This book is an authentic collection of critical essays compiled as part of response to a situation that is hazardous to life on our planet – the current ecological crisis. Its twelve chapters innovatively engage with multiple facets of the intricate relationship between literature and ecology, covering texts, genres, movements, philosophies, and contexts spanning a long period of historical time and a variety of milieus. The volume adopts an approach that unravels the premises and assumptions that sustain the modern world view and contemporary knowledge systems.

This book is an authentic collection of critical essays compiled as part of response to a situation that is hazardous to life on our planet - the current ecological crisis. Its twelve chapters innovatively engage with multiple facets of the intricate relationship between literature and ecology, covering texts, genres, movements, philosophies, and contexts spanning a long period of historical time and a variety of milieus. The volume adopts an approach that unravels the premises and assumptions that sustain the modern world view and contemporary knowledge systems.

This volume offers a novel philosophical thesis on the ontology of religion, and proposes a new conceptual repertoire to deal with supernatural religion. Jibu Mathew George offers an interdisciplinary perspective on the source and dynamics of religious ideation upon which belief and faith are based, at the fundamental levels of human reasoning. Using Max Weber’s concept of “Disenchantment of the World” as a point of departure, this book endeavors to provide a pioneering philosophical and psychological understanding of the nature of enchantment, disenchantment, and possible re-enchantments as they pertain to the occidental cultural history in Weberian retrospect.

'Philosophical Meta-Reflections on Literary Studies' takes up key meta-questions in the humanities, with focus on contemporary literary studies, philosophically examines the nature of knowledge therein as well as the implications of certain popular critical approaches, and addresses the effervescent question of 'relevance'. In contrast to usual works on literary theory, or on philosophy of literature for that matter, this book presents an integrated meta-reasoning on the foundational questions of literary studies from an interdisciplinary perspective - in a manner of intertextual informality. It endeavours to articulate a rationale for the humanities in general and literary studies in particular. It philosophically examines the implications of, and assumptions behind, three popular tendencies in contemporary literary criticism - textual deconstruction, ideological criticism and constructivism. It also introduces the reader to possibilities of non-reductive reasoning with regard to the relation between the aesthetic and the political. With his multidisciplinary background, doctoral degree on an encyclopedic author (James Joyce) and past engagements with vital issues in the humanities/literature, Jibu George is in a position to deal with foundational questions therein.

This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others. Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.

In each area, the authors discuss a range of issues by applying and debating key critical approaches to Shakespeare including new historicism, cultural materialism, feminism, and postcolonialism."--BOOK JACKET.

This book presents a multi-pronged inverse historical analysis of Joyce's high-modernist magnum opus Ulysses, foregrounding the historicity of its unapologetic subject matter - the quotidian. It argues that the everyday life depicted in Ulysses espouses alternative historical trajectories neglected by traditional historiographic paradigms, which largely deal with great personages and momentous events. The sphere of ordinary life is also where lasting changes must be accomplished if transformations are to happen at all in what gets written or accepted as a posteriori 'history.' Across eight elaborate chapters, the book reconstructs quotidian 'micro-histories' surrounding work and income, material objects and practices, everyday relationships, body and health, ideologies and power, socio-psychological resources, and, in one of the many internal heterogenizations of the everyday, gender issues.

Increasingly, the most powerful voices on the planetâe"heads of state, corporations, global economistsâe"are speaking in the name of environmentalism.

"Iampolski deals with concepts and ideas that are highly complex and frequently very abstract, yet his discussion—and the progression of his analyses—is always precise and easy to follow. . . . Each of his points is grounded in a careful examination of a specific text, and most of the texts are well-known to American audiences."—Vladimir Padunov, University of Pittsburgh