In this graceful and compelling book, Regina Schwartz presents a powerful reading of Paradise Lost by tracing the structure of the poem to the pattern of "repeated beginnings" found in the Bible. In both works, the world order is constantly threatened by chaos. By drawing on both the Bible and the more contemporary works of, among others, Freud, Lacan, Ricoeur, Said, and Derrida, Schwartz argues that chaos does not simply threaten order, but rather, chaos inheres in order. "A brilliant study that quietly but powerfully recharacterizes many of the contexts of discussion in Milton criticism. Particularly noteworthy is Schwartz's ability to introduce advanced theoretical perspectives without ever taking the focus of attention away from the dynamics and problematics of Milton's poem."—Stanley Fish

Hedges shows that many recovered memories have their source in primitive anxieties: it is easy for the therapist and the client to externalise onto the past and onto supposed perpetrators the intensity of transference anxieties.

One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.

One hundred years after the Russian Revolution, Žižek shows why Lenin’s thought is still important today V. I. Lenin’s originality and importance as a revolutionary leader is most often associated with the seizure of power in 1917. But, in this new study and collection of Lenin’s original texts, Slavoj Žižek argues that his true greatness can be better grasped in the last two years of his political life. Russia had survived foreign invasion, embargo and a terrifying civil war, as well as internal revolts such as the one at Kronstadt in 1921. But the new state was exhausted, isolated and disorientated. As the anticipated world revolution receded into the distance, new paths had to be charted if the Soviet state was to survive. With his characteristic brio and provocative insight, Žižek suggests that Lenin’s courage as a thinker can be found in his willingness to face this reality of retreat unflinchingly. In today’s world, characterized by political turbulence, economic crises and geopolitical tensions, we should revisit Lenin’s combination of sober lucidity and revolutionary determination.

On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.

"A page-turning romantic feast that will have you desperate for more. I was immediately hooked." —#1 New York Times bestselling author Rachel Van Dyken From New York Times bestselling author Kylie Scott comes an irresistible new romance. When a vicious attack leaves 25-year-old Clementine Johns with no memory, she's forced to start over. Now she has to figure out who she was and why she made the choices she did - which includes leaving the supposed love of her life, tattoo artist Ed Larsen, only a month before. Ed can hardly believe it when his ex shows up at his tattoo parlor with no memory of their past, asking about the breakup that nearly destroyed him. The last thing he needs is more heartache, but he can't seem to let her go again. Should they walk away for good, or does their love deserve a repeat performance? "Kylie Scott delivers an utterly unputdownable, unique rendering of true love and second chances."—Natasha is a Book Junkie "A beautiful, realistic tale of one woman's courage, and strength, and the man that's brave enough to love her. Truly amazing." —Audrey Carlan, #1 New York Times bestselling author of the International Guy series "Kylie Scott has long been one of my favorite authors, and oh, did she crush it with Repeat! I loved every page. Witty, swoony, sexy romance weaved in a mystery that will have you hooked. This one goes to the top of my 2019 favorite reads." —A.L. Jackson, New York Times and USA Today bestselling author "This book. You need this book. Repeat is everything I wanted in a romance. I was not expecting the delicious intensity, the amazing heroine, the delicious hero, and the banter only Kylie Scott can write. This book is pure magic." —L.J. Shen, USA Today bestselling Author "Kylie Scott's vivid characters, amazing writing, and a plot to keep you glued to the pages makes Repeat a must read!" —Donna Grant, New York Times and USA Today bestselling author "Repeat is a totally intriguing and captivating story. I loved every word!! This was such a unique story about forgiveness and second chances. You will be sucked in right from the first page." –Jennifer, Book Bitches Blog “Sexy, sweet, and suspenseful, Repeat is everything I expected it to be and so much more! A top read of 2019!” —KL Grayson, USA Today bestselling author "Repeat is an outstanding imaginatively and sexy read that had me spellbound! Kylie Scott clearly outdid herself with her twist on a second chance romance." —Heather, Audio Loves "The perfect mix of comedy, suspense, and be still my swooning heart! Repeat is unique, addictive, and oh so hot!" —­Monica James, International Bestselling Author "It's breathtaking watching these two deal with their issues and fall in love all over again." –Verna Loves Books

Amid the crowded streets of Chester, guild players portraying biblical characters performed on colorful mobile stages hoping to draw the attention of fellow townspeople. In the fifteenth and sixteenth centuries, these Chester plays employed flamboyant live performance to adapt biblical narratives. But the original format of these fascinating performances remains cloudy, as surviving records of these plays are sparse, and the manuscripts were only written down a generation after they stopped. Revealing a vibrant set of social practices encoded in the Chester plays, Matthew Sergi provides a new methodology for reading them and a transformative look at medieval English drama. Carefully combing through the plays, Sergi seeks out cues in the dialogues that reveal information about the original staging, design, and acting. These “practical cues,” as he calls them, have gone largely unnoticed by drama scholars, who have focused on the ideology and historical contexts of these plays, rather than the methods, mechanics, and structures of the actual performances. Drawing on his experience as an actor and director, he combines close readings of these texts with fragments of records, revealing a new way to understand how the Chester plays brought biblical narratives to spectators in the noisy streets. For Sergi, plays that once appeared only as dry religious dramas come to life as raucous participatory spectacles filled with humor, camp, and devotion.

Most of us have no idea what’s really going on inside our heads. Yet brain scientists have uncovered details every business leader, parent, and teacher should know—like the need for physical activity to get your brain working its best. How do we learn? What exactly do sleep and stress do to our brains? Why is multi-tasking a myth? Why is it so easy to forget—and so important to repeat new knowledge? Is it true that men and women have different brains? In Brain Rules, Dr. John Medina, a molecular biologist, shares his lifelong interest in how the brain sciences might influence the way we teach our children and the way we work. In each chapter, he describes a brain rule—what scientists know for sure about how our brains work—and then offers transformative ideas for our daily lives. Medina’s fascinating stories and infectious sense of humor breathe life into brain science. You’ll learn why Michael Jordan was no good at baseball. You’ll peer over a surgeon’s shoulder as he proves that most of us have a Jennifer Aniston neuron. You’ll meet a boy who has an amazing memory for music but can’t tie his own shoes. You will discover how: Every brain is wired differently Exercise improves cognition We are designed to never stop learning and exploring Memories are volatile Sleep is powerfully linked with the ability to learn Vision trumps all of the other senses Stress changes the way we learn In the end, you’ll understand how your brain really works—and how to get the most out of it.

In On Freud’s “Remembering, Repeating and Working-Through” international contributors from a range of psychoanalytic backgrounds reflect on this key 1914 paper. Each chapter considers an aspect of Freud’s original work, addressing both the theoretical and clinical dimensions of the paper and incorporating contemporary perspectives. Bringing out all three aspects of the paper’s title, the contributors consider the issues raised by the so-called change in psychoanalytic paradigm, from the classic central concern of remembering to a clinical experience which prioritises enactment and repetition. The reflections on this important paper demonstrate how it goes beyond technique to open new vistas on the conception of psychoanalysis as a whole. On Freud’s “Remembering, Repeating and Working-Through” will be essential reading for psychoanalysts and psychoanalytic psychotherapists in practice and in training. It will also be of interest to readers seeking a deeper understanding of current Freudian thinking.