Although hip hop is now a well-established global music genre and cultural form, its history and current impact have not yet been sufficiently studied. The interdisciplinary contributions to this volume address hip hop's historical and regional struggles for representation of race, gender, generation, place, and language, as well as the tension between authenticity and commercialization. Contributors offer approaches to historicizing hip-hop culture, and present new theoretical perspectives and methodological tools for addressing hip hop's global impact. This volume targets not only scholars and students but also resonates with recent public debates about identity politics and cultural appropriation.

Sampling and Remixing Blackness is a timely and accessible book that examines the social ramifications of cultural borrowing and personal adaptation of Hip-hop culture by non-Black and non-African American Black artists in theater and performance. In a cultural moment where Hip-hop theater hits such as Hamilton offer glimpses of Black popular culture to non-Black people through musical soundtracks, GIFs, popular Hip-hop music, language, clothing, singing styles and embodied performance, people around the world are adopting a Blackness that is at once connected to African American culture--and assumed and shed by artists and consumers as they please. As Black people around the world live a racial identity that is not shed, in a cultural moment of social unrest against anti-blackness, this book asks how such engagements with Hip-hop in performance can be both dangerous and a space for finding cultural allies. Featuring the work of some of the visionaries of Hip-hop theater including Lin-Manuel Miranda, Sarah Jones and Danny Hoch, this book explores the work of groundbreaking Hip-hop theater and performance artists who have engaged Hip-hop's Blackness through popular performance. The book challenges how we understand the performance of race, Hip-hop and Blackness in the age of Instagram, TikTok and Facebook. In a cultural moment where racial identity is performed through Hip-hop culture's resistance to the status quo and complicity in maintaining it, Hodges Persley asks us to consider who has the right to claim Hip-hop's blackness when blackness itself is a complicated mixtape that offers both consent and resistance to transgressive and inspiring acts of performance.

Many educators already know that hip-hop can be a powerful tool for engaging students. But can hip-hop save our schools—and our society? Hip-Hop Genius 2.0 introduces an iteration of hip-hop education that goes far beyond studying rap music as classroom content. Through stories about the professional rapper who founded the first hip-hop high school and the aspiring artists currently enrolled there, Sam Seidel lays out a vision for how hip-hop’s genius—the resourceful creativity and swagger that took it from a local phenomenon to a global force—can lead to a fundamental remix of the way we think of teaching, school design, and leadership. This 10-year anniversary edition welcomes two new contributing authors, Tony Simmons and Michael Lipset, who bring direct experience running the High School for Recording Arts. The new edition includes new forewords from some of the most prominent names in education and hip-hop, reflections on ten more years of running a hip-hop high school, updates to every chapter from the first edition, details of how the school navigated the unprecedented complexities brought about by the COVID-19 pandemic and uprising in response to the murder of George Floyd, and an inspiring new concluding chapter that is a call to action for the field.

This dissertation examines hip-hop fatherhood narratives from 2010-2015 influenced by drug addiction, mass incarceration, underground economies, trauma, and dysfunctional co-parenting. Explicitly, the paper explores how marginalized, urban African American dads are imagined as protectors, providers, and/or surrogates in hip-hop lyricism. Additionally, the research pays attention to hip-hop artists' depiction of identity orchestration and identity formation of black adolescents and patriarchs by utilizing David Wall's theories on identity stasis. Moreover, the dissertation critically analyzes hip-hop lyrics that reflect different concepts of maleness such as hyper-masculine, the complex cool, biblical, heroic, and hegemonic masculinities. In sum, the paper examines rap lyrics use of mimicry calling into question representative black male engagement with American patriarchy.

Explores expressions of Blackness in Hip-Hop performance by non-African American artists

Many hiphoppas labour to sustain Hiphop Kulture in their communities far from the big stages, world tours, and hit singles enjoyed by a shockingly few American hiphoppas. The creative labour of these few mega stars is calculated in billions of dollars. But for most hiphoppas, their creative labour may never get expressed in economic terms. Instead it is expressed in social capital, the production of collective and individual subjectivities, the bonds of love that build and hold communities together, and the healing of broken hearts, broken homes, and broken neighborhoods in broken cities. Hiphop Kulture is NOT a music genre, it is MUCH more, and exploring how the sharing of aesthetic resources builds community, and how situated learning plays a necessary role in cultural sustainability draws out questions that may lead to a model of community located cultural education, and a starting point for a critical pedagogy of music. “I ain’t going to front, academics talking about hiphop scares me and often pisses me off. I’m protective about this culture like it’s my own baby because it’s meant so much to me and my close friends. In my less angry moments I do appreciate the fact that this culture still has so much to give to the rest of the world and that the next level is what we give back. Well, we need allies in this complex world to move things forward. As I’ve gotten to know Michael I consider him such an Ally and that his intent is firmly squared in empowering cats in the front lines. I also really dig the fact that he is committed to helping document the histories of those who laid the groundwork in the Edmonton scene. This is the respectful place to start. I look forward to bearing witness to Grass roots Hiphop reclaiming its voice and being at the forefront with academics supporting their community efforts.” – Stephen “Buddha” Leafloor, Founder of the Canadian Floor Masters, Founder of Blueprintforlife.ca, Ashoka Fellow, Social Worker and an aging bboy! “Dr. Michael B. MacDonald’s research into Hip Hop’s pedagogical ingenuity have not only led us to the grassroots of Hip Hop’s rich and vibrant global culture, but to the very Ethos of Hiphop. With bold examination, this exciting research stands at the forefront of contemporary post colonial Hiphop literature.” – Andre Hamilton aka Dre Pharoh, Executive Director Cipher5 Hiphop Academy, Temple of HipHop Canada

