In "The Redneck Manifesto", Goad elucidates redneck politics, religion, and values in his own unique way. "A furious, profane, smart, and hilariously smart-aleck defense of working-class white culture".--"Fort Lauderdale Sun-Sentinel".

The need to personalize our surroundings is a defining human characteristic. For some this need becomes a compulsion to transform their personal surroundings into works of art. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, has undertaken the mission to preserve these environments, which are presented for the first time in Sublime Spaces and Visionary Worlds. This colorful and inspiring book features the work of twenty-two vernacular artists whose locales, personal histories, and reasons for art-making vary widely but who all share a powerful connection to the home as art. Featured projects range from art environments that remain intact, such as Simon Rodia's Watts Towers in California, tosites lost over the years such as Emery Blagdon's six hundred elaborate "Healing Machines," made of copper, aluminum, tinfoil, magnets, ribbons, farm-machinery parts, painted light bulbs, beads, coffee-can lids, and more. Sublime Spaces and Visionary Worlds is the first book to explore these spectacularly offbeat spaces in detail.From "Original Rhinestone Cowboy" Loy Bowlin's wall-to-wall glitter-and-foil living room to the concrete bestiary of "witch of Fox Point" Mary Nohl, each artist and project is described in detail through a wealth of visuals and text. Sublime Spaces and Visionary Worlds reminds us that our decorative choices tell the world not just what we like but who we are.

THE SHAMAN WARRIOR is a classic book of magic and psychic exploration, much like the series of books by Carlos Castaneda and by Lynn Andrews. The author, a sociologist/anthropologist, first met Michael Fairwell, the shaman teacher she studied with, at a magical encampment, and much of Shaman Warrior consists of her descriptions of expeditions into the wilderness to work with Michael and other members of the group in contacting and communicating with the forces of nature. But she also highlights Michael's teachings of the principles of the shaman warrior way, provided in a series of ten lessons by Michael. These cover such topics as "seeing" into other realities, directing and stepping into dreams, projecting one's consciousness into other places and the future, getting in touch with one's inner voice, meeting one's ally, and working with trance, channeling, and ritual. Author Gini Graham Scott additionally sparks up the book with some of the interpersonal dynamics going on in the group of students she studied with. "Finally, a book which brings Shamanism to ALL people, women as well as men. Long overdue. A great work."-Susan B. White, Cyber-Shaman "Dr. Scott's book is an excellent text in teaching us that every man and every woman is a Star and that each of us has a right to practice our own Magick."-Christopher S. Hyatt, PhD, Magical Blend "Shaman Warrior is an intriguing breakthrough book in the field of magic and psychic exploration, much like the series of books by Carlos Castaneda and by Lynn Andrews The book is definitely an exciting read, and one can see Scott taking her place soon besides Castaneda, Andrews, and others who have been reporting on their continuing experience with modern shamans."-Frances Ling, Magical Blend

Dallas ex-cop Charlie Gants thinks there is nothing in this world for him to look forward to—except, maybe, more nightmares. He is about to leave the mental hospital where he has spent the past three months recovering—he hopes—from an explosion of murder that involved the deaths of two of his fellow policemen in a devastatingly dirty way. But shortly before his release, he is talked into accepting a fortuitous job offer—traveling to the cattle ranch of a family named McKendrick to try and find why—if there is a why—the family has been cursed with a series of serious and sometimes fatal accidents. The atmosphere is a strange one. It is possible that there is actually an Indian curse on the land—the Shaman Tree? It stands on the shore of the lake where a McKendrick daughter recently drowned. Is the old Indian Gants encounters there alive, or is he a figure in a dream, or possibly a figment in a flashback from the drugs forced on Gants at a time of the double killing that scrambled his psyche? One death follows another as Gants tries to find and foil a killer, deals with the otherworldly aura that hangs over the McKendrick land and its ominous great tree, and grimly fights to avoid being plunged back into the horror he has fought for so long.

This book is a basic course in developing shamanic awareness. Ideas were developed from over 250 books, and from ideas used mainly by Ulster Scot and Scots-Irish spiritual people in the U.S. The redneck tradition welcomes all, and is generally egalitarian, just as it was in its Celtic costume. Celts, along with Native Americans, are reclaiming their spiritual roots. This book was designed to help people get back to being indigenous, to being rooted in the deeper parts of mind. Ultimately, we are all indigenous, and this book was written in service to all. The creator put fun on this earth to help mark out correction solutions. This book is about having fun, and playing with energy patterns, with the light and information that make up the Universe. This book is very similar to Dowsing and Manifesting, and The Key to the Secret, because the three authors differed on what the final product should look like, so they each went their own way.

A book of humorous short stories about the life of the author from childhood to present, and other stories of interest to the author that he hopes will interest the reader as well.

This anthology of nearly fifty short essays by Wisconsin writers explores a personal sense of place. Wonderfully wide-ranging yet united by a common theme, the chapters include both intimate contemplations of lakes or gardens and big-picture overviews of science, politics, and land use. Whether outdoor writers, journalists, storytellers, farmers, social commentators, spiritual leaders, scientists, or conservation activists, the contributors ask, What gives us a sense of place? What make a place worthy of protection and respect? What binds us to places that somehow touch our minds, hearts, and souls? A Place to Which We Belong is a treasure for Wisconsinites, not only as a tribute to our varied landscapes, but also as a celebration of Wisconsin writers. The voices here include such popular and familar names as Gaylord Nelson, Dennis Boyer, Justin Isherwood, Ben Logan, Bill Stokes, Susan Lampert Smith, Dennis McCann, Nina Leopold Bradley, Jerry Apps, Patrick Durkin, Warren Nelson, Howard Mead, George Hesselberg, Millie Stanley, John Bates, Steve Born, Edward Benton Banai, John Gurda, and such treasured voices of the past as George Vukelich and August Derleth. Distributed for The 1000 Friends of Wisconsin Land Use Institute.

Complex, hermetic, shamanistic, and littered with vibrant references, this poetry is vitally alive to the preoccupations of the age in which we live.

This book on Nanai shamanic culture is based on first-hand information provided by shamans and recorded in the years between 1980 and 2012, a time of rapid socio-cultural change in Russia. It sheds light on the lively indigenous discourse in which social factors such as the splitting of society into different paternal lineages relates to spiritual troubles that Nanai people experience as collective ‘shamanic disease.’ But inter-clan confrontations are not only mediated in shamanic rituals, as these must not be separated from folk narratives, dances and other forms of art. Furthermore, the book provides profound insights into the plurality of contradictory discourses on indigenous knowledge as well as those delivered in non-indigenous contexts. The latter arose or became more intense in the Soviet and post-Soviet periods, and often led to experiments in new shamanic practices.