Amid the overlapping crises of a pandemic, ecological disaster, and global capitalism, two leading Black and Indigenous feminist theorists ask one another: what do liberated lands, minds, and bodies look like? These letters are part debate, part dialogue, and part lively and detailed familial correspondence between two razor-sharp thinkers, sending notes to each other during a stormy present. Featuring a foreword by Ruth Wilson Gilmore and an afterword by Robin D.G. Kelley.

Five times in the last 40 years, the working class has posed a radical alternative to the status quo. France 1968: A general strike and factory occupations by millions of workers shake the country. Chile 1972: Workers defending the Popular Unity government set up workers' councils--the cordones--and demand control over production. Portugal 1974: Army officers overthrow the dictator Caetano and release an upsurge of "popular power" whichs last 18 months. Iran 1979: The viciously repressive Shah is toppled and workers set up independent councils, the shoras. Poland 1980: Demanding radical change, workers build the independent trade union Solidarity to fight for their own interests, exposing the false socialism of the Eastern Bloc. In each of these cases, the actions of workers themselves were the driving force of struggles with revolutionary potential. They demonstrate that workers can and will fight back on a mass scale. Each episode offers an inspiring glimpse of the way in which workers rise to the challenge of fighting for a better world--and pose their own alternative to the system. Although none of these struggles ultimately achieved their goals, they were "revolutionary rehearsals" that hold important lessons about the struggle for socialism under modern conditions.

Groundhog Day meets People We Meet on Vacation in a funny and romantic novel about a couple who call off their wedding after a disastrous rehearsal dinner—only to wake up the next morning on an "irresistible" adventure (Elin Hilderbrand, New York Times bestselling author of The Hotel Nantucket). The wedding is tomorrow. If today ever ends. "A sweet, delightful romance." —People "An enchanting and compelling look at life's what-if's." —Helen Hoang "Terrific fun from beginning to end." —Sarah Haywood Megan Givens and Tom Prescott are heading into what is supposed to be their magical wedding weekend on beautiful San Juan Island. But with two difficult families, ten years of history, and all too many secrets, things quickly go wrong. After a disastrous rehearsal dinner they vow to call the whole thing off—only to wake up the next morning stuck together in a time loop. Are they really destined to relive the worst day of their lives, over and over? And what happens if their wedding day does arrive? A funny, romantic, and big-hearted debut novel, The Rehearsals imagines what we might do if given a second chance at life and at love—and what it means to finally get both right.

This ambitious volume examines revolutionary situations during a non-revolutionary historical conjuncture--the neoliberal era. The last three decades have seen an increase in the number of political upheavals that challenge existing power structures, many of them taking the form of urban revolts. This book compellingly explores a series of such upheavals--in Eastern Europe, South Africa, Indonesia, Argentina, Bolivia, Venezuela, sub-Saharan Africa (including Congo, Zimbabwe, Burkina Faso) and Egypt. Each chapter studies the ways in which protest movements developed into insurgent challenges to state power, and the strategies that regimes have deployed to contain and repress revolt. In addition to empirical chapters, the book engages in theorization of revolution, dealing with questions such as the patterning of revolution in contemporary history, the relationship between class struggle and social movements, and the prospects of socialist revolution in the twenty-first century.

"A clear and accessible how-to-approach to the rehearsal process. Author Gary Sloan brings more than thirty years' worth of acting experience to bear on the question of how to rehearse both as an individual actor and as part of the team of professionals that underpins any successful production. Interviews with acclaimed actors, directors, playwrights, and designers share a wealth of knowledge on dynamic collaboration. The book is divided into three main stages: a flexible rehearsal program, how to work as part of a company, and the creation of a personal rehearsal process. This helps readers to refine their craft in as straightforward and accessible a manner as possible... Breaks down the rehearsal process from the actor's perspective and equips its reader with the tools to become a generous and resourceful performer both inside and outside the studio." -- Back cover.

Sounding Off: Theorizing Disability in Music is the first book-length work to focus on the historical and theoretical issues of music as it relates to disability. It shows that music, like literature and the other arts, simultaneously reflects and constructs cultural attitudes toward disability.

America's premier funny man and the Tony Award-winning composer of A Chorus Line; collaborated on this hit musical; a funny, romantic show about an established composer and his relationship with an aspiring young female lyricist, not unlike Carole Bayer Sager. Professionally, their relationship works beautifully, but ultimately leads to conflict on the home front. Of course, there's a happy ending.

New Jerusalem Monastery, seventeenth-century Moscow. Patriarch Nikon has instructed an itinerant French dramatist to stage the New Testament and hasten the Second Coming. But this will be a strange form of theatre. The actors are untrained, illiterate Russian peasants, and nobody is allowed to play Christ. They are persecuted, arrested, displaced, and ultimately replaced by their own children. Yet the rehearsals continue... A stunning reflection on art, history, religion and national identity, Rehearsals is the seminal work in the unique oeuvre of Vladimir Sharov, Russian Booker Prize winner (2014) and author of Before & During (Read Russia award for best translation, 2015). 'The clarity and directness of Sharov's prose - wonderfully rendered by Oliver Ready - are disconcerting, almost hallucinatory. His writing is at times funny, at times so piercingly moving, so brimful of unassuaged sorrow, that it causes a double-take. How did I get here? is a question his reader will likely ask again and again.' Rachel Polonsky, New York Review of Books '... the reader is rewarded with an unforgettable experience. Not because Vladimir Sharov forsakes the intellectual heft of these early pages, but because he finds a more accessible vehicle for his profound thinking in an intriguing premiss.' Jamie Rann in the Times Literary Supplement