Reframing Twentieth-Century French Philosophy: The Roots of Desire, edited by Elodie Boublil, investigates the works of French philosophers who have been relegated to the margins of the canon, even if their teachings and writings have been recognized as highly influential. The contributions gather around the concept of “desire” to make sense of the French philosophical debate throughout the twentieth century. The first part of the volume investigates the concept of desire by questioning the role of reflexivity in embodiment and self-constitution. It examines specifically the works of three authors—Maine de Biran, Jean Nabert, and Jean-Louis Chrétien—to highlight their specific contribution to twentieth-century French philosophy. The second part of the volume explores desire's pre-reflective and affective dynamics that resist objectification and reflexivity by analyzing the contributions of lesser-known thinkers such as Simone Weil, Sarah Kofman, and Henri Maldiney. The last part of the volume focuses on three philosophical endeavors that aim to positively rethink the foundations of phenomenology and French philosophy: Jacques Garelli, Marc Richir, and Mikel Dufrenne.

This book frames the mission of the Continental Philosophy and History of Thought series at Lexington Books. International leading scholars contribute essays that explore and redefine the relationship between received arguments in contemporary Continental philosophy and various influential figures and arguments in the history of thought. By bringing Continental philosophy and the histories of thought into dialogue, editors Christian Lotz and Antonio Calcagno broaden the standard canon of what is considered Continental philosophy by including important yet understudied figures and arguments in the tradition; the chapters also deepen and contextualize significant movements and debate in the field by showing their rich historical underpinnings, thereby establishing new viewpoints in specific constituent subfields of philosophy. Reading Continental Philosophy and the History of Thought shows the growing richness of Continental philosophy via unexplored rethinking of the history of thought. The contributors expand Continental philosophy with and through the recovery of important historical developments, figures, and lines of thought.

In Badiou, Infinity, and Subjectivity: Reading Hegel and Lacan after Badiou, Mohammad Reza Naderi elaborates on the trajectory of Alain Badiou’s philosophy by following a leading thread: the dominance of axiomatic thought and the category of mathematical infinity. According to this primary proposition, axiomatic thought is the only form of thinking adequate to the infinity of being. Using both primary and secondary literature, the author demonstrates two other major propositions: 1) The coherence of Badiou’s intellectual development from the early interventions to the publication of Being and Event, and 2) The formation of a theory Naderi calls “discipline.” By working through three dimensions of disciplinary thinking—interiority, novelty, and beginning—Naderi provides a new framework for understanding the inner structure of what Badiou calls “procedures of truths” and develops a new interpretation that ultimately reveals the inner logic of Badiou’s method.

The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.

Early Twentieth-Century Continental Philosophy elaborates the basic project of contemporary continental philosophy, which culminates in a movement toward the outside. Leonard Lawlor interprets key texts by major figures in the continental tradition, including Bergson, Foucault, Freud, Heidegger, Husserl, and Merleau-Ponty, to develop the broad sweep of the aims of continental philosophy. Lawlor discusses major theoretical trends in the work of these philosophers—immanence, difference, multiplicity, and the overcoming of metaphysics. His conception of continental philosophy as a unified project enables Lawlor to think beyond its European origins and envision a global sphere of philosophical inquiry that will revitalize the field.

This book contains the most recent papers problematizing the notions of health, vulnerability, and well-being for individuals and their environment. Organized in 5 sections the book takes into consideration the critical and phenomenological history of well-being and health, their technological manipulation, how these notions connect with the body and the specific vulnerability of the human being, and what responsible direction we can take to improve people's relation to themselves, to other living beings and their environment. In order to address the issue of the vulnerability of the human world and how to respond to its specific challenges, the contributions in this book discuss the topic from a broad range of perspectives, including anthropological, psychological, sociological, philosophical, and environmental.

