The International Intelligence Organization (IIO) has not been able to crack the case of what is really happening at the Gemini Compound. Agents go into the Compound and either die or change sides. They bring in their Troubleshooter Reagan "Wildfire" Harper to solve the case. She is bound and determined to solve the case, but she is harboring secrets of her own.

There has never been a book about Stephen Harper, yet on June 28 he came close to being our prime minister. If Paul Martin miscalculates, Stephen Harper could be our next prime minister in months, not years. Who is this man? Everyone knows that he became leader of the Alliance Party and, against all odds, gathered in the old Conservative Party to create a force designed to win power, coming very close in 2004. Yet what are his core beliefs? To what extent does he agree with his party's social conservatives, who scared away voters in the last election? Where will he take us if he gets power? William Johnson has researched the Harper family background and the historical context that shaped his political career. He paints a fascinating picture of a man who, like Pierre Trudeau, trained mentally for political power like an athlete training for the Olympics, yet is not a natural politician and never really wanted the political leader’s life. By studying Harper’s approach to the main issues in Canadian politics, he shows that Harper is a sophisticated political operative, far more complex and intellectual than the right-wing Republican image that has been created for him. This is a serious, objective political biography, short on gossip but long on clear discussion of Harper’s political views – and how he got them. Johnson’s message? Don’t underestimate this man.

A 2020 CHOICE Outstanding Academic Title How officials reporting to both executive officials and congressional representatives work to keep the government honest, efficient, and effective. Inspectors general are important players in the federal government, and their work often draws considerable public attention when one of them uncovers serious misdeeds or mismanagement that make the headlines. This book by two experts in public policy provides a comprehensive, up-to-date examination of how inspectors general have operated in the four decades since Congress established the offices to investigate waste, fraud, and mismanagement at federal agencies and to promote efficiency and effectiveness in government programs. Unique among federal officials, inspectors general are independent of the agencies they monitor, and they report to the executive and legislative branches of government. One key factor in their independence is that they are expected to be non-partisan and carry out their work without regard to partisan interests. The authors of U.S. Inspectors General: Truth Tellers in Turbulent Times emphasize the “strategic environment” in which inspectors general work and interact with a variety of stakeholders, inside and outside the government. Their new book is based on in-depth case studies, a survey of inspectors general, and a review of public documents related to the work of inspectors general. It will be of interest to scholars and students of public policy and public management, journalists, and ordinary citizens interested in how the government works—or doesn’t work—on their behalf.

A New York Times bestseller. He was the unlikeliest of presidential candidates - dismissed by opponents as a movie actor, a right-winger trying to undo the work of liberals stretching back to Franklin Roosevelt. Yet Ronald Reagan made it to the White House, taking office in a time of economic turmoil, waning prestige abroad, and a general damping of the American spirit. Reagan's patriotism, wit, and optimism lifted the nation and brought it through a number of crises. An effective leader who understood the power of words, stagecraft, and symbolism, Reagan was a paradoxical blend of ideology and pragmatism. Even as he increased the tension underlying the Cold War with the Soviet Union, he embarked on a series of summits with Mikhail Gorbachev that helped defuse the arms race. When he left office, prosperity had returned and the Soviet state had collapsed. People around the world still revere him for the dawning of what he called "morning in America." Here is his story.

Stephen Harper is the first prime minister to represent the new Conservative Party, and the first to declare that his goals include nothing less than changing Canada by entrenching conservative values and replacing the Liberals as the country’s natural governing party. After nine years of a closed-door governing style, his agenda is no longer hidden. As Brooke Jeffrey outlines in compelling detail in Dismantling Canada, Harper’s agenda is driven by a desire to impose order and tradition at home, and to take firm stands on emerging issues abroad. With only thirty-nine per cent of the popular vote in 2011, his government appears to have gone a surprisingly long way towards achieving those objectives, with little or no concerted public opposition. Illuminating the importance and influence of British and especially American right-wing conservatives on Harper’s strategies, the book explains how he has achieved so much through a combination of stealth, pragmatism, and ruthless determination. Providing fascinating insight into the origins of a new conservative vision for the economy, federalism, and domestic and foreign policies, Dismantling Canada explores Harper’s successes and failures, and evaluates the likely outcome of his long-term agenda to change Canada into a country most Canadians would not recognize.