Essays that explore the connections between time, representation, and identity within hip-hop culture. "This book, edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey."--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective.

Puerto Rico is often depicted as a "racial democracy" in which a history of race mixture has produced a racially harmonious society. In Remixing Reggaetón, Petra R. Rivera-Rideau shows how reggaetón musicians critique racial democracy's privileging of whiteness and concealment of racism by expressing identities that center blackness and African diasporic belonging. Stars such as Tego Calderón criticize the Puerto Rican mainstream's tendency to praise black culture but neglecting and marginalizing the island's black population, while Ivy Queen, the genre's most visible woman, disrupts the associations between whiteness and respectability that support official discourses of racial democracy. From censorship campaigns on the island that sought to devalue reggaetón, to its subsequent mass marketing to U.S. Latino listeners, Rivera-Rideau traces reggaetón's origins and its transformation from the music of San Juan's slums into a global pop phenomenon. Reggaetón, she demonstrates, provides a language to speak about the black presence in Puerto Rico and a way to build links between the island and the African diaspora.

Drawing on 14 months of ethnographic research in Dakar, Senegal as well as an 18-month focused case study with Senegalese rappers in Los Angeles, this dissertation explores Senegalese hip hop production as the performative negotiation of postcolonial urban space. Engaging tradition as a discursive strategy, it considers hip hop tracks as aural palimpsest memories that are constructed through practices of lyrical, discursive, linguistic, and musical intertextuality, practices that strategically layer invented traditions of local performance and U.S. hip hop. Although scholarly and popular media accounts of Senegalese hip hop privilege internationally successful rappers' narratives of hip hop as stemming from local griot traditions, the "underground" majority of rappers rejects this narrative to instead ground their music in hip hop's mythologized history of racialized socio-economic struggle. Through hip hop-mediated understandings of similitude between African American and Senegalese urban experience, they strategically and self-consciously position themselves within an alternative, globally articulating modernity and against a local, traditionally inflected one. In positing hip hop production as the (re)production of memory, I argue against hybridity as a potentially colonizing framework to insist instead on an analysis grounded in local narratives that erase hybridity's prerequisite difference. Depending on their positionality vis-à-vis local and international markets, Senegalese rappers position hip hop either as always already indigenous, or as necessarily and definitely black American. In the processes and products of hip hop production, they draw on multiple mythologized pasts, creating interlocking, performative narratives of sameness and historicity through which they negotiate situated experiences of modernity.

