Reflections Of An American Harpsichordist
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Author |
: Ralph Kirkpatrick |
Publisher |
: Boydell & Brewer |
Total Pages |
: 228 |
Release |
: 2017 |
ISBN-10 |
: 9781580465915 |
ISBN-13 |
: 1580465919 |
Rating |
: 4/5 (15 Downloads) |
Synopsis Reflections of an American Harpsichordist by : Ralph Kirkpatrick
Presents previously unpublished memoirs (1933-77), lectures, and essays by the eminent harpsichordist and scholar Ralph Kirkpatrick.
Author |
: Andrew H. Weaver |
Publisher |
: Boydell & Brewer |
Total Pages |
: 309 |
Release |
: 2024 |
ISBN-10 |
: 9781648250897 |
ISBN-13 |
: 1648250890 |
Rating |
: 4/5 (97 Downloads) |
Synopsis Narrative and Robert Schumann's Songs by : Andrew H. Weaver
Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.
Author |
: Arthur Berger |
Publisher |
: Univ of California Press |
Total Pages |
: 296 |
Release |
: 2002-11-28 |
ISBN-10 |
: 0520928210 |
ISBN-13 |
: 9780520928213 |
Rating |
: 4/5 (10 Downloads) |
Synopsis Reflections of an American Composer by : Arthur Berger
In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.
Author |
: Melissa D. Burrage |
Publisher |
: |
Total Pages |
: 458 |
Release |
: 2019 |
ISBN-10 |
: 9781580469500 |
ISBN-13 |
: 1580469507 |
Rating |
: 4/5 (00 Downloads) |
Synopsis The Karl Muck Scandal by : Melissa D. Burrage
The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States. BEST CLASSICAL MUSIC BOOK RELEASE OF 2019 by Classical-music.com, the official website of BBC Music Magazine. 2019 SUMMER READS ABOUT CLASSICAL MUSIC by the Australian Broadcasting Corporation. 2019 BEST BOOK AWARD FINALIST in both the History and Performing Arts categories, sponsored by American Book Fest. 2019 SUBVENTION AWARD by the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. One of the cherished narratives of American history is that of the Statue of Liberty welcoming immigrants to its shores. Accounts of the exclusion and exploitation of Chinese immigrants in the late nineteenth century and Japanese internment during World War II tell a darker story of American immigration. Less well-known, however, is the treatment of German-Americans and Germannationals in the United States during World War I. Initially accepted and even welcomed into American society at the outbreak of war, this group would face rampant intolerance and anti-German hysteria. Melissa D. Burrage's book illustrates this dramatic shift in attitude in her engrossing narrative of Dr. Karl Muck, the celebrated German conductor of the Boston Symphony Orchestra, who was targeted and ultimately disgraced by a New York Philharmonic board member and by capitalists from that city who used his private sexual life as a basis for having him arrested, interned, and deported from the United States. While the campaign against Muck made national headlines, and is the main focus of this book, Burrage also illuminates broader national topics such as: Total War; State power; vigilante justice; internment and deportation; irresponsible journalism; sexual surveillance; attitudes toward immigration; anti-Semitism; and the development of America's musical institutions. The mistreatment of Karl Muck in the United States provides a narrative thread that connects these various wartime and postwar themes. MELISSAD. BURRAGE, a former writing consultant at Harvard University Extension School, holds a Master's Degree in History from Harvard University and a PhD in American Studies from University of East Anglia. Support for thispublication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.
Author |
: Edmund Joseph Goehring |
Publisher |
: Boydell & Brewer |
Total Pages |
: 223 |
Release |
: 2018 |
ISBN-10 |
: 9781580469302 |
ISBN-13 |
: 1580469302 |
Rating |
: 4/5 (02 Downloads) |
Synopsis Coming to Terms with Our Musical Past by : Edmund Joseph Goehring
A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The bookthen proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessaryand enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. Edmund J. Goehring is Professor of Music History at the University of Western Ontario.
Author |
: Arthur Berger |
Publisher |
: Univ of California Press |
Total Pages |
: 288 |
Release |
: 2002-11-28 |
ISBN-10 |
: 9780520232518 |
ISBN-13 |
: 0520232518 |
Rating |
: 4/5 (18 Downloads) |
Synopsis Reflections of an American Composer by : Arthur Berger
A book of memoirs and essays by notable composer, critic and teacher Arthur Berger. The author writes vividly about the music scenes in New York, Paris, and Boston, and of his work with notable colleagues such as Stravinsky, Copeland, and Virgil Thompson.