This diverse collection of essays and testimonies challenges critical orthodoxies about the twenty-first century boom in immersive theatre and performance. A culturally and institutionally eclectic range of producers and critics comprehensively reconsider the term ‘immersive’ and the practices it has been used to describe. Applying ecological, phenomenological and political ideas to both renowned and lesser-known performances, contributing scholars and artists offers fresh ideas on the ethics and practicalities of participatory performance. These ideas interrogate claims that have frequently been made by producers and by critics that participatory performance extends engagement. These claims are interrogated across nine dimensions of engagement: bodily, technological, spatial, temporal, spiritual, performative, pedagogical, textual, social. Enquiry is focussed along the following seams of analysis: the participant as co-designer; the challenges facing the facilitator of immersive/participatory performance; the challenges facing the critic of immersive/participatory performance; how and why immersion troubles boundaries between the material and the magical.

Are your students baffled by Baudrillard? Dazed by Deleuze? Confused by Kristeva? Other beginners' guides can feel as impenetrable as the original texts to students who 'think in images'. "Contemporary Thinkers Reframed" instead uses the language of the arts to explore the usefulness in practice of complex ideas. Short, contemporary and accessible, these lively books utilise actual examples of artworks, films, television shows, works of architecture, fashion and even computer games to explain and explore the work of the most commonly taught thinkers. Conceived specifically for the visually minded, the series will prove invaluable to students right across the visual arts.'Deconstruction' is touted in every visual area from architecture to fashion, yet few really understand what Derrida's notorious concept means, much less his elusive idea of 'differance'. In fact Derrida's work can seem almost impenetrable. This guide explains Derrida's key concepts through examples from across the whole spectrum of the arts, looking at the work of architects such as Bernard Tschumi and Daniel Libeskind, fashion designers such as Ann Demeulemeister and at the work of artists as varied as Kara Walker, Yinka Shonibare MBE, Rachel Whiteread and Jeff Wall. Showing what Derrida's work really 'means' in practice, this short guide makes this thinker's complex work accessible to a wider public.

Whitehead’s thought continues to attract attention in mathematics and metaphysics, but few have recognized with Roland Faber, the deeply mystical dimensions of his philosophy. “If you like to phrase it so,” Whitehead states, “philosophy is mystical. For mysticism is direct insight into depths as yet unspoken.” Where, however, do these unspoken depths speak in Whitehead, and what are their associated themes in his philosophy? For the first time, Depths As Yet Unspoken gathers together Faber’s most compelling writings on Whitehead’s mutually immanent themes of mysticism, multiplicity, and divinity. In dialogue with a diversity of voices, from process philosophers and theologians, to mystical and poststructuralist thinkers, Faber creatively articulates Whitehead’s “theopoetic” process cosmogony in its relevance to metaphysics, cosmology, everyday experience, religious pluralism, and interreligious violence, spirituality, and longstanding concerns of the theological tradition, including creation, the Trinity, revelation, religious experience, and divine mystery. Although Whitehead’s mystical inclinations may not be obvious at first, they in fact constitute the apophatic backdrop to his entire philosophical corpus. Through Faber’s work, Whitehead’s philosophy is revealed to be nothing short of a remarkable endeavor to speak to the unfathomable depth of things.

Humanitarians are required to be impartial, independent, professionally competent and focused only on preventing and alleviating human suffering. It can be hard living up to these principles when others do not share them, while persuading political and military authorities and non-state actors to let an agency assist on the ground requires savvy ethical skills. Getting first to a conflict or natural catastrophe is only the beginning, as aid workers are usually and immediately presented with practical and moral questions about what to do next. For example, when does working closely with a warring party or an immoral regime move from practical cooperation to complicity in human rights violations? Should one operate in camps for displaced people and refugees if they are effectively places of internment? Do humanitarian agencies inadvertently encourage ethnic cleansing by always being ready to 'mop-up' the consequences of scorched earth warfare? This book has been written to help humanitarians assess and respond to these and other ethical dilemmas.