love. Now Brierley hides in the mountains, working her way through a tangled nest of secrets and lies in an attempt to bring her people, and their power for good, back into the world. While she does this, her true love has a daunting task: it is up to him to convince his countrymen to find their way past centuries of hate and distrust. For if he cannot do so, not only will Brierley and her dreams for the future be lost to him forever, but his own people may well face the same sort of destruction they wreaked upon the Sh'ari...

A groundbreaking and profoundly moving exploration of the Armenian genocide, told through the traces left in the memories and on the bodies of its women survivors. Foremost among the images of the Armenian Genocide is the specter of tattooed Islamized Armenian women. Blue tribal tattoos that covered face and body signified assimilation into Muslim Bedouin and Kurdish households. Among Armenians, the tattooed survivor was seen as a living ethnomartyr or, alternatively, a national stain, and the bodies of women and children figured centrally within the Armenian communal memory and humanitarian imaginary. In Remnants, these tattooed and scar-bearing bodies reveal a larger history, as the lived trauma of genocide is understood through bodies, skin, and—in what remains of those lives a century afterward—bones. With this book, Elyse Semerdjian offers a feminist reading of the Armenian Genocide. She explores how the Ottoman Armenian communal body was dis-membered, disfigured, and later re-membered by the survivor community. Gathering individual memories and archival fragments, she writes a deeply personal history, and issues a call to break open the archival record in order to embrace affect and memory. Traces of women and children rescued during and after the war are reconstructed to center the quietest voices in the historical record. This daring work embraces physical and archival remnants, the imprinted negatives of once living bodies, as a space of radical possibility within Armenian prosthetic memory and a necessary way to recognize the absence that remains.

"The prayer book is our Jewish diary of the centuries, a collection of prayers composed by generations of those who came before us, as they endeavored to express the meaning of their lives and their relationship to God. The prayer book is the essence of the Jewish soul." This stunning work, an empowering entryway to the spiritual revival of our times, enables all of us to claim our connection to the heritage of the traditional Jewish prayer book. It helps rejuvenate Jewish worship in today's world, and makes its power accessible to all. This third volume of the series explores the rich content and meaning of the P'sukei D’zimrah, the morning psalms that serve as the introduction to the larger prayer service. The P’sukei D’zimrah sets the tone and prepares the way for the daily transition from secular routine to the sacred act of communal prayer; Vol. 3 helps us to appreciate this "prayer before the prayer" as a profoundly moving spiritual experience in its own right. Vol. 3—P’sukei D’zimrah (Morning Psalms) features the authentic Hebrew text with a new translation designed to let people know exactly what the prayers say. Introductions tell the reader what to look for in the prayer service, as well as how to truly use the commentaries, to search for—and find—meaning in the prayer book. Commentaries from some of today’s most eminent scholars and teachers from all movements of Judaism examine P’sukei D’zimrah from the perspectives of ancient Rabbis and modern theologians, as well as feminist, halakhic, Talmudic, linguistic, biblical, Chasidic, mystical, and historical perspectives. Even those not yet familiar with the prayer book can appreciate the spiritual richness of P’sukei D’zimrah. My People’s Prayer Book enables all worshipers, of any denomination, to encounter their own connection to 3,000 years of Jewish experience with the world and with God.

An analysis of the historical position of Paul Celan's poetry, this book addresses the question of a lyric language that would not be the expression of subjectivity. Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action, a figure not only of domination but of the extermination of everything other than itself.