Reprint of the original, first published in 1857.

A generation or so ago, the Inklings - C.S. Lewis, J.R.R. Tolkien and Charles Williams - met regularly in an Oxford pub to encourage one another in the writing of fictions set in fantasy worlds... Philip Pullman's Gyptians live on an Oxford canal and it is from Oxford that his characters gain entry to another world... It is true that Oxford is a world to itself, a village where everyone stops in the Broad or the High to exchange local gossip... The visitor walking among the golden colleges may still see students setting off for examinations dressed in black and white... But encounters in the street are as likely to grapplings with politics (local, national and international) as exchanges about a point of scholarly detail... The 'reality' of Oxford is that it is not at all a land of faery.'

The Philological Quarterly's annual bibliographies of modern studies in English neoclassical literature, published originally from 1961 to 1970, are reproduced in two volumes. Readers will find the same features that distinguished earlier compilations in the series: inclusive listing of significant works published in each year (including sections on the historical and cultural background as well as literature), authoritative reviews of important works, critical comments, and a full index that is in itself an indispensable reference tool. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A Race of Female Patriots is a study of tragic drama after the Glorious Revolution of 1688 that yields new insight into women's involvement in the public sphere and the political and aesthetic significance of feeling.