Reformation Fictions rehabilitates some twenty polemical dialogues published in Elizabethan England, for the first time giving them a literary, historicist and, to a lesser extent, theological reading. By juxtaposing these Elizabethan publications with key Lutheran and Calvinist dialogues, theological tracts, catechisms, sermons, and dramatic interludes, Antoinina Bevan Zlatar explores how individual dialogists exploit the fictionality of their chosen genre. Writers like John Véron, Anthony Gilby, George Gifford, John Nicholls, Job Throckmorton, and Arthur Dent, to name the most prolific, not only understood the dialogue's didactic advantages over other genres, they also valued it as a strategic defence against the censor. They were convinced, as Erasmus had been before them, that a cast of lively characters presented antithetically, often with a liberal dose of Lucianic humour, worked wonders with carnal readers. Here was an exemplary way to make doctrine entertaining and memorable, here was the honey to make the medicine go down. They knew too that these dialogues, particularly their use of manifestly imaginary interlocutors and a plot of conversion, licensed the delivery of singularly radical messages. What comes to light is a body of literature, often scurrilous, always serious, that gives us access to early modern concepts of fiction, rhetoric, and satire. It showcases the imagery of Protestant polemic against Catholicism, and puritan invective against the established Elizabethan Church, all the while triggering the frisson that comes from the illusion of eavesdropping on early modern conversations.

Reformation Fictions rehabilitates a body of little-known Elizabethan texts. It takes some twenty polemical Protestant dialogues written predominantly by puritan clerics, and for the first time gives them a literary, historicist and, to a lesser extent, theological reading.

"While the Reformation had sparks all over Europe, the fire that burned brightest began in Wittenberg. This novel takes place in the winter of 1518 and follows Heinrich Ritter, a student at the University of Wittenberg, who learns about a scandal involving his younger sister, struggles with his profession and studies, and learns that the woman he loves is not able to return his love. Readers will connect with the characters, identify with their struggles, and, ultimately, see how God's Word works amid all of life's messy complications, no matter our place in history" --

A powerful, beautifully written novel of loss, finding and being found, set in a very traumatic time in European history--the Protestant Reformation. The turbulent sixteenth century saw the disintegration of medieval Christendom as it was split into sovereign states. This was particularly destructive in Tudor England, where rapid switches in government policy and religious persecution shattered the lives of many. Especially affected were the monks and nuns who were persecuted by the wholesale dissolution of the monasteries carried out under Henry VIII. One of these monks, Robert Fletcher, a Carthusian of the dismantled priory of Mount Grace in Yorkshire, is the hero of this novel. The story of this strong, vulnerable man is told in counterpoint with the story of one of the most interesting men in all of English history, Reginald Pole, a nobleman, scholar and theologian who was exiled to Italy for twenty years. He was a cardinal of the Church and a papal legate at the Council of Trent. As the archbishop of Canterbury, with his cousin Queen Mary Tudor, he tried, in too short a time, to renew Catholic England. This man, in the tragic last months of his life, becomes in the novel the friend of Robert Fletcher, condemned as a heretic. Readers will learn much from this novel of the anguished period that gave birth to Tridentine Catholicism, the Anglican Church, and other Protestant churches. This same period saw the martyrdom of Thomas More, Thomas Cranmer, John Fisher and many others. The profound issues raised in this novel, which contains no altered historical facts but more human truth than facts alone can deliver, have not gone away.

With a focus on England from the accession of Elizabeth I to the mid-1620s, this book examines the practice of direct, scholarly disputation between fundamentally opposing and oftentimes antagonistic Catholic, Protestant and nonconformist puritan divines. Introducing a form of discourse hitherto neglected in studies of religious controversy, the volume works to rehabilitate a body of material only previously examined as part of the great, subjective mass of polemic produced in the wake of the Reformation. In so doing, it argues that public religious disputation - debate between opposing clergymen, arranged according to strict academic formulae - can offer new insights into contemporary beliefs, thought processes and conceptions of religious identity, as well as an accessible and dramatic window into the major theological controversies of the age. Formal disputation crossed confessional lines, and here provides an opportunity for a broad, comparative analysis. More than any other type of interaction or material, these encounters - and the dialogic accounts they produced - displayed the shared methods underpinning religious divisions, allowing Catholic and reformed clergymen to meet on the same field. The present volume asserts the significance of public religious disputation (and accounts thereof) in this regard, and explores their use of formal logic, academic procedure and recorded dialogue form to bolster religious controversy. In this, it further demonstrates how we might begin to move from the surviving source material for these encounters to the events themselves, and how the disputations then offer a remarkable new glimpse into the construction, rationalization and expression of post-Reformation religious argument.

A study of European utopias in context from the early years of Henry VIII’s reign to the Restoration, this book assesses the societies projected by utopian literature from Thomas More’s Utopia (1516) to the political idealism and millenarianism of the mid-seventeenth century. Renaissance Utopia complements recent scholarly work on early modern communities by providing a thorough investigation of the issues informing a way of modeling a very particular community and literary mode-the utopia.

Fundamentally revising our understanding of the nature and intellectual contours of early English Protestantism, Karl Gunther argues that sixteenth-century English evangelicals were calling for reforms and envisioning godly life in ways that were far more radical than have hitherto been appreciated. Typically such ideas have been seen as later historical developments, associated especially with radical Puritanism, but Gunther's work draws attention to their development in the earliest decades of the English Reformation. Along the way, the book offers new interpretations of central episodes in this period of England's history, such as the 'Troubles at Frankfurt' under Mary and the Elizabethan vestments controversy. By shedding new light on early English Protestantism, the book ultimately casts the later development of Puritanism in a new light, enabling us to re-situate it in a history of radical Protestant thought that reaches back to the beginnings of the English Reformation itself.