This eBook version of Reminiscences of Tolstoy, Chekhov, and Andreev presents the full text of this literary classic.

Tolstoy was not always an old man-not always a bearded patriarch fixing the world with the eye of an angry ancient mariner. He started War and Peace when he was thirty five, and Anna Karenina was finished before he was fifty. By then he had fulfilled his genius and deployed all those elements of his titanic temperament which made him world famous. In a richly detailed and sympathetic book on the most creative years of Russia's greatest writer, Edward Crankshaw explores the world of Count Leo Nikolayevich Tolstoy, the elements in it that contributed to his great art, and the nature of the creative processes involved. Accompanied by evocative illustrations of Tolstoy's life, Mr. Crankshaw's text presents a development of this extraordinary man-his idyllic country childhood and his painful schooling, the wild years of conscience-stricken dissipation, the sojourn among the Cossacks in the Caucasus, the army service in the Crimean War, his entry into Moscow and St. Petersburg literary circles, his fateful marriage. It is an absorbing account which helps us to a fuller understanding of Tolstoy's towering genius-and the limitations that went with it.

This book examines the strangely neglected area of Chekhov's one-act plays, written between 1885 and 1903. Still frequently performed, they reveal many of the comic and distancing effects which are to be found in the major plays and tell us as much about Chekhov's philosophy as his use of theatre.

The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays.

"Edward Wasiolek, after much valuable work on Dostoevsky, has now written one of the best books on Tolstoy in recent decades. This may be in part because of his preoccupation with Tolstoy's most challenging contemporary, and the resulting sense of their unlikeness in a common pursuit. But there are other, unspeculative reasons. Few studies of Tolstoy have been so carefully pondered and so firmly organized to convince; and not so many show the flexibility and variety of its approach. Wasiolek proposes an essentially simple and consistent reading, but he advances it with subtlety and discretion."—Henry Gifford, Times Literary Supplement