These essays from one of our most stimulating thinkers showcase Tallis's infectious fascination, indeed intoxication, with the infinite complexity of human lives and the human condition. In the title essay, we join Tallis on a stroll around his local park - and the intricate passages of his own consciousness - as he uses the motif of the walk, the amble, to occasion a series of meditations on the freedoms that only human beings possess. In subsequent essays, the flaneur thinks about his brain, his relationship to the rest of the animal kingdom, his profession of medicine and about the physical world and the claims of physical science to have rendered philosophical reflection obsolete. Taken together the essays continue Tallis's mission to elaborate a vision of humanity that rejects religious myths while not succumbing to scientism or any other form of naturalism. Written with the author's customary intellectual energy and vigour these essays provoke, move and challenge us to think differently about who we are and our place in the material world.

These essays from one of our most stimulating thinkers showcase Tallis's infectious fascination, indeed intoxication, with the infinite complexity of human lives and the human condition. In the title essay, we join Tallis on a stroll around his local park - and the intricate passages of his own consciousness - as he uses the motif of the walk, the amble, to occasion a series of meditations on the freedoms that only human beings possess. In subsequent essays, the flaneur thinks about his brain, his relationship to the rest of the animal kingdom, his profession of medicine and about the physical world and the claims of physical science to have rendered philosophical reflection obsolete. Taken together the essays continue Tallis's mission to elaborate a vision of humanity that rejects religious myths while not succumbing to scientism or any other form of naturalism. Written with the author's customary intellectual energy and vigour these essays provoke, move and challenge us to think differently about who we are and our place in the material world.

Neuroscience has made astounding progress in the understanding of the brain. What should we make of its claims to go beyond the brain and explain consciousness, behaviour and culture? Where should we draw the line? In this brilliant critique Raymond Tallis dismantles "Neuromania", arising out of the idea that we are reducible to our brains and "Darwinitis" according to which, since the brain is an evolved organ, we are entirely explicable within an evolutionary framework. With precision and acuity he argues that the belief that human beings can be understood in biological terms is a serious obstacle to clear thinking about what we are and what we might become. Neuromania and Darwinitis deny human uniqueness, minimise the differences between us and our nearest animal kin and offer a grotesquely simplified account of humanity. We are, argues Tallis, infinitely more interesting and complex than we appear in the mirror of biology. Combative, fearless and thought-provoking, Aping Mankind is an important book and one that scientists, cultural commentators and policy-makers cannot ignore. This Routledge Classics edition includes a new preface by the Author.

What is consciousness? Is the mind a machine? What makes each of us a person? How do our bodies relate to our minds? In this deeply engaging exploration of what it means to be human, Rowan Williams addresses these frequently asked questions with lucid meditations that draw from findings in neuroscience, philosophy, psychology, and literature. Then he presses on to ask, Might faith be necessary to human flourishing? If so, why? And how can a traditional Christian practice—namely, silence—help us advance on the path to human maturity? The book ends with a brief but profound meditation on Christ’s ascension, inviting readers to consider how, through Jesus, our humanity in all its variety and vulnerability has been transfigured and taken into the heart of the divine life. Being Human is a book that readers of all religious persuasions will find both challenging and highly rewarding. Questions at the end of each chapter encourage personal reflection or group discussion.

Late-modern culture has been marred by reductionism, which shrinks and flattens our vision of ourselves and the world. Renowned theologian Jeremy Begbie believes that the arts by their nature push against reductionism, helping us understand and experience more deeply the infinite richness of God's love and of the world God has made. In Abundantly More, Begbie analyzes and critiques reductionism and its effects. He shows how the arts can resist reductive impulses by opening us up to an unlimited abundance of meaning. And he demonstrates how engaging the arts in light of a trinitarian imagination (which itself cuts against reductionism) generates a unique way of witnessing to and sharing in the life and purposes of God. Theologians, artists, and any who are interested in how these fields intersect will find rich resources here and discover the crucial role the arts can play in keeping our culture open to the possibility of God.

These essays, written in the spirit of Goethe’s Epimetheus who "traces the quick deed to the dim realm of form-combining possibilities", display the depth and breadth of Tallis’s fascination with our lives. Whether discussing philosophical "hardy perennials" like time, or a mundane artefact like ink, Tallis challenges us to think differently about who we are and why we are. The first part of the book – Analysis – dives into the deep-end to explore some of the big questions in philosophy: perception, knowledge and belief; time; the relationship between mathematics and reality; and probability and causation. The middle section – Tetchy Interludes – takes a wry look at some aspects of contemporary art; stupidity (including the author’s own); and Christmas. The third part – Celebration – is more experimental in both its subject matter and treatment. It celebrates the complexity of ordinary, everyday consciousness by contemplating the miracle of speech, artefacts that have transformed our lives (and what they reveal about our cognition) such as the wheel, the sail, and ink; and ‘snapshots’ of the author’s own consciousness on an ordinary day, of past consciousness, as captured in historical memory. Notwithstanding their diversity in theme and style, these essays share the common aim of discovering and celebrating the submerged riches in the "quick deeds" of our everyday lives and perceptions.

