In twenty stories that mix comedy and horror, fact and fantasy, James Boylan pursues the absurd, the grotesque, and the surreal with a relentless, deadpan logic.

Writing about a wide variety of subjects and in a multitude of styles, the twenty writers collected here share a mastery of language and an extraordinary ability to entertain. Ellen Akins from World Like a Knife, Her BookSteve Barthelme from And He Tells the Little Horse the Whole Story, ZorroGlenn Blake from Drowned Moon, MarshJennifer Finney Boylan from Remind Me to Murder You Later, Thirty-six Miracles of Lyndon JohnsonRichard Burgin from Fear of Blue Skies, BodysurfingAvery Chenoweth from Wingtips, PowermanGuy Davenport from Da Vinci's Bicycle, A Field of Snow on a Slope of the RosenbergTristan Davies from Cake, CounterfactualsStephen Dixon from Time to Go, Time to GoJudith Grossman from How Aliens Think, RoveraJosephine Jacobsen from What Goes without Saying, On the IslandGreg Johnson from I Am Dangerous, Hemingway's CatsJerry Klinkowitz from Basepaths, BasepathsMichael Martone from Safety Patrol, Safety PatrolJack Matthews from Crazy Women, Haunted by Name Our Ignorant LipsJean McGarry from Dream Date, The Last TimeRobert Nichols from In the Air, Six Ways of Looking at FarmingJoe Ashby Porter from Lithuania, West BaltimoreFrances Sherwood from Everything You've Heard Is True, HistoryRobley Wilson from The Book of Lost Fathers, Hard Times

A READ WITH JENNA BOOK CLUB PICK • INTERNATIONAL BESTSELLER • A contemporary literary classic and "an accomplished psychological thriller ... absolutely chilling" (Village Voice), from the Pulitzer Prize–winning author of The Goldfinch. Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality. “A remarkably powerful novel [and] a ferociously well-paced entertainment.... Forceful, cerebral, and impeccably controlled.” —The New York Times

NEW YORK TIMES BESTSELLER • Can’t get enough of Joe Goldberg? Don’t miss the latest thriller in Caroline Kepnes’s compulsively readable You series, with an all-new plot not seen in the blockbuster Netflix show. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MARIE CLAIRE • “Fiendish, fast-paced, and very funny.”—Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train Joe Goldberg is done with the cities. He’s done with the muck and the posers, done with Love. Now he’s saying hello to nature, to simple pleasures on a cozy island in the Pacific Northwest. For the first time in a long time, he can just breathe. He gets a job at the local library—he does know a thing or two about books—and that’s where he meets her: Mary Kay DiMarco. Librarian. Joe won’t meddle, he will not obsess. He’ll win her the old-fashioned way . . . by providing a shoulder to cry on, a helping hand. Over time, they’ll both heal their wounds and begin their happily ever after in this sleepy town. The trouble is . . . Mary Kay already has a life. She’s a mother. She’s a friend. She’s . . . busy. True love can only triumph if both people are willing to make room for the real thing. Joe cleared his decks. He’s ready. And hopefully, with his encouragement and undying support, Mary Kay will do the right thing and make room for him.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

A story about the pressures of social media, the lengths influencers will go to for fame, and the grief of losing a loved one to suicide, perfect for fans of Jandy Nelson and Gayle Forman. Seventeen-year-old Jules grew up in her mother's spotlight. A “parenting influencer,” Britt shares details of her daughter's life-pictures, intimate stories, insecurities, all-to a point that becomes unbearable to Jules. And suddenly she's gone. Natalie has only barely begun to grieve her best friend Jules's death when Britt announces her plans to publish a memoir that will dissect Jules's life and death. But Nat knows the truth behind Britt's "perfect" Instagram feed-Jules hated the pressure, the inauthenticity, the persona. There's so much more to Jules than Britt and her followers could ever know. As Nat connects with Jules's boyfriend, Carter, and their shared grief and guilt bonds them, she becomes determined to expose Britt, to understand what really happened, and who is to blame. In a world that feels distorted by celebrity and the manipulations of social media and public opinion, Natalie and Carter need something real to hold onto. Remind Me to Hate You Later is a moving account of grief, depression, complex relationships, love, and the search for truth.

“I was born in a land of bayous, raised between rivers,” writes Glenn Blake in his latest collection of short stories. “There is a place in Southeast Texas where two rivers meet and become one. There is a long bridge over these waters, and as you drive across, you can look to the south and see where the Old River and the Lost River become the Old and the Lost. You can look out as far as you can see and watch this wide water become the bay.” The stories in Return Fire are set in the swamps, bayous, and sloughs of Southeast Texas, a region that is subsiding—sinking inches every year beneath the encroaching tides. The characters who inhabit Blake’s Southern landscape struggle to salvage what they can of their hopes and dreams. They are the walking wounded—cautious, crippled, capable of any act. Magnolias, water, mescal, stars, and fire return again and again in these seven sparse—yet tightly written—vignettes.

A St. Louis Post-Dispatch Favorite Book of 2011 The New York Times Book Review has praised Richard Burgin’s stories as “eerily funny . . . dexterous . . . too haunting to be easily forgotten,” while the Philadelphia Inquirer calls him “one of America’s most distinctive storytellers . . . no one of his generation reports the contemporary war between the sexes with more devastating wit and accuracy.” Now, in Shadow Traffic, his seventh collection of stories, five-time Pushcart Prize winner Richard Burgin gives us his most incisive, witty, and daring collection to date as he explores the mysteries of love and identity, ambition and crime, and our ceaseless, if ambivalent, quest for truth. In “Memorial Day,” an aging man at a public swimming pool recalls a brief but momentous affair he had with a young British woman in London thirty years ago and the paradoxical role his recently deceased father played in it. In the highly suspenseful “Memo and Oblivion,” set in the near future in New York, two rival drug organizations engage in a dangerous battle for supremacy—one promoting a pill that increases memory exponentially, the other a pill that dramatically eliminates memory. “The Interview” centers on a B-movie starlet married to a much older and more famous director and her tragic yet comic interview with an ambitious but conflicted young reporter. Shadow Traffic justifies the New York Times’ claim that Burgin offers “characters of such variety that no generalizations about them can apply” and why the Boston Globe concluded that “Burgin’s tales capture the strangeness of a world that is simultaneously frightening and reassuring, and in the contemporary American short story nothing quite resembles his singular voice.”