"Boombox Echoes: The Definitive Hip-Hop Journey of the 80s" *** Author of "Rapper's Delight" essay currently archived at the Library of Congress *** *** Guest speaker of BBC2 Radio "Rapper's Delight 40th Anniversary" by DJ Trevor Nelson - September 2019 *** Immerse yourself in a time of lyrical innovation, funky beats, and social commentary with Eric Reese's "History of Hip Hop: Volume 2". This pivotal decade propelled hip-hop from urban streets into the global consciousness, becoming an unstoppable force in the world of music. Embark on a journey from the birth of iconic hip-hop groups like Public Enemy, N.W.A., and Run-D.M.C., to the rise of the 'Golden Age of Hip Hop'. Discover the unique blend of social critique and storytelling which defined this era, as well as the emergence of beatboxing and lyrical innovation that continues to influence modern hip-hop. Beyond just music, Reese explores the social and cultural impact of hip-hop, including its influence on fashion, cinema, and its role in highlighting racial and social issues. The 80s saw hip-hop evolve from a nascent movement into a culture-shaping phenomenon. In this insightful guide, you'll dive into: Old School vs New School: The defining elements and key artists of each sub-genre The Birth of Gangsta Rap: How N.W.A. and Ice-T pioneered a controversial sub-genre The Breakdance Revolution: The impact of hip-hop on dance culture From Vinyl to MTV: The role of media and technology in promoting hip-hop Hip-Hop Activism: The genre's influence on socio-political discussions East Coast vs West Coast: The geographical influences shaping hip-hop's evolution "History of Hip Hop: Volume 2" provides an in-depth look at a decade when hip-hop found its voice and used it to challenge the status quo. This was the era when hip-hop boomed from every boombox, narrating the struggles and victories of urban life. Experience the decade where hip-hop found its rhythm, shook the world, and proved it was here to stay. Embrace the echoes of the boombox era and delve into a decade that changed the musical landscape forever. Topics: hip hop art, hip hop accessories, hip hop and other things, hip hop at the end of the world book, hip hop book, hip hop baby book, hip hop coloring book, hip hop dance, hip hop dance clothes, hip hop experience, hip hop funko pop, hip hop family tree, hip hop fashion, hip hop family tree box set, hip hop flag, hip hop for kids, hip hop gifts, hip hop kids book, hip hop kids, hip hop legends alphabet book, hip hop legends, hip hop lollipop book, hip hop magazine, hip hop magazines for inmates, hip hop men, hip hop music, hip hop quotes, hip hop queens, hip hop questions, hip hop raised me, hip hop trivia, hip hop uncensored, hip hop vinyl, auxgod hip hop, abcs of hip hop, aretes hip hop, book of rhymes the poetics of hip hop, baby hip hop, boys hip hop, clothes hip hop, cadena hip hop, coffee table books hardcover hip hop, coffee table books hip hop, dance hip hop, funko hip hop, growing up hip hop, girls hip hop, hip hop, history of hip hop, jonathan abrams history of hip hop, kids hip hop, lyrically correct game 90's to 2000 hip hop, life lessons from hip hop, lofi hip hop, now hip hop, old school hip hop, origins of hip hop, raised on hip hop, records vinyl albums hip hop, the source magazine hip hop, the gospel of hip hop, the come up book hip hop, vinyl records hip hop, vinyl hip hop, vinyl music hip hop, vinyls records albums hip hop, vinyl albums hip hop, vinyl records greatest hits hip hop, wall art hip hop, worldstar hip hop, when the beat was born dj kool herc and the creation of hip hop, rap history, rap history timeline, rap history facts, rap history book, rap history trivia, rap about history, rap america history, rap songs about history, best rap album history, rap lyrics about history, atlanta rap history, american rap history, rap song about american history, rap music facts and history, rap history battles, rap beef history, rap black history, history rap beat, rappers black history month, rap battle origin, rap beat origin, rap history class, rap censorship history, rap origin country, rappers criminal history, hip hop rap history culture, rap culture origin, rap battles of history clean, rap history detroit, rapping history definition, rap dance history, rapper's delight history, rappers dating history, rap sheet history definition, rap deep storytelling, rap music history essay, rap etymology origin, emo rap history, epic rap history, history epic rap battles, rap english origin, rap facts history, rapper future history, rap history of word, rap music history facts, rap battles from history, female rap history, french rap history, freestyle rap history, history of hip hop and rap, rap genre history, rap god history, rap grammy history, rap genius history, rap history in ghana, rap genre origin, rap greatest story ever told, rap group origin, hip hop rap history, houston rap history, rap history in america, rap in history, fastest rap in history, first rap in history, rap battles in history, best rap in history, jazz rap history, rap in the 2000s history, korean rap history, history rap lyrics, rap long history, rap story lyrics, rap story line, rap love story, rap love story song, black history rap lyrics, rap battles of history lyrics, us history rap lyrics, horrible history rap lyrics, rap history movie, rap history music, rap music history timeline, rap monster history, rapper made history, rap history name, rap name origin, rap history on this day, rap origin of word, origin story of rap, rap battles of history, epic rap of history, rap history of pop, rap poetry origin, rap history quiz, rap history questions, rap rock history, rap history show, history rap song, rap sample history, rap slang history, rap origin story, rapping history teacher, storytelling rap, storyteller rap, rap/hip hop history timeline, rap us history, story rap uk, rap music us history definition, uk rap history, underground rap history, rap us history definition, rap vs history, rap story vol 1, rap verb origin, history of rap 5, rap origin word, rap sheet word history, west coast rap history, history with rap, rap history x, rap history zulu, rap history zimbabwe, rap history zambia, history of rap music, history of rap kids book, history of rap baby book, rap history for kids, epic rap battles of history, the history of gangster rap, history of rap coffee table book, soren baker, chuck d presents this day in rap and hip-hop history, who got the camera a history of rap and reality, this day in rap and hip hop history, this day in rap history, the history of gangsta rap, history of rap, history of rap book, rap oral history