The Northwestern story emerged full-blown from the pen of Jack London, and his ?The League of the Old Men? is a fitting introduction to these rigorous action tales, in which the inhospitable climate strips away civilized veneer and individuals must live or die by their cunning, instinct, and sometimes ruthlessness. The bond between man and dog and the character flaws revealed under the stresses of extreme isolation are just two of the classic themes explored in these works. The collection comes to a fitting climax of a century?s worth of development with a new story by Tim Champlin, commissioned for this volume. Most of these stories were originally published in magazines and were heavily edited to meet space and style concerns. Stories of the Far North restores each work to its original form, uncut and as each author intended.

Bradley Lightbody here examines the complex arguments which divided East and West following the Second World war, and analyzes its eight major phases from the emergence of the Cold War through the late 1980s.

Simon Stephens is one of Europe's pre-eminent living playwrights. Since the beginning of his career in 1998, Stephens's award-winning plays have been translated into over twenty languages, been produced on four continents, and continue to feature prominently in the repertoires of European theatre. His original works have garnered numerous awards, with his stage adaptation of Mark Haddon's novel The Curious Incident of the Dog in the Night-Time winning seven Olivier Awards and enjoying acclaim on Broadway. In the first book to provide a critical account of Stephens's work, Jacqueline Bolton draws upon the playwright's unpublished personal archives, as well as original interviews with directors and actors, to advance detailed analyses of his original plays and their productions, examine contemporary approaches to playwriting, and deliver insights into broader debates regarding text, performance and authorship. Caridad Svich addresses Stephens's theatrical output between 2014 and 2019, and essays from Mireia Aragay and James Hudson provide additional perspectives on international productions and the playwright's adaptive practices. Andrew Haydon's edited interviews with six of Stephens's key collaborators – Marianne Elliott, Sarah Frankcom, Sean Holmes, Ramin Gray, Katie Mitchell and Carrie Cracknell – further illuminate the work from a director's viewpoint. The Theatre of Simon Stephens situates the playwright's oeuvre within his embrace of aesthetics and working relations encountered in European theatre cultures, focusing in particular upon shifting attitudes towards the function of the playwright, the relationship between playwrights and directors, and the role of the audience in live performance. The Companion serves as a lively and engaging study of one of the most restlessly creative and important dramatists of our generation.

This sweeping study of fantasy literature offers “new and often surprising readings of works both familiar and obscure. A fine critical work” (Journal of the Fantastic in the Arts). Transcending arguments over the definition of fantasy literature, Rhetorics of Fantasy introduces a provocative new system of classification for the genre. Drawing on nearly two hundred examples of modern fantasy, author Farah Mendlesohn identifies four categories—portal-quest, immersive, intrusion, and liminal—that arise out of the relationship of the protagonist to the fantasy world. Using these sets, Mendlesohn argues that the author's stylistic decisions are then shaped by the inescapably political demands of the category in which they choose to write. Each chapter covers at least twenty books in detail, ranging from nineteenth-century fantasy and horror to some of the best works in the contemporary field. Mendlesohn discusses works by more than one hundred authors, including Lloyd Alexander, Peter Beagle, Marion Zimmer Bradley, John Crowley, Stephen R. Donaldson, Stephen King, C. S. Lewis, Gregory Maguire, Robin McKinley, China Miéville, Suniti Namjoshi, Philip Pullman, J. K. Rowling, Sheri S. Tepper, J. R. R. Tolkien, Tad Williams, and many others.