The Religion of Man (1931) is a compilation of lectures by Rabindranath Tagore, edited by Tagore and drawn largely from his Hibbert Lectures given at Oxford University in May 1930. A Brahmo playwright and poet of global renown, Tagore deals with the universal themes of God, divine experience, illumination, and spirituality. A brief conversation between him and Albert Einstein, "Note on the Nature of Reality", is included as an appendix.

The title leads one to believe that this may be just another boring book about our religions--but the author presents us with an entirely new religion that will make more sense to many readers than any of the religions that we have today. Tagore was a man of great wisdom who won the Nobel Prize for Literature in 1913 and was one of India's greatest poets. His personal mystical experiences, rather than any philosophical reasoning, led him to the Religion of Man, as he terms it. The God of this religion is an Eternal Spirit of unity that can be found within the heart of every person rather than in the sky. Each person is on a path to discover our unity with one another so that we may one day be released from the idea of division and separateness, which results in war and hatred. Ultimate truth can be realized by anyone who learns how to listen and tap into an inner source of divine wisdom. This power of realization can be enhanced through involvement with symbols, ceremonies, art, nature, literature, myths and legends. There is only one commandment in this religion, which is to spread this Divine Truth to others through words and deeds. This book has the power to open one's mind into a new and different level of meaningful consciousness, having been written by a gifted mystic who knew how to communicate on this level to others.

The Nobel Prize winner, Rabindranath Tagore (1861-1941) - 'the Indian Goethe', as Albert Schweitzer called him - was not only the foremost poet and playwright of modern India, but one of its most profound and influential thinkers. Kalyan Sen Gupta's book is the first comprehensive introduction to Tagore's philosophical, socio-political and religious thinking. Drawing on Rabindranath's poetry as well as his essays, and against the background theme of his deep sensitivity to the holistic character of human life and the natural world, Sen Gupta explores the wide range of Tagore's thought. His idea of spirituality, his reflections on the significance of death, his educational innovations and his relationship to his great contemporary, Gandhi, are among the topics that Sen Gupta discusses - as are Tagore's views on marriage, his distinctive understanding of Hinduism, and his prescient concerns for the natural environment. The author does not disguise the tensions to be found in Tagore's writings, but endorses the great poet's own conviction that these are tensions resolvable at the level of a creative life, if not at that of abstract thought.

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This book provides a critical introduction and translation of fifty Śāntiniketan (Abode of Peace) essays written by Rabindranath Tagore between 1908 and 1914. It provides key insights into Tagore's fundamental meditations on life, nature, religion, philosophy and the world at large. As the first of its kind, this volume is a definitive collection of Tagore's Śāntiniketan essays translated into English which contains a substantial amount of scholarly material on them. The essays look at Tagore's ideas of universality, his socio-cultural location along with the development of his thought, his reflections on Buddhism, Vaiṣṇavism, Bāul philosophy, the Bhagavadgītā and to a great extent the Upanishads and their contemporary relevance. It also connects Sri Ramakrishna's concepts of vijnāna and bhāvamukha with Tagore's thought, an original contribution, through the study of these essays. A nuanced exploration into translation theory and praxis, it fills a lacuna in Tagore Studies by bringing to the fore profound religious, spiritual and philosophical knowledge in Tagore's own voice. This volume will be useful for scholars and researchers of Translation Studies, Tagore Studies, Language and Literature, Cultural Studies and readers interested in Tagore's philosophical ideas.

Tagore's supressed book now available in an English-Bengali edition For the first time in English, here is the sequence of poems Nobel laureate Rabindranath Tagore (1861–1941) worked on his entire life—the erotic and emotionally powerful dialogue about Lord Krishna and his young lover Radha. These "song offerings" are the first poems Tagore ever published, though he passed them off as those of an unknown Bengali religious poet. As the first and last poems Tagore wrote and revised, they represent the entrance and exit to one of the most prolific literary lives of our contemporary world. The translation rights to Tagore’s poetry were tightly guarded until 2001, when they entered the public domain, making publication of this book possible. These English versions are the result of a five-year collaboration between Bengali scholar Tony K. Stewart, who provided richly associative literal translations, and the celebrated poet Chase Twichell, who shaped the poems into English. This bilingual Bengali-English edition also includes the "biography" Tagore wrote of the unknown religious poet who supposedly authored these poems. Rabindranath Tagore was born in Bengal, the youngest son of a religious reformer and scholar. He wrote successfully in all literary genres and is the author of the national anthems for both India and Bangladesh. In his mature years he managed the family estates, which brought him into close touch with common humanity and increased his interest in social reforms. He participated in the Indian nationalist movement, and was a devoted friend of Mahatma Gandhi. Tagore received the Nobel Prize in Literature in 1913; he was knighted in 1915 by the British Government, but later resigned the honor as a protest against British policies in India.

This book is a thematic study of the poet-thinker Rabindranath Tagore’s conceptual project of harmonizing the one and its many. Tagore’s writings, in Bengali and in English, on religious and social themes are held together by the leitmotif of a “harmony” which operates across several existential, religious, and social polarities – the finite and the infinite, the temporal and the eternal, and the individual and the universal. Tagore creatively appropriated materials from diverse sources such as the classical Hindu Vedāntic systems, the folk piety of Bengal, and others, to configure a dialectic which shapes his writings on both religious and social themes. On the one hand, each individual is irreducibly distinct from everyone else, and, on the other hand, each individual gains their spiritual depth precisely by being placed within the dynamic matrices of an interrelated whole. Thus, we find Tagore rejecting certain monastic forms of Hindu world-renunciation and also certain ecstatic dimensions of devotional worship – the former because they efface individuality and the latter because they can generate self-absorbed styles of living. Again, Tagore is as sharply opposed to Bengali imitativeness of English modes of being in the world as he is to Bengali forms of insularity – the former because it dilutes the concrete richness of indigenous lifeforms and the latter because it confines individuals to parochial enclosures. Tagore’s life-long endeavor was to configure a “third way” by rejecting both the blank homogeneity of an undifferentiated one and the particularistic insularities of a multitude without a deeper center of coherence.

This work focuses exclusively on Rabindranath Tagore's sermons/addresses and miscellaneous prose writings in Bengali. With a substantive introduction by Amiya P. Sen identifying various stages in the evolution of Tagore's religious thoughts, beginning from about the 1880s, the book includes representative writings from each of the stage so identified. It brings to light some of Tagore's speeches and writings on religion in the pre-Gitanjali phase, which are largely unknown and un-appreciated. The sermons collectively known as Santiniketan (delivered between 1908 and 1914) and which perhaps carry his deepest spiritual insights is a case in this point. Among other important essays of this genre yet un-translated and relatively unknown are those included in the collections Dharma (Religion), Alochana(Criticism), Parichay(Introduction), and Sanchay (Collection). This volume intends to recover them in translation.

Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.