This book is the second part of a major project of comparative theology begun with Religion and Revelation (Clarendon Press, 1994), which looks at major concepts of faith in all four of the main scriptural religions of the world. In Religion and Creation, the author explores the idea of a creator God in the work of twentieth century writers from Judaism, Islam, Hinduism, and Christianity. He develops a positive concept of God which stresses God's dynamic and responsive relation to the temporal structure of the universe, and the importance of that structure to the self-expression of the divine being. Professor Ward goes on to present a Trinitarian doctrine of creation, drawing inspiration from a wider set of theistic traditions and recent discussions in physics in the realm of cosmology.

This volume, meant specifically for those new to the field, brings together an ensemble of prominent scholars and illuminates the role religious myths have played in shaping those social boundaries that we call "races" and "ethnicities".

Sacrifice is essential to all religions. Could there be a natural, even biological, reason? Why are sacrifice and numerous other religious rituals and concepts shared by so many different cultures? In this extraordinary book, one of the world’s leading authorities on ancient religions explores the possibility of natural religion.

Creation and the Sovereignty of God brings fresh insight to a defense of God. Traditional theistic belief declared a perfect being who creates and sustains everything and who exercises sovereignty over all. Lately, this idea has been contested, but Hugh J. McCann maintains that God creates the best possible universe and is completely free to do so; that God is responsible for human actions, yet humans also have free will; and ultimately, that divine command must be reconciled with natural law. With this distinctive approach to understanding God and the universe, McCann brings new perspective to the evidential argument from evil.

Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

In this book a team of expert academics trained in mathematics, engineering, philosophy, physical anthropology, physics, astrophysics, biology and more investigate the prospects for intelligent design. Edited by William Dembski.

"Quammen brilliantly and powerfully re-creates the 19th century naturalist's intellectual and spiritual journey."--Los Angeles Times Book Review Twenty-one years passed between Charles Darwin's epiphany that "natural selection" formed the basis of evolution and the scientist's publication of On the Origin of Species. Why did Darwin delay, and what happened during the course of those two decades? The human drama and scientific basis of these years constitute a fascinating, tangled tale that elucidates the character of a cautious naturalist who initiated an intellectual revolution.

A lot of money and time is spent by Christians who have a passion to spread the gospel. Across the globe, this effort is paying off as seekers find Christ, the source of truth and peace. In many cultures, though, appeals made on behalf of the Christian faith are met with blank stares, indifference, even mocking hostility. Ken Ham, one of Christendom's most astute observers of evangelism, is convinced that compromise with evolutionary world views has virtually crippled preaching and teaching efforts, especially in Western societies. In this truly bold new book, Ham presents an ambitious plan to fulfill the Great Commission. A compelling writer and speaker, Ham deftly exposes the great flaws of Darwinism, and shows how compromise with this philosophy of death is killing the Church. By urging Christians to stand on the veracity of the Bible, Ham clears the jungle of tangled views of reality, and helps committed Christians see the path to effective evangelism. -- Amazon.com

Religion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.