"Music triggered a healing process from within me. I started singing for the joy of singing myself and it helped me carry my recovery beyond the state I was in before I fell ill nine years ago to a level of well-being that I haven't had perhaps for thirty years." This book explores the experiences of people who took part in a vibrant musical community for people experiencing mental health difficulties, SMART (St Mary Abbotts Rehabilitation and Training). Ansdell (a music therapist/researcher) and DeNora (a music sociologist) describe their long-term ethnographic work with this group, charting the creation and development of a unique music project that won the 2008 Royal Society for Public Health Arts and Health Award. Ansdell and DeNora track the 'musical pathways' of a series of key people within SMART, focusing on changes in health and social status over time in relation to their musical activity. The book includes the voices and perspectives of project members and develops with them a new understanding of how music promotes their health and wellbeing. A contemporary ecological understanding of 'music and change' is outlined, drawing on and further developing theory from music sociology and Community Music Therapy. This innovative book will be of interest to anyone working in the mental health field, but also music therapists, sociologists, musicologists, music educators and ethnomusicologists. This volume completes a three part 'triptych', alongside the other volumes, Music Asylums: Wellbeing Through Music in Everyday Life, and How Music Helps: In Music Therapy and Everyday Life.

The problem of speaking about God arises from the presumed notion that God is utterly transcendent and is “wholly other” from human existence. Moreover, a profound sense of mystery is held to surround God’s being. Even so, Not Beyond Language maintains that it is still possible for human beings to express and describe God in words—that language can bring genuine disclosure and understanding of the divine. However, given that religious language is problematic because inadequate, those who engage in speaking about God must accept that the words they use cannot be pressed to yield precise definitions or complete explanations of the divine. The author proposes a nuanced approach to the use of religious language which revolves more around meaning and relevance of the discourse about divine reality, than objective claims about who or what God is.

In recent decades, the relationship between music, emotions, health and well-being has become a hot topic. Scientific research and new neuro-imaging technologies have provided extraordinary new insights into how music affects our brains and bodies, and researchers in fields ranging from psychology and music therapy to history and sociology have turned their attention to the question of how music relates to mind, body, feelings and health, generating a wealth of insights as well as new challenges. Yet this work is often divided by discipline and methodology, resulting in parallel, yet separate discourses. In this context, The Routledge Companion to Music, Mind and Well-being seeks to foster truly interdisciplinary approaches to key questions about the nature of musical experience and to demonstrate the importance of the conceptual and ideological frameworks underlying research in this field. Incorporating perspectives from musicology, history, psychology, neuroscience, music education, philosophy, sociology, linguistics and music therapy, this volume opens the way for a generative dialogue across both scientific and humanistic scholarship. The Companion is divided into two sections. The chapters in the first, historical section consider the varied ways in which music, the emotions, well-being and their interactions have been understood in the past, from Antiquity to the twentieth century, shedding light on the intellectual origins of debates that continue today. The chapters in the second, contemporary section offer a variety of current scientific perspectives on these topics and engage wider philosophical problems. The Companion ends with chapters that explore the practical application of music in healthcare, education and welfare, drawing on work on music as a social and ecological phenomenon. Contextualising contemporary scientific research on music within the history of ideas, this volume provides a unique overview of what it means to study music in relation to the mind and well-being.

How is it possible to feel an affinity with a place? What is happening when someone feels almost literally transported to another time by a smell or a texture or a song? Why do striking family resemblances sometimes feel uncanny? In each of these cases a potent connection is being made, involving forces, flows, energies and atmospherics that conventional sociological approaches can find hard to grasp, but that are important nonetheless. In this innovative book Jennifer Mason argues that these are affinities – potent charges and charismatically lively connections in personal life, that rise up and matter in some way and that enchant or toxify the everyday. She suggests that exploring affinities opens up new possibilities for conceptualizing the experience of living in the world through what she calls the 'socio-atmospherics of everyday life'. This book invites the reader to embrace possibilities and themes that may seem outside the usual range, and to engage in a more open, attentive, inventive and poetic sociological sensibility.