This cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialists and financiers, left a deep and lasting mark on American urban culture. Their sense of public responsibility derived from a sacramental theology that gave credit to the material realm as a vehicle for religious experience and moral formation, and they came to be distinguished by their participation in major aesthetic and social welfare endeavors. Williams traces how the church helped transmit a European-inflected artistic patronage that was adapted to the American scene by clergy and laity intent upon providing moral and aesthetic leadership for a society in flux. Episcopalian influence is most visible today in the churches, cathedrals, and elite boarding schools that stand in many cities and other locations, but Episcopalians also provided major support to the formation of stellar art collections, the performing arts, and the Arts and Crafts movement. Williams argues that Episcopalians thus helped smooth the way for acceptance of materiality in religious culture in a previously iconoclastic, Puritan-influenced society.

In this highly original study of Italian baroque master Guido Reni (1575-1642), Richard Spear paints a compelling portrait of the artist - his complexities, his formative experiences, his cultural surroundings, and his unique sensibilities. Spear views Reni's career from a wide variety of perspectives and sets his life and works in social, economic, historical, artistic, religious, and psychological contexts. The author focuses first on Reni's peculiar character: a man at once deeply religious, rabidly misogynist, reportedly virginal, neurotically fearful of witches, and addicted to gambling. The author considers the enduring charisma of Reni's Crucifixions, weeping Marys, and repentant saints in the light of the Catholic doctrinal meaning of grace in Reni's time, the Church's attitude toward Mary and women, and the gendered implications of visual grace. Chapters on Reni's pricing policies, selling strategies, use of assistants, and attitude toward what constituted an "original", expose the motivating importance of money for Reni, and the concerns, even among seventeenth-century collectors, about how to distinguish original paintings from studio replicas or copies. The book investigates the ways renaissance and baroque attitudes toward art-making affected Reni and closes with a fresh view of Reni's unfinished canvases and last style, including the Divine Love, the beautiful and unusual painting that remained in Reni's studio at the time of his death.

Theology of Money is a philosophical inquiry into the nature and role of money in the contemporary world. Philip Goodchild reveals the significance of money as a dynamic social force by arguing that under its influence, moral evaluation is subordinated to economic valuation, which is essentially abstract and anarchic. His rigorous inquiry opens into a complex analysis of political economy, encompassing markets and capital, banks and the state, class divisions, accounting practices, and the ecological crisis awaiting capitalism. Engaging with Christian theology and the thought of Carl Schmitt, Georg Simmel, Karl Marx, Adam Smith, and many others, Goodchild develops a theology of money based on four contentions, which he elaborates in depth. First, money has no intrinsic value; it is a promise of value, a crystallization of future hopes. Second, money is the supreme value in contemporary society. Third, the value of assets measured by money is always future-oriented, dependent on expectations about how much might be obtained for those assets at a later date. Since this value, when realized, will again depend on future expectations, the future is forever deferred. Financial value is essentially a degree of hope, expectation, trust, or credit. Fourth, money is created as debt, which involves a social obligation to work or make profits to repay the loan. As a system of debts, money imposes an immense and irresistible system of social control on individuals, corporations, and governments, each of whom are threatened by economic failure if they refuse their obligations to the money system. This system of debt has progressively tightened its hold on all sectors and regions of global society. With Theology of Money, Goodchild aims to make conscious our collective faith and its dire implications.

IS MONEY THE ROOT OF ALL EVIL? WHAT HIDDEN MESSAGES DOES THE BIBLE CONTAIN?The mystery religion of money is being used to shape the public mind of North America and influence the world. The stance taken in this book¿Money: The 12th and Final Religion¿is that the U.S. government is being driven by a mystery religion.A mystery religion means that it hides in plain sight. In order to remain secret and not be observed, the mystery religion of money moves behind the veil of public religions.We have evidence of this parallel and simultaneous thought process working in the American market system. This process of parallel thought is also recognizable through its contradictions, i.e. U.S. health care, for instance.In the U.S. today, some 47 million people are without insurance to cover health care.The corporate elite say that the uninsured should be covered by private insurance company plans in order to control costs.The obvious contradiction here is that the U.S. has the highest per capita health care costs on the planet. If corporate insurance is already the most costly with the least complete coverage, how could more of the same be better and less expensive? Obviously, some kind of mystery parallel thought process is working in the ¿Great Merchant¿ mind.As the book unveils the mystery of the religion of money, with its economic spirit of market forces, we can understand central banks as the Biblical Temple Milcom created for the worship of the secret god Moloch of the mystery religion of money.This lifting of the intellectual veil reveals the simplicity of money creation.Finally, we can answer the questions: What is money? What is the origin of the money process? What is wealth? How does money begin? How does it corrupt? What hidden warnings does the Bible hold for us about money? And many more.

This isn’t where you thought you would be. You were meant for more. Your money was meant for more. You and your money are meant for an exciting, adventurous, and satisfying purpose. God designed you, not to be a hoarder, but a conduit through which His generosity flows. In The Money Challenge, Art Rainer takes you on a journey to financial health. But it is not simply for the sake of financial health. The Money Challenge was written to help experience God’s design for you and your finances. Welcome to the adventure. Welcome to The Money Challenge.

'Confidence Games' argues that money and markets do not exist in a vacuum, but grow in a profoundly cultual medium, reflecting and in turn shaping their world. To understand the ongoing changes in the economy, one must consider the influence of art, philosophy and religion.

This book releases the compelling truth about the root of defeat in the Christian walk concerning 'Binding on earth and binding in heaven and loosing on earth and loosing in heaven.' - Matthew 18:20. How many times have you gone through the motion of touching and agreeing and binding and loosing regarding certain matters only to find that nothing seemed to have changed? Bound up finances have been a major source of strongholds for what seems like centuries in the lives of Christian believers. Will you have yours... Loosed today?

You don't really need a description, but I'm required to give one since I have to have an at least 200 character description to submit the book, so here is 200 characters, once I reach those 200 characters. Still haven't reached 200 words, watching the counter go down as I type here. If you come across Max Stirner before, you don't need a description here, if you haven't come across Stirner before, here's your description:

A fresh approach to the connection between art and religion that seeks to redefine their relationship in the contemporary age The relationship between art and religion has been long, complex, and often conflicted, and it has given rise to many of the greatest works in the history of art. Artists today continue to reflect seriously upon religious traditions, themes, and institutions, suggesting a new approach to spirituality that is more considered than confrontational. Art & Religion in the 21st Century is the first in-depth study to survey an international roster of artists who use their work to explore religion’s cultural, social, political, and psychological impact on today’s world. An introduction outlines the debates and controversies that the art/religion connection has precipitated throughout history. Each of the book’s ten chapters introduces a theme—ideas of the Creation, the figure of Jesus, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, and spiritual “dwelling” in the body and in space—followed by a selection of works of art that illustrates that theme. Artists discussed include Vanessa Beecroft, Maurizio Cattelan, Makoto Fujimura, David LaChapelle, Annette Messager, Jason Rhoades, Andres Serrano, and Zeng Fanzhi.