Amidst the moments of seismic change in LGBTQ history in Ireland lie the stories of ordinary people, who did extraordinary things to change queer Ireland and Irish culture.

"Reeling in the Years illustrates the wide range of emotions at work in younger/older gay male relationships - from fear and loathing to love and happiness. Beneath the bitchy asides, passionate relationships, rock-solid friendships, and hateful distrust, men struggle to answer the question: "Can older gay men really be friends with younger gay men?" In their own words, hundreds of men discuss what it's like to be 16, 28, 40, or 70, examining myth and reality about age and aging from different attitudes and perspectives."--Jacket.

This book traces the turbulent history of queer visibility in the Irish media to explore the processes by which a regionally based media system shaped queer identities within a highly conservative and religious population. The book details the emergence of an LGBTQ rights movement in Ireland and charts how this burgeoning movement utilised the media for the liberatory potential of advancing LGBTQ rights. However, mainstream media institutions also exploited queer identities for economic purposes, which, coupled with the eruption of the AIDS pandemic in the 1980s, disrupted the mainstreaming goals of queer visibility. Drawing on industrial, societal and production culture determinants, the author identifies the shifting contours of queer visibility in the Irish media, uncovering the longstanding relationship between LGBTQ organising and the Irish media. This book is suitable for students and scholars in gender studies, media studies, cultural studies and LGBTQ studies.

2000+ poems, 2006 - 2021. This book contains all ten volumes of the released collections, from the very first to the very last (as of 2021).

The Everyday Lives of Gay Men draws on the expertise of 12 contributors from different countries and fields, writing from an autoethnographic first-person approach. Putting the power of personal stories at the centre of the construction of sophisticated narratives of gay men’s lives, the accounts draw attention to the limits of traditional perspectives to gay men’s studies that look at gayness through a sexualised lens and explore how gay men make sense of their identity in their everyday lives. Together they present a complex, nuanced understanding of gayness and challenge the conception of ‘being gay’ as a sexual orientation because it describes in sexual terms an identity that is not only, not always, and not predominantly sexual. The authors come from a variety of fields, including counselling studies and sociology, to communication, religion, and education. The innovative approach of The Everyday Lives of Gay Men makes it ideal for students and scholars in gender studies, sexuality studies, sociology, mental health, and research methods. The Open Access version of this book, available at www.taylorfrancis.com/books/e/9780367676834, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

As they transition into adulthood, many American boys and young men spend a considerable amount of time engaging in physical sports, playing violent video games, and watching action movies, including war films. In many cases, boys spend more time exposed to media models than they do with their fathers. If, as social learning theorists say, masculinity is learned directly through a system of positive and negative reinforcement, what manly behaviors do war films clearly define and reinforce? And what un-manly behaviors do war films clearly prohibit? In Reel Men at War: Masculinity and the American War Film, authors Ralph Donald and Karen MacDonald consider the influence that war films bring to bear on the socialization of young boys in America. Analyzing nearly 150 American war films and television programs, this book considers such issues as major male stereotypes—both positive and negative—in film, the influence of sports as an alternate to mortal combat, why men admire war and value winning so highly, and how war films define manly courage. Throughout the book the authors comment on the depiction of post-traumatic stress disorder, the stages of grief, and suicide in war films, as well as applying Jungian and Freudian theories to war and soldiering. Reel Men at War will be of interest not only to professors and students of cinema and mass communications but also to scholars of history, gender studies, and sociology.

Out is a fashion, style, celebrity and opinion magazine for the modern gay man.

When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.

Out is a fashion, style, celebrity and opinion magazine for the modern gay man.