Author |
: Lily E. Hirsch |
Publisher |
: Boydell & Brewer |
Total Pages |
: 247 |
Release |
: 2019 |
ISBN-10 |
: 9781580469517 |
ISBN-13 |
: 1580469515 |
Rating |
: 4/5 (17 Downloads) |
Synopsis Anneliese Landau's Life in Music: Nazi Germany to Émigré California by : Lily E. Hirsch
A detailed and moving account of the life of Anneliese Landau, who, in Nazi Germany and later in émigré California, fought against prejudice to do notable work in music.
Author |
: Meredith Kirkpatrick |
Publisher |
: |
Total Pages |
: 46 |
Release |
: 2007 |
ISBN-10 |
: UOM:39015057453873 |
ISBN-13 |
: |
Rating |
: 4/5 (73 Downloads) |
Synopsis Ralph Kirkpatrick by : Meredith Kirkpatrick
Author |
: Ralph Kirkpatrick |
Publisher |
: Boydell & Brewer |
Total Pages |
: 222 |
Release |
: 2014 |
ISBN-10 |
: 9781580465014 |
ISBN-13 |
: 1580465013 |
Rating |
: 4/5 (14 Downloads) |
Synopsis Ralph Kirkpatrick by : Ralph Kirkpatrick
This collection of letters to and from the eminent harpsichordist, scholar, and early-music pioneer Ralph Kirkpatrick provides a portrait of the musician from the beginning of his career in Paris in the 1930s to its end in the early 1980s. This collection of letters to and from the eminent harpsichordist, scholar, and early-music pioneer Ralph Kirkpatrick provides a portrait of the musician from the beginning of his career in Paris in the 1930s to its end in the early 1980s, offering new insights into his work and scholarship. The volume contains letters from Europe to his family as well as correspondence with harpsichord makers, performers, and composers, including Nadia Boulanger, Alexander Schneider, John Kirkpatrick, Elliott Carter, Henry Cowell, John Challis, Kenneth Gilbert, Serge Koussevitzky, and Vincent Persichetti. In addition, two former students of Kirkpatrick, the guitarist Eliot Fisk and the harpsichordist Mark Kroll, write about their experiences studying with Kirkpatrick in a foreword and an afterword. The volume also includes a bibliography of publications by and about the musician, as well as a discography. MeredithKirkpatrick is a librarian and bibliographer at Boston University and is the niece of Ralph Kirkpatrick.
Author |
: Paul Elie |
Publisher |
: Union Books |
Total Pages |
: 731 |
Release |
: 2013-04-04 |
ISBN-10 |
: 9781908526410 |
ISBN-13 |
: 1908526416 |
Rating |
: 4/5 (10 Downloads) |
Synopsis Reinventing Bach by : Paul Elie
Johann Sebastian Bach – celebrated pipe organist, court composer and master of sacred music – was also a technical pioneer. Working in Germany in the early eighteenth century, he invented new instruments and carried out experiments in tuning, the effects of which are still with us today. Two hundred years later, a number of extraordinary musicians have utilised the music of Bach to thrilling effect through the art of recording, furthering their own virtuosity and reinventing the composer for our time. In Reinventing Bach, Paul Elie brilliantly blends the stories of modern musicians with a polyphonic account of our most celebrated composer’ s life to create a spellbinding narrative of the changing place of music in our lives. We see the sainted organist Albert Schweitzer playing to a mobile recording unit set up at London’ s Church of All Hallows in order to spread Bach’ s organ works to the world beyond the churches, and Pablo Casals’ s Abbey Road recordings of Bach’ s cello suites transform the middle-class sitting room into a hotbed of existentialism; we watch Leopold Stokowski persuade Walt Disney to feature his own grand orchestrations of Bach in the animated classical-music movie Fantasia – which made Bach the sound of children’ s playtime and Hollywood grandeur alike – and we witness how Glenn Gould’ s Goldberg Variations made Bach the byword for postwar cool. Through the Beatles and Switched-on Bach and Gö del, Escher, Bach – through film, rock music, the Walkman, the CD and up to Yo-Yo Ma and the iPod – Elie shows us how dozens of gifted musicians searched, experimented and collaborated with one another in the service of a composer who emerged as the prototype of the spiritualised, technically savvy artist.