The largest city in the United States to be developed entirely within the twentieth century, Las Vegas has always been a unique place. From its beginnings, when two town sites competed to become the new community rising from the desert, to its modern status as a tourism and entertainment center, Las Vegas has always been a town that took chances and seized opportunities. With a selection of fine historic images from his best-selling book Historic Photos of Las Vegas, Jeff Burbank provides a valuable and revealing historical retrospective on the growth and development of Las Vegas. Remembering Las Vegas captures this story through still photography selected from the finest collections, a visual record of the city’s history presented in more than a hundred historic photographs. From a dusty tent city to the glittering lights of the most popular tourist destination in the country, these images tell of railroads and ranchers, the Hoover Dam and the Vegas Strip, mining and gambling, visionaries and star performers. Historic events and everyday life are preserved in vivid black-and-white images to tell the story of one of America’s most exciting cities.

The largest city in the United States to be developed entirely within the twentieth century, Las Vegas has always been a unique place. From its beginnings, when two town sites competed to become the new community rising from the desert, to its modern status as a tourism and entertainment center, Las Vegas has always been a town that took chances and seized opportunities. With a selection of fine historic images from his best-selling book Historic Photos of Las Vegas, Jeff Burbank provides a valuable and revealing historical retrospective on the growth and development of Las Vegas. Remembering Las Vegas captures this story through still photography selected from the finest collections, a visual record of the city's history presented in more than a hundred historic photographs. From a dusty tent city to the glittering lights of the most popular tourist destination in the country, these images tell of railroads and ranchers, the Hoover Dam and the Vegas Strip, mining and gambling, visionaries and star performers. Historic events and everyday life are preserved in vivid black-and-white images to tell the story of one of America's most exciting cities.

This is a reissue of the novel inspired by Hunter S. Thompson's ether-fuelled, savage journey to the heart of the American Dream: We were somewhere around Barstow on the edge of the desert when the drugs began to take hold... And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas.

Youre about to enter a city that has no equal. It was built by extraordinary people with imaginative minds. Did they drink? Not sure, but why else would they build it in a Nevada desert? Some say you can go anywhere in the world and discover that people not only know about Las Vegas--theyd give anything to get there. True. As soon as I graduated from college I took an all-night bus to reach a city Id heard of, but never seen. I stayed 30 years. Damn good years, too. And the mystique of the entertainers and the film stars and the elaborate restaurants and 24-hour-a-day casinos never wore off. I spent 20 of my years at the Sahara, on the Strip, got inside the gambling business in the 60s and loved it. Helped it, too, with my writing and my inventions. The Mob was still around in those days. They were the first venture capitalists and owned a piece of every casino in town. Did that stop anyone from having a good time? Of course not. Gradually the Mob faded away--which is what happens when an FBI office with 15 agents sets up shop in town. But the gaiety didnt stop for a second, even when corporations realized they were the big guys now. Our Sahara entertainment director stunned us in 1964 when he made a deal with The Beatles to play two shows. I met the boys after dark at a small Las Vegas airport, rode with them to the Sahara and helped get them to their suite before teen age girls tore their clothes off. So take a chance, have a seat and enjoy that drink in front of you. Its time to start the show. --John Romero

What the plantation has been to the history and literature of the American South, the hacienda has been to Mexico and the American Southwest. In Remembering the Hacienda, Vincent Perez makes the case that the hacienda offers the emblem of an antebellum, agrarian social order that predates the United States. It is the site in which the Mexican American community's heroic, genteel forebears lived in dignity and pride, and it is the heritage from which they were cast out as orphans, both in mother Mexico by the Revolution and in the American Southwest when the wars of 1836 and 1846-48 and capitalist land grabs dispossessed the Mexican hacendados. The hacienda, Perez argues, had its own orphans, too: Indians, mestizos, women, and peons. American culture, Perez examines five novels and autobiographies: Jovita Gonzalez and Eve Raleigh's Caballero: A Historical Novel (written in the 1930s and 1940s and later published by Texas A&M University Press), Maria Maparo Ruiz de Burton's The Squatter and the Don (1885), Mariano Guadalupe Vallejo's Historical and Personal Memoirs Relating to Alta, California (1874), Leo Carrillo's The California I Love (1961), and Francisco Robles Perez's immigrant autobiography Memorias. The last work is Perez's own grandfather's life narrative.

From a shallow grave in the desert to a life-and-death game at the top of the city, ALAS VEGAS is a four-part journey through a nightmare casino city. The book includes the Fugue mechanics, three additional campaigns, a stand-alone story game and contributions by outstanding RPG designers from around the world.

I once knew a very personable, intelligent, respectful and imaginative drunk named John with whom I lived in a home for men in Salt Lake City. His propensity for strong drink often led him to bouts of stupor and confusion and to stays in the VA Hospital, but he told funny and memorable stories about his past after he sobered up. I interviewed him because I had a talent for writing, and I thought his stories would be very interesting to many people. This white-haired, grizzled, loquacious, old gentleman was visually interesting as he smiled and chuckled on his way. He and I sat at the dinner table in the apartment house. I asked him if he would allow me to write stories about him, for I had heard him tell interesting things about his life to the other guys in the house. His gray hair and seemingly incisive intellectual analysis about many topics of the day led me to believe that I would hear many interesting things.

An old farmhouse overlooks the scenic Spoon River in western Illinois. It has stood there for over a hundred years, sheltering Bobby and Neoma Hanks and their children through the early years of the twentieth century until 1927, when they leave the farm. Their move to town has momentous consequences. By 1950 the family has split up and is scattered across the country from New York to California. Decades later, grandson Drew owns the farmhouse he has always loved and eagerly shares his cherished childhood memories with his younger cousin Sharon. But for Sharon, who grew up in a different place and time, memories of her own childhood home evoke very different emotions. After her mother's death, Sharon struggles to come to terms with her past and wonders whether life in the old house on the Spoon, where her mother was born, was really as idyllic as Drew remembers.

A lavish coffee-table-format tribute to the attractions of Sin City is organized geographically to cover its downtown, north strip, south strip, and "off the strip" areas, in a full-color photographic tour that is complemented by historical information. Simultaneous.