‘Picture abhi baaki hai...’ If there’s one experience that unites India, it is cinema. In Reel India, award-winning film critic Namrata Joshi journeys through the interiors of the country intimately chronicling little-known accounts about the nation’s incessant obsession with the movies. In Lucknow, she encounters a Shah Rukh Khan fan who has embraced an alternate reality in which he lives and breathes the star. In Wai, she finds an entire economy fuelled by the film industry as the town transforms into a film set. An activist filmmaker in Odisha demonstrates how he teaches local tribal people the basics of his craft, empowering them to train the spotlight on issues threatening their habitat and livelihood. From the fever pitch of the ‘first day first show’ in makeshift halls to the rivalries of regional cinema, this is India’s immersion in the movies like it’s never been seen before. Filled with real-life stories that are as fascinating as the revelations and insights they offer, Reel India raises the curtain on the starry-eyed dreams and big-screen passions that live on after the final ‘cut’ is announced.

‘Picture abhi baaki hai...’ If there’s one experience that unites India, it is cinema. In Reel India, award-winning film critic Namrata Joshi journeys through the interiors of the country intimately chronicling little-known accounts about the nation’s incessant obsession with the movies. In Lucknow, she encounters a Shah Rukh Khan fan who has embraced an alternate reality in which he lives and breathes the star. In Wai, she finds an entire economy fuelled by the film industry as the town transforms into a film set. An activist filmmaker in Odisha demonstrates how he teaches local tribal people the basics of his craft, empowering them to train the spotlight on issues threatening their habitat and livelihood. From the fever pitch of the ‘first day first show’ in makeshift halls to the rivalries of regional cinema, this is India’s immersion in the movies like it’s never been seen before. Filled with real-life stories that are as fascinating as the revelations and insights they offer, Reel India raises the curtain on the starry-eyed dreams and big-screen passions that live on after the final ‘cut’ is announced.

Based on new source material available in both England and India, India's Partition examines the partition in the context of the retreat of the British Empire. The freeing of India from British rule was the result of internal forces in both countries, while the split of the subcontinent along religious lines served as a harbinger for things to come. Panigrahi argues that partition was not a foregone conclusion and was not the favoured option for most of the main parties, but rather was the result of a unique set of circumstances. An erudite exploration of the highly complex relations between India and Britain leading up to independence and the split, India's Partition looks at the leaders who made far-reaching decisions - and their motivations - during this critical time.

Examines amateur film, filmmaking, and equipment from the late 1890s to the present, focusing on the emerging and changing discourse of aesthetics, creativity and innovation, and standards of production.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-02-1944 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 84 VOLUME NUMBER: Vol. IX, No. 5 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 12, 21-80 ARTICLE: 1. India Tomorrow 2. Music Goes To War 3. The Future Of Indian Science AUTHOR: 1. Unknown 2. Brian Easdale 3. Prof. A.V. Hill KEYWORDS: 1. Kanti-Ghosh, Self-Development, Over Population 2. Music, Occupied Europe, Hungarian Composer 3. Thomas Henry Huxley, Royal Society Club, The Spiritual Side Document ID: INL-1943-44(D-J) Vol-1 (05)

This ground-breaking book offers unique insights into the careers of Indian doctors in colonial Kenya during the height of British colonialism, between 1895 and 1940. The story of these important Indian professionals presents a rare social history of an important political minority.